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Color name
RGB 225 164 175

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 164 175 it is the complementary color RGB 30 91 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 164 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 164 175 shade: RGB 230 164 170, RGB 247 182 189, RGB 255 200 208, RGB 255 218 227 and RGB 255 236 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 164 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 164 175 shade: RGB 225 164 175, RGB 208 146 156, RGB 191 128 137, RGB 174 110 118 and RGB 157 92 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 164 175 shade: RGB 224 163 174 and RGB 224 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 164 175 shade: RGB 224 163 174, RGB 224 163 190, RGB 224 163 207, RGB 224 163 223 and RGB 208 163 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 164 175 shade matches the following richer shades: RGB 224 163 174, RGB 234 153 167, RGB 244 143 161 and RGB 254 133 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 164 175 shade: RGB 224 163 174, RGB 214 173 180, RGB 204 183 186, RGB 194 192 193 and RGB 184 202 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 164 175 shade: RGB 224 163 207, RGB 224 163 190, RGB 224 163 174, RGB 224 168 163 and RGB 224 184 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 164 175 shade: RGB 203 101 119, RGB 214 132 147, RGB 224 163 174, RGB 234 194 201 and RGB 245 225 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 164 175 shade: RGB 225 164 175, RGB 223 224 163 and RGB 163 198 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 164 175 shade: RGB 225 164 175, RGB 174 224 163 and RGB 163 174 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 164 175 shade: RGB 225 164 175, RGB 223 224 163, RGB 163 224 213 and RGB 164 163 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 164 175 shade: RGB 225 164 175, RGB 205 224 163, RGB 163 224 213 and RGB 182 163 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

Complementary color

CMYK 67 / 0 / 12 / 64

HEX #1E5B50

RGB 30 91 80

HSL 169.18, 0.5%, 0.24%

LAB 34.68, -22.44, 0.58

 

CMYK 0 / 29 / 26 / 10

HEX #E6A4AA

RGB 230 164 170

HSL 354.55, 0.57%, 0.77%

LAB 73.72, 25.23, 6.65

 

CMYK 0 / 26 / 23 / 3

HEX #F7B6BD

RGB 247 182 189

HSL 353.54, 0.8%, 0.84%

LAB 80.13, 24.53, 5.74

 

CMYK 0 / 22 / 18 / 0

HEX #FFC8D0

RGB 255 200 208

HSL 351.27, 1%, 0.89%

LAB 85.57, 20.69, 3.52

 

CMYK 0 / 15 / 11 / 0

HEX #FFDAE3

RGB 255 218 227

HSL 345.41, 1%, 0.93%

LAB 90.3, 14.25, 0.35

 

CMYK 0 / 7 / 4 / 0

HEX #FFECF6

RGB 255 236 246

HSL 328.42, 1%, 0.96%

LAB 95.12, 8.12, -2.51

 

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

CMYK 0 / 30 / 25 / 18

HEX #D0929C

RGB 208 146 156

HSL 350.32, 0.4%, 0.69%

LAB 66.8, 24.82, 4.15

 

CMYK 0 / 33 / 28 / 25

HEX #BF8089

RGB 191 128 137

HSL 351.43, 0.33%, 0.63%

LAB 60.18, 25.61, 5.14

 

CMYK 0 / 37 / 32 / 32

HEX #AE6E76

RGB 174 110 118

HSL 352.5, 0.28%, 0.56%

LAB 53.45, 26.48, 6.25

 

CMYK 0 / 41 / 37 / 38

HEX #9D5C63

RGB 157 92 99

HSL 353.54, 0.26%, 0.49%

LAB 46.61, 27.45, 7.52

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 27 / 27 / 12

HEX #E0A3A3

RGB 224 163 163

HSL 0, 0.5%, 0.76%

LAB 72.68, 22.57, 8.93

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 27 / 15 / 12

HEX #E0A3BE

RGB 224 163 190

HSL 333.44, 0.5%, 0.76%

LAB 73.39, 26.59, -4.92

 

CMYK 0 / 27 / 8 / 12

HEX #E0A3CF

RGB 224 163 207

HSL 316.72, 0.5%, 0.76%

LAB 73.9, 29.41, -13.5

 

CMYK 0 / 27 / 0 / 12

HEX #E0A3DF

RGB 224 163 223

HSL 300.98, 0.5%, 0.76%

LAB 74.43, 32.27, -21.46

 

CMYK 7 / 27 / 0 / 12

HEX #D0A3E0

RGB 208 163 224

HSL 284.26, 0.5%, 0.76%

LAB 72.88, 27.3, -24.5

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 35 / 29 / 8

HEX #EA99A7

RGB 234 153 167

HSL 349.63, 0.66%, 0.76%

LAB 71.6, 32.14, 5.31

 

