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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 198 86 it is the complementary color RGB 31 57 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 198 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 198 86 shade: RGB 229 198 81, RGB 246 216 100, RGB 255 234 119, RGB 255 252 138 and RGB 255 255 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 198 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 207 180 67, RGB 190 162 48, RGB 173 144 29 and RGB 156 126 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 224 161 86, RGB 224 124 86, RGB 224 87 86 and RGB 224 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 213 224 86, RGB 175 224 86, RGB 138 224 86 and RGB 101 224 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 198 86 shade matches the following richer shades: RGB 224 198 86 and RGB 240 208 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 208 188 103, RGB 191 178 119, RGB 175 168 135 and RGB 159 158 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 198 86 shade: RGB 224 123 86, RGB 224 160 86, RGB 224 196 86, RGB 215 224 86 and RGB 178 224 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 198 86 shade: RGB 193 163 35, RGB 217 186 52, RGB 224 198 86, RGB 230 210 121 and RGB 236 221 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 86 224 86 and RGB 141 86 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 86 224 196 and RGB 196 86 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 86 224 86, RGB 86 114 224 and RGB 224 86 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 198 86 shade: RGB 224 198 86, RGB 86 224 128, RGB 86 114 224 and RGB 224 86 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

Complementary color

CMYK 82 / 66 / 0 / 34

HEX #1F39A9

RGB 31 57 169

HSL 228.7, 0.69%, 0.39%

LAB 29.62, 32.85, -62.44

 

CMYK 0 / 14 / 65 / 10

HEX #E5C651

RGB 229 198 81

HSL 47.43, 0.74%, 0.61%

LAB 80.54, -2.02, 60.76

 

CMYK 0 / 12 / 59 / 4

HEX #F6D864

RGB 246 216 100

HSL 47.67, 0.89%, 0.68%

LAB 86.81, -2.95, 59.77

 

CMYK 0 / 8 / 53 / 0

HEX #FFEA77

RGB 255 234 119

HSL 50.74, 1%, 0.73%

LAB 92.33, -6.96, 57.69

 

CMYK 0 / 1 / 46 / 0

HEX #FFFC8A

RGB 255 252 138

HSL 58.46, 1%, 0.77%

LAB 97.11, -14.22, 54.59

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 0 / 13 / 68 / 19

HEX #CFB443

RGB 207 180 67

HSL 48.43, 0.59%, 0.54%

LAB 73.75, -2.81, 58.9

 

CMYK 0 / 15 / 75 / 25

HEX #BEA230

RGB 190 162 48

HSL 48.17, 0.6%, 0.47%

LAB 67.28, -1.64, 59.43

 

CMYK 0 / 17 / 83 / 32

HEX #AD901D

RGB 173 144 29

HSL 47.92, 0.71%, 0.4%

LAB 60.71, -0.23, 59.24

 

CMYK 0 / 19 / 94 / 39

HEX #9C7E0A

RGB 156 126 10

HSL 47.67, 0.88%, 0.33%

LAB 54.04, 1.46, 57.67

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 0 / 28 / 62 / 12

HEX #E0A156

RGB 224 161 86

HSL 32.61, 0.69%, 0.61%

LAB 70.88, 15.7, 47.58

 

CMYK 0 / 45 / 62 / 12

HEX #E07C56

RGB 224 124 86

HSL 16.52, 0.69%, 0.61%

LAB 62.45, 35.37, 37.58

 

CMYK 0 / 61 / 62 / 12

HEX #E05756

RGB 224 87 86

HSL 0.43, 0.69%, 0.61%

LAB 55.42, 53.36, 28.81

 

CMYK 0 / 62 / 62 / 12

HEX #E05656

RGB 224 86 86

HSL 0, 0.69%, 0.61%

LAB 55.25, 53.8, 28.6

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 5 / 0 / 62 / 12

HEX #D5E056

RGB 213 224 86

HSL 64.78, 0.69%, 0.61%

LAB 86.07, -21.35, 64.19

 

CMYK 22 / 0 / 62 / 12

HEX #AFE056

RGB 175 224 86

HSL 81.3, 0.69%, 0.61%

LAB 83.49, -36.25, 60.65

 

CMYK 38 / 0 / 62 / 12

HEX #8AE056

RGB 138 224 86

HSL 97.39, 0.69%, 0.61%

LAB 81.5, -49.31, 57.9

 

CMYK 55 / 0 / 62 / 12

HEX #65E056

RGB 101 224 86

HSL 113.48, 0.69%, 0.61%

LAB 80.04, -60.06, 55.86

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 0 / 13 / 71 / 6

HEX #F0D046

RGB 240 208 70

HSL 48.71, 0.85%, 0.61%

LAB 84.01, -3.11, 69.08

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 0 / 10 / 50 / 18

HEX #D0BC67

RGB 208 188 103

HSL 48.57, 0.53%, 0.61%

LAB 76.29, -3.97, 45.23

 

