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Color name
RGB 225 161 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 161 164 it is the complementary color RGB 30 94 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 161 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 161 164 shade: RGB 230 161 159, RGB 247 179 178, RGB 255 197 197, RGB 255 215 216 and RGB 255 233 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 161 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 208 143 145, RGB 191 125 126, RGB 174 107 107 and RGB 157 89 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 161 164 shade: RGB 225 161 164 and RGB 225 161 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 225 161 182, RGB 225 161 199, RGB 225 161 216 and RGB 217 161 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 161 164 shade matches the following richer shades: RGB 225 161 164, RGB 235 152 155 and RGB 245 142 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 215 171 173, RGB 205 181 182, RGB 195 191 191 and RGB 186 201 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 161 164 shade: RGB 225 161 199, RGB 225 161 182, RGB 225 161 165, RGB 225 175 161 and RGB 225 192 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 161 164 shade: RGB 205 99 104, RGB 215 130 134, RGB 225 161 164, RGB 235 193 195 and RGB 245 224 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 216 225 161 and RGB 161 190 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 165 225 161 and RGB 161 165 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 216 225 161, RGB 161 225 222 and RGB 171 161 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 161 164 shade: RGB 225 161 164, RGB 196 225 161, RGB 161 225 222 and RGB 190 161 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

Complementary color

CMYK 68 / 0 / 3 / 63

HEX #1E5E5B

RGB 30 94 91

HSL 177.19, 0.52%, 0.24%

LAB 36.05, -20.68, -4.25

 

CMYK 0 / 30 / 31 / 10

HEX #E6A19F

RGB 230 161 159

HSL 1.69, 0.59%, 0.76%

LAB 72.77, 25.35, 11.35

 

CMYK 0 / 28 / 28 / 3

HEX #F7B3B2

RGB 247 179 178

HSL 0.87, 0.81%, 0.83%

LAB 79.17, 24.6, 10.32

 

CMYK 0 / 23 / 23 / 0

HEX #FFC5C5

RGB 255 197 197

HSL 0, 1%, 0.89%

LAB 84.6, 20.66, 7.98

 

CMYK 0 / 16 / 15 / 0

HEX #FFD7D8

RGB 255 215 216

HSL 358.5, 1%, 0.92%

LAB 89.31, 14.07, 4.7

 

CMYK 0 / 9 / 8 / 0

HEX #FFE9EB

RGB 255 233 235

HSL 354.55, 1%, 0.96%

LAB 94.11, 7.8, 1.73

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 31 / 30 / 18

HEX #D08F91

RGB 208 143 145

HSL 358.15, 0.41%, 0.69%

LAB 65.83, 24.93, 8.94

 

CMYK 0 / 35 / 34 / 25

HEX #BF7D7E

RGB 191 125 126

HSL 359.09, 0.34%, 0.62%

LAB 59.2, 25.78, 10.07

 

CMYK 0 / 39 / 39 / 32

HEX #AE6B6B

RGB 174 107 107

HSL 0, 0.29%, 0.55%

LAB 52.48, 26.74, 11.35

 

CMYK 0 / 43 / 44 / 38

HEX #9D5958

RGB 157 89 88

HSL 0.87, 0.28%, 0.48%

LAB 45.66, 27.8, 12.83

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 28 / 28 / 12

HEX #E1A1A1

RGB 225 161 161

HSL 0, 0.52%, 0.76%

LAB 72.28, 23.74, 9.47

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 28 / 19 / 12

HEX #E1A1B6

RGB 225 161 182

HSL 340.31, 0.52%, 0.76%

LAB 72.81, 26.77, -1.35

 

CMYK 0 / 28 / 12 / 12

HEX #E1A1C7

RGB 225 161 199

HSL 324.38, 0.52%, 0.76%

LAB 73.3, 29.48, -9.99

 

CMYK 0 / 28 / 4 / 12

HEX #E1A1D8

RGB 225 161 216

HSL 308.44, 0.52%, 0.76%

LAB 73.84, 32.4, -18.51

 

CMYK 4 / 28 / 0 / 12

HEX #D9A1E1

RGB 217 161 225

HSL 292.5, 0.52%, 0.76%

LAB 73.34, 31.46, -24.28

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 35 / 34 / 8

HEX #EB989B

RGB 235 152 155

HSL 357.83, 0.67%, 0.76%

LAB 71.2, 31.49, 11.42

 

CMYK 0 / 42 / 40 / 4

HEX #F58E93

RGB 245 142 147

HSL 357.09, 0.84%, 0.76%

LAB 70.08, 39.45, 14.45

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 20 / 20 / 16

HEX #D7ABAD

RGB 215 171 173

HSL 357.27, 0.35%, 0.76%

LAB 73.93, 16.36, 5.1

 

