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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 146 240 it is the complementary color RGB 28 109 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 146 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 146 240 shade: RGB 232 146 235, RGB 249 164 254, RGB 255 182 255, RGB 255 200 255 and RGB 255 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 146 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 146 240 shade: RGB 227 146 240, RGB 210 128 221, RGB 193 110 202, RGB 176 92 183 and RGB 159 74 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 146 240 shade: RGB 227 147 240, RGB 240 147 228, RGB 240 147 203, RGB 240 147 177 and RGB 240 147 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 146 240 shade: RGB 227 147 240, RGB 202 147 240, RGB 177 147 240, RGB 152 147 240 and RGB 147 147 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 146 240 shade matches the following richer shades: RGB 227 147 240 and RGB 234 137 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 146 240 shade: RGB 227 147 240, RGB 220 157 230, RGB 213 167 220, RGB 205 176 210 and RGB 198 186 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 146 240 shade: RGB 176 147 240, RGB 201 147 240, RGB 226 147 240, RGB 240 147 229 and RGB 240 147 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 146 240 shade: RGB 208 74 230, RGB 218 110 235, RGB 227 147 240, RGB 236 183 245 and RGB 246 219 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 146 240 shade: RGB 227 146 240, RGB 240 151 147 and RGB 147 240 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 146 240 shade: RGB 227 146 240, RGB 240 226 147 and RGB 147 240 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 146 240 shade: RGB 227 146 240, RGB 240 151 147, RGB 161 240 147 and RGB 147 235 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 146 240 shade: RGB 227 146 240, RGB 240 179 147, RGB 161 240 147 and RGB 147 207 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

Complementary color

CMYK 74 / 0 / 86 / 57

HEX #1C6D0F

RGB 28 109 15

HSL 111.7, 0.76%, 0.24%

LAB 39.95, -41.69, 41.18

 

CMYK 1 / 38 / 0 / 8

HEX #E892EB

RGB 232 146 235

HSL 297.98, 0.69%, 0.75%

LAB 72.04, 45.98, -31.61

 

CMYK 2 / 35 / 0 / 0

HEX #F9A4FE

RGB 249 164 254

HSL 296.67, 0.98%, 0.82%

LAB 78.37, 45.25, -31.99

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

CMYK 5 / 42 / 0 / 13

HEX #D280DD

RGB 210 128 221

HSL 292.9, 0.58%, 0.68%

LAB 65.25, 46.16, -34.6

 

CMYK 4 / 46 / 0 / 21

HEX #C16ECA

RGB 193 110 202

HSL 294.13, 0.46%, 0.61%

LAB 58.75, 46.9, -34.2

 

CMYK 4 / 50 / 0 / 28

HEX #B05CB7

RGB 176 92 183

HSL 295.38, 0.39%, 0.54%

LAB 52.18, 47.61, -33.73

 

CMYK 3 / 55 / 0 / 36

HEX #9F4AA4

RGB 159 74 164

HSL 296.67, 0.38%, 0.47%

LAB 45.56, 48.22, -33.13

 

CMYK 5 / 39 / 0 / 6

HEX #E393F0

RGB 227 147 240

HSL 291.61, 0.76%, 0.76%

LAB 71.89, 44.89, -34.62

 

CMYK 0 / 39 / 5 / 6

HEX #F093E4

RGB 240 147 228

HSL 307.74, 0.76%, 0.76%

LAB 72.89, 46.67, -26.39

 

CMYK 0 / 39 / 15 / 6

HEX #F093CB

RGB 240 147 203

HSL 323.87, 0.76%, 0.76%

LAB 72.03, 42.57, -13.93

 

CMYK 0 / 39 / 26 / 6

HEX #F093B1

RGB 240 147 177

HSL 340.65, 0.76%, 0.76%

LAB 71.26, 38.77, -0.65

 

CMYK 0 / 39 / 37 / 6

HEX #F09398

RGB 240 147 152

HSL 356.77, 0.76%, 0.76%

LAB 70.64, 35.6, 12.36

 

CMYK 5 / 39 / 0 / 6

HEX #E393F0

RGB 227 147 240

HSL 291.61, 0.76%, 0.76%

LAB 71.89, 44.89, -34.62

 

CMYK 16 / 39 / 0 / 6

HEX #CA93F0

RGB 202 147 240

HSL 275.48, 0.76%, 0.76%

LAB 69.27, 37.49, -38.89

 

CMYK 26 / 39 / 0 / 6

HEX #B193F0

RGB 177 147 240

HSL 259.35, 0.76%, 0.76%

LAB 66.9, 30.3, -42.76

 

CMYK 37 / 39 / 0 / 6

HEX #9893F0

RGB 152 147 240

HSL 243.23, 0.76%, 0.76%

LAB 64.83, 23.49, -46.16

 

CMYK 39 / 39 / 0 / 6

HEX #9393F0

RGB 147 147 240

HSL 240, 0.76%, 0.76%

LAB 64.45, 22.19, -46.78

 

CMYK 5 / 39 / 0 / 6

HEX #E393F0

RGB 227 147 240

HSL 291.61, 0.76%, 0.76%

LAB 71.89, 44.89, -34.62

 

CMYK 6 / 45 / 0 / 2

HEX #EA89FA

RGB 234 137 250

HSL 291.5, 0.92%, 0.76%

LAB 71.07, 53.94, -41.29

 