CMYK 0 / 7 / 38 / 25

HEX #BFB277

RGB 191 178 119

HSL 49.17, 0.36%, 0.61%

LAB 72.39, -4.03, 31.85

 

CMYK 0 / 4 / 23 / 31

HEX #AFA887

RGB 175 168 135

HSL 49.5, 0.2%, 0.61%

LAB 68.66, -2.95, 17.99

 

CMYK 0 / 1 / 5 / 38

HEX #9F9E97

RGB 159 158 151

HSL 52.5, 0.04%, 0.61%

LAB 65.01, -0.94, 3.77

 

CMYK 0 / 45 / 62 / 12

HEX #E07B56

RGB 224 123 86

HSL 16.09, 0.69%, 0.61%

LAB 62.24, 35.89, 37.32

 

CMYK 0 / 29 / 62 / 12

HEX #E0A056

RGB 224 160 86

HSL 32.17, 0.69%, 0.61%

LAB 70.64, 16.24, 47.3

 

CMYK 0 / 13 / 62 / 12

HEX #E0C456

RGB 224 196 86

HSL 47.83, 0.69%, 0.61%

LAB 79.61, -2.77, 57.44

 

CMYK 4 / 0 / 62 / 12

HEX #D7E056

RGB 215 224 86

HSL 63.91, 0.69%, 0.61%

LAB 86.22, -20.55, 64.4

 

CMYK 21 / 0 / 62 / 12

HEX #B2E056

RGB 178 224 86

HSL 80, 0.69%, 0.61%

LAB 83.68, -35.11, 60.91

 

CMYK 0 / 16 / 82 / 24

HEX #C1A323

RGB 193 163 35

HSL 48.61, 0.69%, 0.45%

LAB 67.76, -1.33, 64.33

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 0 / 9 / 47 / 10

HEX #E6D279

RGB 230 210 121

HSL 48.99, 0.69%, 0.69%

LAB 84.12, -4.71, 46.38

 

CMYK 0 / 6 / 34 / 7

HEX #ECDD9C

RGB 236 221 156

HSL 48.75, 0.68%, 0.77%

LAB 87.94, -4.26, 33.81

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 62 / 0 / 62 / 12

HEX #56E056

RGB 86 224 86

HSL 120, 0.69%, 0.61%

LAB 79.59, -63.57, 55.23

 

CMYK 37 / 62 / 0 / 12

HEX #8D56E0

RGB 141 86 224

HSL 263.91, 0.69%, 0.61%

LAB 49.13, 51.03, -62.33

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 62 / 0 / 13 / 12

HEX #56E0C4

RGB 86 224 196

HSL 167.83, 0.69%, 0.61%

LAB 81.44, -43.89, 2.65

 

CMYK 13 / 62 / 0 / 12

HEX #C456E0

RGB 196 86 224

HSL 287.83, 0.69%, 0.61%

LAB 55.86, 63.53, -51.17

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 62 / 0 / 62 / 12

HEX #56E056

RGB 86 224 86

HSL 120, 0.69%, 0.61%

LAB 79.59, -63.57, 55.23

 

CMYK 62 / 49 / 0 / 12

HEX #5672E0

RGB 86 114 224

HSL 227.83, 0.69%, 0.61%

LAB 51.15, 23.55, -59.31

 

CMYK 0 / 62 / 0 / 12

HEX #E056E0

RGB 224 86 224

HSL 300, 0.69%, 0.61%

LAB 59.78, 70.19, -44.7

 

CMYK 0 / 12 / 62 / 12

HEX #E0C656

RGB 224 198 86

HSL 48.7, 0.69%, 0.61%

LAB 80.13, -3.8, 58.01

 

CMYK 62 / 0 / 43 / 12

HEX #56E080

RGB 86 224 128

HSL 138.26, 0.69%, 0.61%

LAB 80.09, -57.91, 36.14

 

CMYK 62 / 49 / 0 / 12

HEX #5672E0

RGB 86 114 224

HSL 227.83, 0.69%, 0.61%

LAB 51.15, 23.55, -59.31

 

CMYK 0 / 62 / 19 / 12

HEX #E056B6

RGB 224 86 182

HSL 318.26, 0.69%, 0.61%

LAB 57.92, 63.74, -23.71

 

Description

Color code: RGB 224 198 86 | qconv.com Color code: RGB 224 198 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 198 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 198 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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