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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 192 29 it is the complementary color RGB 30 63 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 192 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 192 29 shade: RGB 230 192 24, RGB 247 210 43, RGB 255 228 62, RGB 255 246 81 and RGB 255 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 192 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 208 174 10, RGB 191 156 0, RGB 174 138 0 and RGB 157 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 225 139 29, RGB 225 86 29, RGB 225 33 29 and RGB 225 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 205 225 29, RGB 152 225 29, RGB 99 225 29 and RGB 46 225 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 192 29 shade matches the following richer shades: RGB 225 192 29 and RGB 246 206 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 205 178 49, RGB 184 165 70, RGB 163 151 91 and RGB 143 137 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 192 29 shade: RGB 225 84 29, RGB 225 137 29, RGB 225 189 29, RGB 209 225 29 and RGB 156 225 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 192 29 shade: RGB 152 130 19, RGB 189 161 24, RGB 225 192 29, RGB 230 202 65 and RGB 235 212 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 29 225 32 and RGB 111 29 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 29 225 189 and RGB 189 29 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 29 225 32, RGB 29 65 225 and RGB 225 29 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 192 29 shade: RGB 225 192 29, RGB 29 225 91, RGB 29 65 225 and RGB 225 29 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

Complementary color

CMYK 87 / 72 / 0 / 11

HEX #1E3FE2

RGB 30 63 226

HSL 229.9, 0.77%, 0.5%

LAB 36.6, 49.6, -84.29

 

CMYK 0 / 17 / 90 / 10

HEX #E6C018

RGB 230 192 24

HSL 48.93, 0.81%, 0.5%

LAB 78.8, -0.62, 77.38

 

CMYK 0 / 15 / 83 / 3

HEX #F7D22B

RGB 247 210 43

HSL 49.12, 0.93%, 0.57%

LAB 85.02, -2.16, 78.89

 

CMYK 0 / 11 / 76 / 0

HEX #FFE43E

RGB 255 228 62

HSL 51.61, 1%, 0.62%

LAB 90.37, -7.25, 78.39

 

CMYK 0 / 4 / 68 / 0

HEX #FFF651

RGB 255 246 81

HSL 56.9, 1%, 0.66%

LAB 95.06, -15.28, 76.42

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 0 / 16 / 95 / 18

HEX #D0AE0A

RGB 208 174 10

HSL 49.7, 0.91%, 0.43%

LAB 72.03, -1.03, 73.41

 

CMYK 0 / 18 / 100 / 25

HEX #BF9C00

RGB 191 156 0

HSL 49.01, 1%, 0.37%

LAB 65.63, 0.87, 69.28

 

CMYK 0 / 21 / 100 / 32

HEX #AE8A00

RGB 174 138 0

HSL 47.59, 1%, 0.34%

LAB 59.14, 2.96, 63.92

 

CMYK 0 / 24 / 100 / 38

HEX #9D7800

RGB 157 120 0

HSL 45.86, 1%, 0.31%

LAB 52.51, 5.14, 58.46

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 0 / 38 / 87 / 12

HEX #E18B1D

RGB 225 139 29

HSL 33.67, 0.77%, 0.5%

LAB 65.41, 25.38, 65.54

 

CMYK 0 / 62 / 87 / 12

HEX #E1561D

RGB 225 86 29

HSL 17.45, 0.77%, 0.5%

LAB 54.82, 51.77, 57.14

 

CMYK 0 / 85 / 87 / 12

HEX #E1211D

RGB 225 33 29

HSL 1.22, 0.77%, 0.5%

LAB 48.49, 69.19, 52.14

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 9 / 0 / 87 / 12

HEX #CDE11D

RGB 205 225 29

HSL 66.12, 0.77%, 0.5%

LAB 85.46, -27.55, 80.89

 

CMYK 32 / 0 / 87 / 12

HEX #98E11D

RGB 152 225 29

HSL 82.35, 0.77%, 0.5%

LAB 82.17, -48.16, 76.83

 

CMYK 56 / 0 / 87 / 12

HEX #63E11D

RGB 99 225 29

HSL 98.57, 0.77%, 0.5%

LAB 79.95, -64.68, 74.06

 

CMYK 80 / 0 / 87 / 12

HEX #2EE11D

RGB 46 225 29

HSL 114.8, 0.77%, 0.5%

LAB 78.76, -74.69, 72.57

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 0 / 16 / 97 / 4

HEX #F6CE08

RGB 246 206 8

HSL 49.92, 0.94%, 0.5%

LAB 83.84, -1.13, 83.84

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 0 / 13 / 76 / 20

HEX #CDB231

RGB 205 178 49

HSL 49.62, 0.61%, 0.5%

LAB 72.92, -3.49, 64.9

 