CMYK 0 / 12 / 11 / 20

HEX #CDB5B6

RGB 205 181 182

HSL 357.5, 0.19%, 0.76%

LAB 75.7, 8.75, 2.63

 

CMYK 0 / 2 / 2 / 24

HEX #C3BFBF

RGB 195 191 191

HSL 0, 0.03%, 0.76%

LAB 77.65, 1.4, 0.49

 

CMYK 7 / 0 / 0 / 21

HEX #BAC9C8

RGB 186 201 200

HSL 176, 0.12%, 0.76%

LAB 79.83, -5.28, -1.26

 

CMYK 0 / 28 / 12 / 12

HEX #E1A1C7

RGB 225 161 199

HSL 324.38, 0.52%, 0.76%

LAB 73.3, 29.48, -9.99

 

CMYK 0 / 28 / 19 / 12

HEX #E1A1B6

RGB 225 161 182

HSL 340.31, 0.52%, 0.76%

LAB 72.81, 26.77, -1.35

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A5

RGB 225 161 165

HSL 356.25, 0.52%, 0.76%

LAB 72.37, 24.29, 7.4

 

CMYK 0 / 22 / 28 / 12

HEX #E1AFA1

RGB 225 175 161

HSL 13.13, 0.52%, 0.76%

LAB 75.6, 16.23, 14.17

 

CMYK 0 / 15 / 28 / 12

HEX #E1C0A1

RGB 225 192 161

HSL 29.06, 0.52%, 0.76%

LAB 79.77, 7.18, 19.99

 

CMYK 0 / 52 / 49 / 20

HEX #CD6368

RGB 205 99 104

HSL 357.17, 0.51%, 0.6%

LAB 54.97, 42.42, 17.21

 

CMYK 0 / 40 / 38 / 16

HEX #D78286

RGB 215 130 134

HSL 357.18, 0.52%, 0.68%

LAB 63.45, 33.19, 11.91

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 0 / 18 / 17 / 8

HEX #EBC1C3

RGB 235 193 195

HSL 357.14, 0.51%, 0.84%

LAB 81.7, 15.26, 4.63

 

CMYK 0 / 9 / 8 / 4

HEX #F5E0E1

RGB 245 224 225

HSL 357.14, 0.51%, 0.92%

LAB 90.85, 7.35, 2.11

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 4 / 0 / 28 / 12

HEX #D8E1A1

RGB 216 225 161

HSL 68.44, 0.52%, 0.76%

LAB 87.5, -13.23, 30.38

 

CMYK 28 / 16 / 0 / 12

HEX #A1BEE1

RGB 161 190 225

HSL 212.81, 0.52%, 0.76%

LAB 75.97, -1.88, -20.68

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 27 / 0 / 28 / 12

HEX #A5E1A1

RGB 165 225 161

HSL 116.25, 0.52%, 0.76%

LAB 84.19, -31.26, 25.35

 

CMYK 28 / 27 / 0 / 12

HEX #A1A5E1

RGB 161 165 225

HSL 236.25, 0.52%, 0.76%

LAB 69.42, 11.89, -30.72

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 4 / 0 / 28 / 12

HEX #D8E1A1

RGB 216 225 161

HSL 68.44, 0.52%, 0.76%

LAB 87.5, -13.23, 30.38

 

CMYK 28 / 0 / 1 / 12

HEX #A1E1DE

RGB 161 225 222

HSL 177.19, 0.52%, 0.76%

LAB 85.35, -20.7, -5.04

 

CMYK 24 / 28 / 0 / 12

HEX #ABA1E1

RGB 171 161 225

HSL 249.38, 0.52%, 0.76%

LAB 69.17, 17.1, -31.03

 

CMYK 0 / 28 / 27 / 12

HEX #E1A1A4

RGB 225 161 164

HSL 357.19, 0.52%, 0.76%

LAB 72.35, 24.15, 7.91

 

CMYK 13 / 0 / 28 / 12

HEX #C4E1A1

RGB 196 225 161

HSL 87.19, 0.52%, 0.76%

LAB 86.09, -20.55, 28.24

 

CMYK 28 / 0 / 1 / 12

HEX #A1E1DE

RGB 161 225 222

HSL 177.19, 0.52%, 0.76%

LAB 85.35, -20.7, -5.04

 

CMYK 16 / 28 / 0 / 12

HEX #BEA1E1

RGB 190 161 225

HSL 267.19, 0.52%, 0.76%

LAB 70.78, 22.92, -28.41

 

Description

Color code: RGB 225 161 164 | qconv.com Color code: RGB 225 161 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 161 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 161 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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