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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 89 114 it is the complementary color RGB 30 166 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 89 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 89 114 shade: RGB 230 89 109, RGB 247 107 128, RGB 255 125 147, RGB 255 143 166 and RGB 255 161 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 89 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 89 114 shade: RGB 225 89 114, RGB 208 71 95, RGB 191 53 76, RGB 174 35 57 and RGB 157 17 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 89 114 shade: RGB 224 91 115 and RGB 224 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 89 114 shade: RGB 224 91 115, RGB 224 91 151, RGB 224 91 187, RGB 224 91 224 and RGB 189 91 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 89 114 shade matches the following richer shades: RGB 224 91 115 and RGB 240 75 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 89 114 shade: RGB 224 91 115, RGB 209 106 125, RGB 193 122 135, RGB 177 138 145 and RGB 162 153 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 89 114 shade: RGB 224 91 189, RGB 224 91 153, RGB 224 91 117, RGB 224 100 91 and RGB 224 135 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 89 114 shade: RGB 197 36 65, RGB 218 56 86, RGB 224 91 115, RGB 231 126 145 and RGB 237 160 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 89 114 shade: RGB 225 89 114, RGB 224 224 91 and RGB 91 171 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 89 114 shade: RGB 225 89 114, RGB 117 224 91 and RGB 91 117 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 89 114 shade: RGB 225 89 114, RGB 224 224 91, RGB 91 224 198 and RGB 91 91 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 89 114 shade: RGB 225 89 114, RGB 184 224 91, RGB 91 224 198 and RGB 131 91 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

Complementary color

CMYK 82 / 0 / 15 / 35

HEX #1EA68D

RGB 30 166 141

HSL 168.97, 0.69%, 0.38%

LAB 61.2, -40.49, 3.12

 

CMYK 0 / 61 / 53 / 10

HEX #E6596D

RGB 230 89 109

HSL 351.49, 0.74%, 0.63%

LAB 57.15, 56.16, 17.89

 

CMYK 0 / 57 / 48 / 3

HEX #F76B80

RGB 247 107 128

HSL 351, 0.9%, 0.69%

LAB 63.22, 55.36, 15.66

 

CMYK 0 / 51 / 42 / 0

HEX #FF7D93

RGB 255 125 147

HSL 349.85, 1%, 0.75%

LAB 68.05, 51.44, 11.79

 

CMYK 0 / 44 / 35 / 0

HEX #FF8FA6

RGB 255 143 166

HSL 347.68, 1%, 0.78%

LAB 72, 44.66, 6.77

 

CMYK 0 / 37 / 27 / 0

HEX #FFA1B9

RGB 255 161 185

HSL 344.68, 1%, 0.82%

LAB 76.22, 37.84, 2.38

 

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

CMYK 0 / 66 / 54 / 18

HEX #D0475F

RGB 208 71 95

HSL 349.49, 0.59%, 0.55%

LAB 50.38, 55.54, 16.37

 

CMYK 0 / 72 / 60 / 25

HEX #BF354C

RGB 191 53 76

HSL 350, 0.57%, 0.48%

LAB 44.44, 55.79, 19.41

 

CMYK 0 / 80 / 67 / 32

HEX #AE2339

RGB 174 35 57

HSL 350.5, 0.67%, 0.41%

LAB 38.72, 55.44, 23.17

 

CMYK 0 / 89 / 76 / 38

HEX #9D1126

RGB 157 17 38

HSL 351, 0.8%, 0.34%

LAB 33.37, 54.09, 27.82

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 59 / 59 / 12

HEX #E05B5B

RGB 224 91 91

HSL 0, 0.68%, 0.62%

LAB 56.17, 51.91, 26.9

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 59 / 33 / 12

HEX #E05B97

RGB 224 91 151

HSL 332.93, 0.68%, 0.62%

LAB 57.62, 57.57, -6.18

 

CMYK 0 / 59 / 17 / 12

HEX #E05BBB

RGB 224 91 187

HSL 316.69, 0.68%, 0.62%

LAB 58.9, 62.34, -25.08

 

CMYK 0 / 59 / 0 / 12

HEX #E05BE0

RGB 224 91 224

HSL 300, 0.68%, 0.62%

LAB 60.53, 68.14, -43.53

 

CMYK 16 / 59 / 0 / 12

HEX #BD5BE0

RGB 189 91 224

HSL 284.21, 0.68%, 0.62%

LAB 55.77, 59.58, -51.37

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 69 / 56 / 6

HEX #F04B69

RGB 240 75 105

HSL 349.09, 0.85%, 0.62%

LAB 56.66, 64.6, 19.85

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 49 / 40 / 18

HEX #D16A7D

RGB 209 106 125

HSL 348.93, 0.53%, 0.62%

LAB 57.41, 42.48, 8.43

 