CMYK 0 / 10 / 62 / 28

HEX #B8A546

RGB 184 165 70

HSL 50, 0.45%, 0.5%

LAB 67.68, -4.63, 50.48

 

CMYK 0 / 7 / 44 / 36

HEX #A3975B

RGB 163 151 91

HSL 50, 0.28%, 0.5%

LAB 62.23, -4.28, 33.13

 

CMYK 0 / 4 / 22 / 44

HEX #8F896F

RGB 143 137 111

HSL 48.75, 0.13%, 0.5%

LAB 56.96, -2.25, 14.77

 

CMYK 0 / 63 / 87 / 12

HEX #E1541D

RGB 225 84 29

HSL 16.84, 0.77%, 0.5%

LAB 54.49, 52.65, 56.88

 

CMYK 0 / 39 / 87 / 12

HEX #E1891D

RGB 225 137 29

HSL 33.06, 0.77%, 0.5%

LAB 64.95, 26.44, 65.18

 

CMYK 0 / 16 / 87 / 12

HEX #E1BD1D

RGB 225 189 29

HSL 48.98, 0.77%, 0.5%

LAB 77.57, -1.14, 75.24

 

CMYK 7 / 0 / 87 / 12

HEX #D1E11D

RGB 209 225 29

HSL 64.9, 0.77%, 0.5%

LAB 85.75, -25.91, 81.25

 

CMYK 31 / 0 / 87 / 12

HEX #9CE11D

RGB 156 225 29

HSL 81.12, 0.77%, 0.5%

LAB 82.38, -46.71, 77.09

 

CMYK 0 / 14 / 88 / 40

HEX #988213

RGB 152 130 19

HSL 50.08, 0.78%, 0.34%

LAB 54.75, -2.45, 56.13

 

CMYK 0 / 15 / 87 / 26

HEX #BDA118

RGB 189 161 24

HSL 49.82, 0.77%, 0.42%

LAB 66.81, -2.34, 66.25

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 0 / 12 / 72 / 10

HEX #E6CA41

RGB 230 202 65

HSL 49.82, 0.77%, 0.58%

LAB 81.54, -4.5, 68.21

 

CMYK 0 / 10 / 57 / 8

HEX #EBD466

RGB 235 212 102

HSL 49.62, 0.77%, 0.66%

LAB 84.85, -5.29, 56.37

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 87 / 0 / 86 / 12

HEX #1DE120

RGB 29 225 32

HSL 120.92, 0.77%, 0.5%

LAB 78.59, -76.23, 71.74

 

CMYK 51 / 87 / 0 / 12

HEX #6F1DE1

RGB 111 29 225

HSL 265.1, 0.77%, 0.5%

LAB 37.29, 70.58, -82.38

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 87 / 0 / 16 / 12

HEX #1DE1BD

RGB 29 225 189

HSL 168.98, 0.77%, 0.5%

LAB 80.62, -52.64, 5.05

 

CMYK 16 / 87 / 0 / 12

HEX #BD1DE1

RGB 189 29 225

HSL 288.98, 0.77%, 0.5%

LAB 48.43, 80.73, -63.72

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 87 / 0 / 86 / 12

HEX #1DE120

RGB 29 225 32

HSL 120.92, 0.77%, 0.5%

LAB 78.59, -76.23, 71.74

 

CMYK 87 / 71 / 0 / 12

HEX #1D41E1

RGB 29 65 225

HSL 228.98, 0.77%, 0.5%

LAB 36.89, 48.04, -83.23

 

CMYK 0 / 87 / 1 / 12

HEX #E11DDE

RGB 225 29 222

HSL 300.92, 0.77%, 0.5%

LAB 54.2, 86.19, -52.43

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 87 / 0 / 60 / 12

HEX #1DE15B

RGB 29 225 91

HSL 138.98, 0.77%, 0.5%

LAB 78.96, -71.49, 52.08

 

CMYK 87 / 71 / 0 / 12

HEX #1D41E1

RGB 29 65 225

HSL 228.98, 0.77%, 0.5%

LAB 36.89, 48.04, -83.23

 

CMYK 0 / 87 / 28 / 12

HEX #E11DA3

RGB 225 29 163

HSL 318.98, 0.77%, 0.5%

LAB 51.3, 78.57, -22.78

 

Description

Color code: RGB 225 192 29 | qconv.com Color code: RGB 225 192 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 192 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 192 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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