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Color name
RGB 223 149 82

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 149 82 it is the complementary color RGB 32 106 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 149 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 149 82 shade: RGB 228 149 77, RGB 245 167 96, RGB 255 185 115, RGB 255 203 134 and RGB 255 221 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 149 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 206 131 63, RGB 189 113 44, RGB 172 95 25 and RGB 155 77 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 223 111 82 and RGB 223 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 223 187 82, RGB 221 223 82, RGB 183 223 82 and RGB 145 223 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 149 82 shade matches the following richer shades: RGB 223 149 82 and RGB 239 148 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 206 150 99, RGB 190 151 115, RGB 173 151 132 and RGB 157 152 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 149 82 shade: RGB 223 82 92, RGB 223 110 82, RGB 223 148 82, RGB 223 185 82 and RGB 223 223 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 149 82 shade: RGB 188 107 34, RGB 216 128 47, RGB 223 149 82, RGB 229 170 117 and RGB 236 192 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 129 223 82 and RGB 92 82 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 82 223 148 and RGB 148 82 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 129 223 82, RGB 82 157 223 and RGB 176 82 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 149 82 shade: RGB 223 149 82, RGB 87 223 82, RGB 82 157 223 and RGB 218 82 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

Complementary color

CMYK 82 / 39 / 0 / 32

HEX #206AAD

RGB 32 106 173

HSL 208.51, 0.69%, 0.4%

LAB 43.7, 2.2, -42.04

 

CMYK 0 / 35 / 66 / 11

HEX #E4954D

RGB 228 149 77

HSL 28.61, 0.74%, 0.6%

LAB 68.41, 23.21, 49.28

 

CMYK 0 / 32 / 61 / 4

HEX #F5A760

RGB 245 167 96

HSL 28.59, 0.88%, 0.67%

LAB 74.76, 21.86, 47.77

 

CMYK 0 / 27 / 55 / 0

HEX #FFB973

RGB 255 185 115

HSL 30, 1%, 0.73%

LAB 80.29, 17.85, 45.19

 

CMYK 0 / 20 / 47 / 0

HEX #FFCB86

RGB 255 203 134

HSL 34.21, 1%, 0.76%

LAB 84.84, 10.11, 41.29

 

CMYK 0 / 13 / 40 / 0

HEX #FFDD99

RGB 255 221 153

HSL 40, 1%, 0.8%

LAB 89.52, 2.74, 37.71

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 36 / 69 / 19

HEX #CE833F

RGB 206 131 63

HSL 28.53, 0.59%, 0.53%

LAB 61.41, 22.91, 47.58

 

CMYK 0 / 40 / 77 / 26

HEX #BD712C

RGB 189 113 44

HSL 28.55, 0.62%, 0.46%

LAB 54.88, 24.58, 48.97

 

CMYK 0 / 45 / 85 / 33

HEX #AC5F19

RGB 172 95 25

HSL 28.57, 0.75%, 0.39%

LAB 48.29, 26.49, 49.88

 

CMYK 0 / 50 / 96 / 39

HEX #9B4D06

RGB 155 77 6

HSL 28.59, 0.93%, 0.32%

LAB 41.67, 28.66, 49.54

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 50 / 63 / 13

HEX #DF6F52

RGB 223 111 82

HSL 12.34, 0.69%, 0.6%

LAB 59.59, 41.37, 36.23

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 16 / 63 / 13

HEX #DFBB52

RGB 223 187 82

HSL 44.68, 0.69%, 0.6%

LAB 77.18, 1.23, 56.53

 

CMYK 1 / 0 / 63 / 13

HEX #DDDF52

RGB 221 223 82

HSL 60.85, 0.69%, 0.6%

LAB 86.38, -17.87, 66.33

 

CMYK 18 / 0 / 63 / 13

HEX #B7DF52

RGB 183 223 82

HSL 77.02, 0.69%, 0.6%

LAB 83.68, -33.04, 62.65

 

CMYK 35 / 0 / 63 / 13

HEX #91DF52

RGB 145 223 82

HSL 93.19, 0.69%, 0.6%

LAB 81.51, -46.91, 59.67

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 38 / 72 / 6

HEX #EF9442

RGB 239 148 66

HSL 28.44, 0.84%, 0.6%

LAB 69.42, 27.69, 55.92

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 27 / 52 / 19

HEX #CE9663

RGB 206 150 99

HSL 28.6, 0.52%, 0.6%

LAB 66.39, 15.16, 35.03

 

