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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 15 81 it is the complementary color RGB 31 240 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 15 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 15 81 shade: RGB 229 15 76, RGB 246 33 95, RGB 255 51 114, RGB 255 69 133 and RGB 255 87 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 15 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 207 0 62, RGB 190 0 43, RGB 173 0 24 and RGB 156 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 224 15 25 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 224 15 137, RGB 224 15 193, RGB 198 15 224 and RGB 141 15 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 15 81 shade matches the following richer shades: RGB 224 15 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 204 34 88, RGB 185 54 95, RGB 165 73 102 and RGB 146 93 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 15 81 shade: RGB 224 15 192, RGB 224 15 137, RGB 224 15 81, RGB 224 15 26 and RGB 224 60 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 15 81 shade: RGB 146 10 53, RGB 185 12 67, RGB 224 15 81, RGB 240 40 103 and RGB 242 79 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 224 199 15 and RGB 15 165 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 81 224 15 and RGB 15 81 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 224 199 15, RGB 15 224 158 and RGB 15 39 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 15 81 shade: RGB 224 15 81, RGB 185 224 15, RGB 15 224 158 and RGB 53 15 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

Complementary color

CMYK 87 / 0 / 28 / 6

HEX #1FF0AE

RGB 31 240 174

HSL 161.05, 0.87%, 0.53%

LAB 84.83, -61.9, 18.88

 

CMYK 0 / 93 / 67 / 10

HEX #E50F4C

RGB 229 15 76

HSL 342.9, 0.88%, 0.48%

LAB 48.91, 74.41, 26.64

 

CMYK 0 / 87 / 61 / 4

HEX #F6215F

RGB 246 33 95

HSL 342.54, 0.92%, 0.55%

LAB 53.5, 77.04, 21.76

 

CMYK 0 / 80 / 55 / 0

HEX #FF3372

RGB 255 51 114

HSL 341.47, 1%, 0.6%

LAB 56.92, 76.71, 15.32

 

CMYK 0 / 73 / 48 / 0

HEX #FF4585

RGB 255 69 133

HSL 339.35, 1%, 0.64%

LAB 59.17, 73.07, 7.24

 

CMYK 0 / 66 / 40 / 0

HEX #FF5798

RGB 255 87 152

HSL 336.79, 1%, 0.67%

LAB 61.95, 68.49, 0.17

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 100 / 70 / 19

HEX #CF003E

RGB 207 0 62

HSL 342.03, 1%, 0.41%

LAB 43.67, 69.85, 27.71

 

CMYK 0 / 100 / 77 / 25

HEX #BE002B

RGB 190 0 43

HSL 346.42, 1%, 0.37%

LAB 39.78, 65.01, 33.89

 

CMYK 0 / 100 / 86 / 32

HEX #AD0018

RGB 173 0 24

HSL 351.68, 1%, 0.34%

LAB 35.89, 60.24, 39.72

 

CMYK 0 / 100 / 97 / 39

HEX #9C0005

RGB 156 0 5

HSL 358.08, 1%, 0.31%

LAB 31.99, 55.56, 43.91

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 93 / 89 / 12

HEX #E00F19

RGB 224 15 25

HSL 357.13, 0.87%, 0.47%

LAB 47.31, 71.6, 52.93

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 93 / 39 / 12

HEX #E00F89

RGB 224 15 137

HSL 324.98, 0.87%, 0.47%

LAB 49.49, 77.55, -10

 

CMYK 0 / 93 / 14 / 12

HEX #E00FC1

RGB 224 15 193

HSL 308.9, 0.87%, 0.47%

LAB 51.88, 83.77, -39.48

 

CMYK 12 / 93 / 0 / 12

HEX #C60FE0

RGB 198 15 224

HSL 292.54, 0.87%, 0.47%

LAB 49.17, 83.91, -61.89

 

CMYK 37 / 93 / 0 / 12

HEX #8D0FE0

RGB 141 15 224

HSL 276.17, 0.87%, 0.47%

LAB 40.22, 76.34, -76.84

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 83 / 57 / 20

HEX #CC2258

RGB 204 34 88

HSL 340.94, 0.71%, 0.47%

LAB 45.2, 65.84, 13.42

 