CMYK 0 / 37 / 30 / 24

HEX #C17A87

RGB 193 122 135

HSL 349.01, 0.36%, 0.62%

LAB 58.98, 29.38, 4.6

 

CMYK 0 / 22 / 18 / 31

HEX #B18A91

RGB 177 138 145

HSL 349.23, 0.2%, 0.62%

LAB 61.28, 15.93, 1.97

 

CMYK 0 / 6 / 4 / 36

HEX #A2999B

RGB 162 153 155

HSL 346.67, 0.05%, 0.62%

LAB 64.02, 3.66, 0.12

 

CMYK 0 / 59 / 16 / 12

HEX #E05BBD

RGB 224 91 189

HSL 315.79, 0.68%, 0.62%

LAB 58.98, 62.63, -26.11

 

CMYK 0 / 59 / 32 / 12

HEX #E05B99

RGB 224 91 153

HSL 332.03, 0.68%, 0.62%

LAB 57.68, 57.81, -7.25

 

CMYK 0 / 59 / 48 / 12

HEX #E05B75

RGB 224 91 117

HSL 348.27, 0.68%, 0.62%

LAB 56.7, 54, 12.43

 

CMYK 0 / 55 / 59 / 12

HEX #E0645B

RGB 224 100 91

HSL 4.06, 0.68%, 0.62%

LAB 57.77, 47.73, 28.95

 

CMYK 0 / 40 / 59 / 12

HEX #E0875B

RGB 224 135 91

HSL 19.85, 0.68%, 0.62%

LAB 64.91, 29.95, 37.9

 

CMYK 0 / 82 / 67 / 23

HEX #C52441

RGB 197 36 65

HSL 349.19, 0.69%, 0.46%

LAB 43.53, 62.11, 25.23

 

CMYK 0 / 74 / 61 / 15

HEX #DA3856

RGB 218 56 86

HSL 348.89, 0.69%, 0.54%

LAB 49.98, 63.45, 21.56

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 45 / 37 / 9

HEX #E77E91

RGB 231 126 145

HSL 349.14, 0.69%, 0.7%

LAB 64.93, 42.39, 8.04

 

CMYK 0 / 32 / 26 / 7

HEX #EDA0AF

RGB 237 160 175

HSL 348.31, 0.68%, 0.78%

LAB 73.7, 30.6, 3.97

 

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

CMYK 0 / 0 / 59 / 12

HEX #E0E05B

RGB 224 224 91

HSL 60, 0.68%, 0.62%

LAB 86.95, -16.56, 63.31

 

CMYK 59 / 24 / 0 / 12

HEX #5BABE0

RGB 91 171 224

HSL 203.91, 0.68%, 0.62%

LAB 67.08, -9.05, -34.11

 

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

CMYK 48 / 0 / 59 / 12

HEX #75E05B

RGB 117 224 91

HSL 108.27, 0.68%, 0.62%

LAB 80.65, -55.25, 54.55

 

CMYK 59 / 48 / 0 / 12

HEX #5B75E0

RGB 91 117 224

HSL 228.27, 0.68%, 0.62%

LAB 52.21, 22.61, -57.59

 

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

CMYK 0 / 0 / 59 / 12

HEX #E0E05B

RGB 224 224 91

HSL 60, 0.68%, 0.62%

LAB 86.95, -16.56, 63.31

 

CMYK 59 / 0 / 12 / 12

HEX #5BE0C6

RGB 91 224 198

HSL 168.27, 0.68%, 0.62%

LAB 81.63, -42.52, 1.88

 

CMYK 59 / 59 / 0 / 12

HEX #5B5BE0

RGB 91 91 224

HSL 240, 0.68%, 0.62%

LAB 45.75, 38.51, -68.01

 

CMYK 0 / 60 / 49 / 12

HEX #E15972

RGB 225 89 114

HSL 348.97, 0.69%, 0.62%

LAB 56.45, 54.94, 13.87

 

CMYK 18 / 0 / 59 / 12

HEX #B8E05B

RGB 184 224 91

HSL 78.05, 0.68%, 0.62%

LAB 84.1, -32.43, 59.36

 

CMYK 59 / 0 / 12 / 12

HEX #5BE0C6

RGB 91 224 198

HSL 168.27, 0.68%, 0.62%

LAB 81.63, -42.52, 1.88

 

CMYK 42 / 59 / 0 / 12

HEX #835BE0

RGB 131 91 224

HSL 258.05, 0.68%, 0.62%

LAB 49.12, 46.19, -62.4

 

Description

Color code: RGB 225 89 114 | qconv.com Color code: RGB 225 89 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 89 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 89 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 49 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 49% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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