CMYK 0 / 21 / 39 / 25

HEX #BE9773

RGB 190 151 115

HSL 28.8, 0.37%, 0.6%

LAB 65.21, 9.67, 24.51

 

CMYK 0 / 13 / 24 / 32

HEX #AD9784

RGB 173 151 132

HSL 27.8, 0.2%, 0.6%

LAB 63.9, 5.1, 13.01

 

CMYK 0 / 3 / 6 / 38

HEX #9D9894

RGB 157 152 148

HSL 26.67, 0.04%, 0.6%

LAB 63.15, 1.08, 2.74

 

CMYK 0 / 63 / 59 / 13

HEX #DF525C

RGB 223 82 92

HSL 355.74, 0.69%, 0.6%

LAB 54.55, 55.59, 24.17

 

CMYK 0 / 51 / 63 / 13

HEX #DF6E52

RGB 223 110 82

HSL 11.91, 0.69%, 0.6%

LAB 59.39, 41.87, 35.98

 

CMYK 0 / 34 / 63 / 13

HEX #DF9452

RGB 223 148 82

HSL 28.09, 0.69%, 0.6%

LAB 67.63, 21.99, 45.78

 

CMYK 0 / 17 / 63 / 13

HEX #DFB952

RGB 223 185 82

HSL 43.83, 0.69%, 0.6%

LAB 76.68, 2.28, 55.97

 

CMYK 0 / 0 / 63 / 13

HEX #DFDF52

RGB 223 223 82

HSL 60, 0.69%, 0.6%

LAB 86.54, -17.05, 66.54

 

CMYK 0 / 43 / 82 / 26

HEX #BC6B22

RGB 188 107 34

HSL 28.44, 0.69%, 0.44%

LAB 53.3, 27.05, 51.67

 

CMYK 0 / 41 / 78 / 15

HEX #D8802F

RGB 216 128 47

HSL 28.76, 0.68%, 0.52%

LAB 61.86, 27.98, 55.68

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 0 / 26 / 49 / 10

HEX #E5AA75

RGB 229 170 117

HSL 28.39, 0.68%, 0.68%

LAB 73.99, 15.46, 35.68

 

CMYK 0 / 19 / 36 / 7

HEX #ECC098

RGB 236 192 152

HSL 28.57, 0.69%, 0.76%

LAB 80.63, 10.29, 26.1

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 42 / 0 / 63 / 13

HEX #81DF52

RGB 129 223 82

HSL 100, 0.69%, 0.6%

LAB 80.77, -52.14, 58.64

 

CMYK 59 / 63 / 0 / 13

HEX #5C52DF

RGB 92 82 223

HSL 244.26, 0.69%, 0.6%

LAB 43.71, 43.7, -70.77

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 63 / 0 / 34 / 13

HEX #52DF94

RGB 82 223 148

HSL 148.09, 0.69%, 0.6%

LAB 80.01, -54.75, 25.84

 

CMYK 34 / 63 / 0 / 13

HEX #9452DF

RGB 148 82 223

HSL 268.09, 0.69%, 0.6%

LAB 49.08, 54.34, -61.81

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 42 / 0 / 63 / 13

HEX #81DF52

RGB 129 223 82

HSL 100, 0.69%, 0.6%

LAB 80.77, -52.14, 58.64

 

CMYK 63 / 30 / 0 / 13

HEX #529DDF

RGB 82 157 223

HSL 208.09, 0.69%, 0.6%

LAB 62.71, -3.2, -40.39

 

CMYK 21 / 63 / 0 / 13

HEX #B052DF

RGB 176 82 223

HSL 280, 0.69%, 0.6%

LAB 52.5, 60.51, -56.12

 

CMYK 0 / 33 / 63 / 13

HEX #DF9552

RGB 223 149 82

HSL 28.51, 0.69%, 0.6%

LAB 67.87, 21.45, 46.05

 

CMYK 61 / 0 / 63 / 13

HEX #57DF52

RGB 87 223 82

HSL 117.87, 0.69%, 0.6%

LAB 79.28, -63.42, 56.58

 

CMYK 63 / 30 / 0 / 13

HEX #529DDF

RGB 82 157 223

HSL 208.09, 0.69%, 0.6%

LAB 62.71, -3.2, -40.39

 

CMYK 2 / 63 / 0 / 13

HEX #DA52DF

RGB 218 82 223

HSL 297.87, 0.69%, 0.6%

LAB 58.29, 70.2, -46.56

 

Description

Color code: RGB 223 149 82 | qconv.com Color code: RGB 223 149 82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 149 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 149 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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