CMYK 0 / 71 / 49 / 27

HEX #B9365F

RGB 185 54 95

HSL 341.22, 0.55%, 0.47%

LAB 43.91, 55.09, 6.74

 

CMYK 0 / 56 / 38 / 35

HEX #A54966

RGB 165 73 102

HSL 341.09, 0.39%, 0.47%

LAB 43.83, 40.96, 1.86

 

CMYK 0 / 36 / 25 / 43

HEX #925D6E

RGB 146 93 110

HSL 340.75, 0.22%, 0.47%

LAB 45.72, 24.15, -0.59

 

CMYK 0 / 93 / 14 / 12

HEX #E00FC0

RGB 224 15 192

HSL 309.19, 0.87%, 0.47%

LAB 51.83, 83.64, -38.98

 

CMYK 0 / 93 / 39 / 12

HEX #E00F89

RGB 224 15 137

HSL 324.98, 0.87%, 0.47%

LAB 49.49, 77.55, -10

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 93 / 88 / 12

HEX #E00F1A

RGB 224 15 26

HSL 356.84, 0.87%, 0.47%

LAB 47.32, 71.61, 52.5

 

CMYK 0 / 73 / 93 / 12

HEX #E03C0F

RGB 224 60 15

HSL 12.92, 0.87%, 0.47%

LAB 50.82, 61.42, 58.89

 

CMYK 0 / 93 / 64 / 43

HEX #920A35

RGB 146 10 53

HSL 341.03, 0.87%, 0.31%

LAB 30.84, 53.07, 14.42

 

CMYK 0 / 94 / 64 / 27

HEX #B90C43

RGB 185 12 67

HSL 340.92, 0.88%, 0.39%

LAB 39.55, 63.56, 18.36

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 83 / 57 / 6

HEX #F02867

RGB 240 40 103

HSL 341.1, 0.87%, 0.55%

LAB 52.97, 74.7, 16.03

 

CMYK 0 / 67 / 46 / 5

HEX #F24F83

RGB 242 79 131

HSL 340.86, 0.86%, 0.63%

LAB 58.14, 65.78, 6.65

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 93 / 26 / 0 / 12

HEX #0FA5E0

RGB 15 165 224

HSL 196.94, 0.87%, 0.47%

LAB 63.67, -14.28, -39.54

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 64 / 0 / 93 / 12

HEX #51E00F

RGB 81 224 15

HSL 101.05, 0.87%, 0.47%

LAB 79.1, -68.95, 75.26

 

CMYK 93 / 64 / 0 / 12

HEX #0F51E0

RGB 15 81 224

HSL 221.05, 0.87%, 0.47%

LAB 40.19, 37.24, -77.23

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 93 / 0 / 29 / 12

HEX #0FE09E

RGB 15 224 158

HSL 161.05, 0.87%, 0.47%

LAB 79.55, -60.33, 19.85

 

CMYK 93 / 83 / 0 / 12

HEX #0F27E0

RGB 15 39 224

HSL 233.11, 0.87%, 0.47%

LAB 31.66, 60.99, -91.35

 

CMYK 0 / 93 / 64 / 12

HEX #E00F51

RGB 224 15 81

HSL 341.05, 0.87%, 0.47%

LAB 47.99, 73.47, 22.19

 

CMYK 17 / 0 / 93 / 12

HEX #B9E00F

RGB 185 224 15

HSL 71.2, 0.87%, 0.47%

LAB 83.79, -35.44, 80.99

 

CMYK 93 / 0 / 29 / 12

HEX #0FE09E

RGB 15 224 158

HSL 161.05, 0.87%, 0.47%

LAB 79.55, -60.33, 19.85

 

CMYK 76 / 93 / 0 / 12

HEX #350FE0

RGB 53 15 224

HSL 250.91, 0.87%, 0.47%

LAB 30.59, 69.93, -93.08

 

Description

Color code: RGB 224 15 81 | qconv.com Color code: RGB 224 15 81 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 15 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 15 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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