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Color name
RGB 226 89 210

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 89 210 it is the complementary color RGB 29 166 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 89 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 89 210 shade: RGB 231 89 205, RGB 248 107 224, RGB 255 125 243, RGB 255 143 255 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 89 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 89 210 shade: RGB 226 89 210, RGB 209 71 191, RGB 192 53 172, RGB 175 35 153 and RGB 158 17 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 89 210 shade: RGB 225 90 210, RGB 225 90 173, RGB 225 90 136, RGB 225 90 100 and RGB 225 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 89 210 shade: RGB 225 90 210, RGB 205 90 225, RGB 168 90 225, RGB 132 90 225 and RGB 95 90 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 89 210 shade matches the following richer shades: RGB 225 90 210 and RGB 241 74 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 89 210 shade: RGB 225 90 210, RGB 210 105 198, RGB 194 121 186, RGB 178 137 174 and RGB 163 152 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 89 210 shade: RGB 169 90 225, RGB 205 90 225, RGB 225 90 210, RGB 225 90 173 and RGB 225 90 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 89 210 shade: RGB 198 35 179, RGB 219 55 200, RGB 225 90 210, RGB 232 125 219 and RGB 238 160 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 89 210 shade: RGB 226 89 210, RGB 225 133 90 and RGB 90 225 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 89 210 shade: RGB 226 89 210, RGB 210 225 90 and RGB 90 210 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 89 210 shade: RGB 226 89 210, RGB 225 133 90, RGB 90 225 106 and RGB 90 182 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 89 210 shade: RGB 226 89 210, RGB 225 173 90, RGB 90 225 106 and RGB 90 142 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

Complementary color

CMYK 83 / 0 / 73 / 35

HEX #1DA62D

RGB 29 166 45

HSL 127.01, 0.7%, 0.38%

LAB 59.64, -58.15, 50.05

 

CMYK 0 / 61 / 11 / 9

HEX #E759CD

RGB 231 89 205

HSL 310.99, 0.75%, 0.63%

LAB 60.37, 67.71, -32.98

 

CMYK 0 / 57 / 10 / 3

HEX #F86BE0

RGB 248 107 224

HSL 310.21, 0.91%, 0.7%

LAB 66.41, 67.48, -34.09

 

CMYK 0 / 51 / 5 / 0

HEX #FF7DF3

RGB 255 125 243

HSL 305.54, 1%, 0.75%

LAB 71.14, 64.33, -37.14

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

CMYK 0 / 66 / 9 / 18

HEX #D147BF

RGB 209 71 191

HSL 307.83, 0.6%, 0.55%

LAB 53.84, 67.16, -35.42

 

CMYK 0 / 72 / 10 / 25

HEX #C035AC

RGB 192 53 172

HSL 308.63, 0.57%, 0.48%

LAB 47.92, 66.64, -33.81

 

CMYK 0 / 80 / 13 / 31

HEX #AF2399

RGB 175 35 153

HSL 309.43, 0.67%, 0.41%

LAB 42.18, 65.39, -31.69

 

CMYK 0 / 89 / 15 / 38

HEX #9E1186

RGB 158 17 134

HSL 310.21, 0.81%, 0.34%

LAB 36.73, 63.04, -28.87

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 0 / 60 / 23 / 12

HEX #E15AAD

RGB 225 90 173

HSL 323.11, 0.69%, 0.62%

LAB 58.36, 61.1, -17.84

 

CMYK 0 / 60 / 40 / 12

HEX #E15A88

RGB 225 90 136

HSL 339.56, 0.69%, 0.62%

LAB 57.17, 56.64, 1.96

 

CMYK 0 / 60 / 56 / 12

HEX #E15A64

RGB 225 90 100

HSL 355.56, 0.69%, 0.62%

LAB 56.33, 53.35, 21.9

 

CMYK 0 / 60 / 60 / 12

HEX #E15A5A

RGB 225 90 90

HSL 0, 0.69%, 0.62%

LAB 56.15, 52.63, 27.47

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 9 / 60 / 0 / 12

HEX #CD5AE1

RGB 205 90 225

HSL 291.11, 0.69%, 0.62%

LAB 57.78, 64.11, -48.61

 

CMYK 25 / 60 / 0 / 12

HEX #A85AE1

RGB 168 90 225

HSL 274.67, 0.69%, 0.62%

LAB 53.03, 55.28, -56.46

 

CMYK 41 / 60 / 0 / 12

HEX #845AE1

RGB 132 90 225

HSL 258.67, 0.69%, 0.62%

LAB 49.07, 47.23, -63.03

 

CMYK 58 / 60 / 0 / 12

HEX #5F5AE1

RGB 95 90 225

HSL 242.22, 0.69%, 0.62%

LAB 45.88, 40.11, -68.36

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 0 / 69 / 8 / 5

HEX #F14ADE

RGB 241 74 222

HSL 306.83, 0.86%, 0.62%

LAB 60.67, 78.23, -42.01

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 0 / 50 / 6 / 18

HEX #D269C6

RGB 210 105 198

HSL 306.86, 0.54%, 0.62%

LAB 59.78, 53.66, -30.16

 