CMYK 0 / 41 / 34 / 4

HEX #F48FA1

RGB 244 143 161

HSL 349.31, 0.82%, 0.76%

LAB 70.49, 40.19, 7.21

 

CMYK 0 / 48 / 39 / 0

HEX #FE859B

RGB 254 133 155

HSL 349.09, 0.98%, 0.76%

LAB 69.62, 48.05, 9.5

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 19 / 16 / 16

HEX #D6ADB4

RGB 214 173 180

HSL 349.76, 0.33%, 0.76%

LAB 74.49, 16.01, 2.07

 

CMYK 0 / 10 / 9 / 20

HEX #CCB7BA

RGB 204 183 186

HSL 351.43, 0.17%, 0.76%

LAB 76.22, 7.99, 1.2

 

CMYK 0 / 1 / 1 / 24

HEX #C2C0C1

RGB 194 192 193

HSL 330, 0.02%, 0.76%

LAB 77.89, 0.88, -0.26

 

CMYK 9 / 0 / 1 / 21

HEX #B8CAC7

RGB 184 202 199

HSL 170, 0.15%, 0.76%

LAB 79.93, -6.66, -0.6

 

CMYK 0 / 27 / 8 / 12

HEX #E0A3CF

RGB 224 163 207

HSL 316.72, 0.5%, 0.76%

LAB 73.9, 29.41, -13.5

 

CMYK 0 / 27 / 15 / 12

HEX #E0A3BE

RGB 224 163 190

HSL 333.44, 0.5%, 0.76%

LAB 73.39, 26.59, -4.92

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 25 / 27 / 12

HEX #E0A8A3

RGB 224 168 163

HSL 4.92, 0.5%, 0.76%

LAB 73.87, 19.88, 10.62

 

CMYK 0 / 18 / 27 / 12

HEX #E0B8A3

RGB 224 184 163

HSL 20.66, 0.5%, 0.76%

LAB 77.74, 11.32, 16.07

 

CMYK 0 / 50 / 41 / 20

HEX #CB6577

RGB 203 101 119

HSL 349.41, 0.5%, 0.6%

LAB 55.42, 42.21, 8.99

 

CMYK 0 / 38 / 31 / 16

HEX #D68493

RGB 214 132 147

HSL 349.02, 0.5%, 0.68%

LAB 64.08, 33.37, 5.41

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 17 / 14 / 8

HEX #EAC2C9

RGB 234 194 201

HSL 349.5, 0.49%, 0.84%

LAB 82, 15.31, 1.83

 

CMYK 0 / 8 / 7 / 4

HEX #F5E1E4

RGB 245 225 228

HSL 351, 0.5%, 0.92%

LAB 91.17, 7.33, 1

 

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

CMYK 0 / 0 / 27 / 12

HEX #DFE0A3

RGB 223 224 163

HSL 60.98, 0.5%, 0.76%

LAB 87.8, -9.85, 29.85

 

CMYK 27 / 12 / 0 / 12

HEX #A3C6E0

RGB 163 198 224

HSL 205.57, 0.5%, 0.76%

LAB 78.2, -5.8, -16.76

 

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

CMYK 22 / 0 / 27 / 12

HEX #AEE0A3

RGB 174 224 163

HSL 109.18, 0.5%, 0.76%

LAB 84.46, -27.46, 24.77

 

CMYK 27 / 22 / 0 / 12

HEX #A3AEE0

RGB 163 174 224

HSL 229.18, 0.5%, 0.76%

LAB 71.85, 7.22, -26.41

 

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

CMYK 0 / 0 / 27 / 12

HEX #DFE0A3

RGB 223 224 163

HSL 60.98, 0.5%, 0.76%

LAB 87.8, -9.85, 29.85

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 27 / 0 / 12

HEX #A4A3E0

RGB 164 163 224

HSL 240.98, 0.5%, 0.76%

LAB 69.09, 13.65, -30.65

 

CMYK 0 / 27 / 22 / 12

HEX #E1A4AF

RGB 225 164 175

HSL 349.18, 0.5%, 0.76%

LAB 73.32, 24.11, 3.25

 

CMYK 8 / 0 / 27 / 12

HEX #CDE0A3

RGB 205 224 163

HSL 78.69, 0.5%, 0.76%

LAB 86.47, -16.51, 27.84

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 19 / 27 / 0 / 12

HEX #B6A3E0

RGB 182 163 224

HSL 258.69, 0.5%, 0.76%

LAB 70.54, 19.1, -28.3

 

Description

Color code: RGB 225 164 175 | qconv.com Color code: RGB 225 164 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 164 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 164 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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