CMYK 5 / 39 / 0 / 6

HEX #E393F0

RGB 227 147 240

HSL 291.61, 0.76%, 0.76%

LAB 71.89, 44.89, -34.62

 

CMYK 4 / 32 / 0 / 10

HEX #DC9DE6

RGB 220 157 230

HSL 291.78, 0.59%, 0.76%

LAB 72.92, 35.53, -27.62

 

CMYK 3 / 24 / 0 / 14

HEX #D5A7DC

RGB 213 167 220

HSL 292.08, 0.43%, 0.76%

LAB 74.16, 25.96, -20.33

 

CMYK 2 / 16 / 0 / 18

HEX #CDB0D2

RGB 205 176 210

HSL 291.18, 0.27%, 0.76%

LAB 75.25, 16.48, -13.29

 

CMYK 1 / 7 / 0 / 22

HEX #C6BAC8

RGB 198 186 200

HSL 291.43, 0.11%, 0.76%

LAB 76.86, 6.78, -5.53

 

CMYK 27 / 39 / 0 / 6

HEX #B093F0

RGB 176 147 240

HSL 258.71, 0.76%, 0.76%

LAB 66.82, 30.02, -42.9

 

CMYK 16 / 39 / 0 / 6

HEX #C993F0

RGB 201 147 240

HSL 274.84, 0.76%, 0.76%

LAB 69.17, 37.2, -39.05

 

CMYK 6 / 39 / 0 / 6

HEX #E293F0

RGB 226 147 240

HSL 290.97, 0.76%, 0.76%

LAB 71.78, 44.59, -34.79

 

CMYK 0 / 39 / 5 / 6

HEX #F093E5

RGB 240 147 229

HSL 307.1, 0.76%, 0.76%

LAB 72.92, 46.84, -26.88

 

CMYK 0 / 39 / 15 / 6

HEX #F093CC

RGB 240 147 204

HSL 323.23, 0.76%, 0.76%

LAB 72.06, 42.73, -14.43

 

CMYK 10 / 68 / 0 / 10

HEX #D04AE6

RGB 208 74 230

HSL 291.54, 0.76%, 0.6%

LAB 56.11, 72.26, -54.05

 

CMYK 7 / 53 / 0 / 8

HEX #DA6EEB

RGB 218 110 235

HSL 291.84, 0.76%, 0.68%

LAB 63.39, 60.04, -45.22

 

CMYK 5 / 39 / 0 / 6

HEX #E393F0

RGB 227 147 240

HSL 291.61, 0.76%, 0.76%

LAB 71.89, 44.89, -34.62

 

CMYK 4 / 25 / 0 / 4

HEX #ECB7F5

RGB 236 183 245

HSL 291.29, 0.76%, 0.84%

LAB 80.9, 29.53, -23.4

 

CMYK 2 / 12 / 0 / 2

HEX #F6DBFA

RGB 246 219 250

HSL 292.26, 0.76%, 0.92%

LAB 90.39, 14.65, -11.67

 

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

CMYK 0 / 37 / 39 / 6

HEX #F09793

RGB 240 151 147

HSL 2.58, 0.76%, 0.76%

LAB 71.4, 32.94, 16.2

 

CMYK 39 / 0 / 21 / 6

HEX #93F0BD

RGB 147 240 189

HSL 147.1, 0.76%, 0.76%

LAB 88.06, -38.62, 16.07

 

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

CMYK 0 / 6 / 39 / 6

HEX #F0E293

RGB 240 226 147

HSL 50.97, 0.76%, 0.76%

LAB 89.4, -6.27, 40.33

 

CMYK 39 / 0 / 6 / 6

HEX #93F0E2

RGB 147 240 226

HSL 170.97, 0.76%, 0.76%

LAB 88.93, -30.83, -1.96

 

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

CMYK 0 / 37 / 39 / 6

HEX #F09793

RGB 240 151 147

HSL 2.58, 0.76%, 0.76%

LAB 71.4, 32.94, 16.2

 

CMYK 33 / 0 / 39 / 6

HEX #A1F093

RGB 161 240 147

HSL 110.97, 0.76%, 0.76%

LAB 87.97, -41.52, 37.46

 

CMYK 39 / 2 / 0 / 6

HEX #93EBF0

RGB 147 235 240

HSL 183.23, 0.76%, 0.76%

LAB 87.93, -25.16, -10.77

 

CMYK 5 / 39 / 0 / 6

HEX #E392F0

RGB 227 146 240

HSL 291.7, 0.76%, 0.76%

LAB 71.68, 45.41, -34.94

 

CMYK 0 / 25 / 39 / 6

HEX #F0B393

RGB 240 179 147

HSL 20.65, 0.76%, 0.76%

LAB 77.8, 18.13, 25

 

CMYK 33 / 0 / 39 / 6

HEX #A1F093

RGB 161 240 147

HSL 110.97, 0.76%, 0.76%

LAB 87.97, -41.52, 37.46

 

CMYK 39 / 14 / 0 / 6

HEX #93CFF0

RGB 147 207 240

HSL 201.29, 0.76%, 0.76%

LAB 80.25, -11.03, -22.33

 

Description

Color code: RGB 227 146 240 | qconv.com Color code: RGB 227 146 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 146 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 146 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 39 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 39% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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