CMYK 0 / 38 / 4 / 24

HEX #C279BA

RGB 194 121 186

HSL 306.58, 0.37%, 0.62%

LAB 60.51, 38.41, -22.38

 

CMYK 0 / 23 / 2 / 30

HEX #B289AE

RGB 178 137 174

HSL 305.85, 0.21%, 0.62%

LAB 62.01, 21.95, -13.45

 

CMYK 0 / 7 / 1 / 36

HEX #A398A2

RGB 163 152 162

HSL 305.45, 0.06%, 0.62%

LAB 64.04, 5.9, -3.78

 

CMYK 25 / 60 / 0 / 12

HEX #A95AE1

RGB 169 90 225

HSL 275.11, 0.69%, 0.62%

LAB 53.15, 55.51, -56.26

 

CMYK 9 / 60 / 0 / 12

HEX #CD5AE1

RGB 205 90 225

HSL 291.11, 0.69%, 0.62%

LAB 57.78, 64.11, -48.61

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 0 / 60 / 23 / 12

HEX #E15AAD

RGB 225 90 173

HSL 323.11, 0.69%, 0.62%

LAB 58.36, 61.1, -17.84

 

CMYK 0 / 60 / 39 / 12

HEX #E15A89

RGB 225 90 137

HSL 339.11, 0.69%, 0.62%

LAB 57.2, 56.74, 1.41

 

CMYK 0 / 82 / 10 / 22

HEX #C623B3

RGB 198 35 179

HSL 306.99, 0.7%, 0.46%

LAB 47.58, 73.9, -38.4

 

CMYK 0 / 75 / 9 / 14

HEX #DB37C8

RGB 219 55 200

HSL 306.95, 0.69%, 0.54%

LAB 53.99, 76.14, -40.26

 

CMYK 0 / 60 / 7 / 12

HEX #E15AD2

RGB 225 90 210

HSL 306.67, 0.69%, 0.62%

LAB 59.86, 66.53, -36.67

 

CMYK 0 / 46 / 6 / 9

HEX #E87DDB

RGB 232 125 219

HSL 307.29, 0.7%, 0.7%

LAB 67.23, 53.82, -30.2

 

CMYK 0 / 33 / 4 / 7

HEX #EEA0E5

RGB 238 160 229

HSL 306.92, 0.7%, 0.78%

LAB 75.44, 39.45, -23.06

 

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

CMYK 0 / 41 / 60 / 12

HEX #E1855A

RGB 225 133 90

HSL 19.11, 0.69%, 0.62%

LAB 64.58, 31.33, 38.07

 

CMYK 60 / 0 / 17 / 12

HEX #5AE1BB

RGB 90 225 187

HSL 163.11, 0.69%, 0.62%

LAB 81.63, -45.76, 7.7

 

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

CMYK 7 / 0 / 60 / 12

HEX #D2E15A

RGB 210 225 90

HSL 66.67, 0.69%, 0.62%

LAB 86.15, -22.77, 62.55

 

CMYK 60 / 7 / 0 / 12

HEX #5AD2E1

RGB 90 210 225

HSL 186.67, 0.69%, 0.62%

LAB 78.29, -29.07, -17.49

 

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

CMYK 0 / 41 / 60 / 12

HEX #E1855A

RGB 225 133 90

HSL 19.11, 0.69%, 0.62%

LAB 64.58, 31.33, 38.07

 

CMYK 60 / 0 / 53 / 12

HEX #5AE16A

RGB 90 225 106

HSL 127.11, 0.69%, 0.62%

LAB 80.22, -60.68, 47

 

CMYK 60 / 19 / 0 / 12

HEX #5AB6E1

RGB 90 182 225

HSL 199.11, 0.69%, 0.62%

LAB 70.22, -14.86, -29.79

 

CMYK 0 / 61 / 7 / 11

HEX #E259D2

RGB 226 89 210

HSL 307.01, 0.7%, 0.62%

LAB 59.86, 67.2, -36.67

 

CMYK 0 / 23 / 60 / 12

HEX #E1AD5A

RGB 225 173 90

HSL 36.89, 0.69%, 0.62%

LAB 73.95, 10, 49.22

 

CMYK 60 / 0 / 53 / 12

HEX #5AE16A

RGB 90 225 106

HSL 127.11, 0.69%, 0.62%

LAB 80.22, -60.68, 47

 

CMYK 60 / 37 / 0 / 12

HEX #5A8EE1

RGB 90 142 225

HSL 216.89, 0.69%, 0.62%

LAB 58.93, 7.63, -47.43

 

Description

Color code: RGB 226 89 210 | qconv.com Color code: RGB 226 89 210 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 89 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 89 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 7% 11% C M Y K

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Provide designers and agencies with accurate color values.

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