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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 210 229 it is the complementary color RGB 28 45 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 210 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 210 229 shade: RGB 232 210 224, RGB 249 228 243 and RGB 255 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 210 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 210 229 shade: RGB 227 210 229, RGB 210 192 210, RGB 193 174 191, RGB 176 156 172 and RGB 159 138 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 210 229 shade: RGB 226 209 228, RGB 228 209 225, RGB 228 209 220, RGB 228 209 215 and RGB 228 209 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 210 229 shade: RGB 226 209 228, RGB 221 209 228, RGB 216 209 228, RGB 211 209 228 and RGB 209 209 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 210 229 shade matches the following richer shades: RGB 226 209 228, RGB 231 203 234, RGB 236 198 240, RGB 240 192 246 and RGB 245 186 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 210 229 shade: RGB 226 209 228, RGB 222 215 223, RGB 217 221 217, RGB 213 226 211 and RGB 208 232 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 210 229 shade: RGB 216 209 228, RGB 221 209 228, RGB 226 209 228, RGB 228 209 226 and RGB 228 209 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 210 229 shade: RGB 194 157 198, RGB 210 183 213, RGB 226 209 228 and RGB 243 235 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 210 229 shade: RGB 227 210 229, RGB 228 211 209 and RGB 209 228 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 210 229 shade: RGB 227 210 229, RGB 228 226 209 and RGB 209 228 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 210 229 shade: RGB 227 210 229, RGB 228 211 209, RGB 211 228 209 and RGB 209 227 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 210 229 shade: RGB 227 210 229, RGB 228 217 209, RGB 211 228 209 and RGB 209 221 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

Complementary color

CMYK 38 / 0 / 42 / 82

HEX #1C2D1A

RGB 28 45 26

HSL 113.68, 0.27%, 0.14%

LAB 16.49, -11.82, 10.12

 

CMYK 0 / 9 / 3 / 9

HEX #E8D2E0

RGB 232 210 224

HSL 321.82, 0.32%, 0.87%

LAB 86.32, 10.02, -4.12

 

CMYK 0 / 8 / 2 / 2

HEX #F9E4F3

RGB 249 228 243

HSL 317.14, 0.64%, 0.94%

LAB 92.62, 9.71, -4.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

CMYK 0 / 9 / 0 / 18

HEX #D2C0D2

RGB 210 192 210

HSL 300, 0.17%, 0.79%

LAB 79.64, 9.54, -6.7

 

CMYK 0 / 10 / 1 / 24

HEX #C1AEBF

RGB 193 174 191

HSL 306.32, 0.13%, 0.72%

LAB 73.14, 9.87, -6.17

 

CMYK 0 / 11 / 2 / 31

HEX #B09CAC

RGB 176 156 172

HSL 312, 0.11%, 0.65%

LAB 66.51, 10.23, -5.62

 

CMYK 0 / 13 / 4 / 38

HEX #9F8A99

RGB 159 138 153

HSL 317.14, 0.1%, 0.58%

LAB 59.75, 10.62, -5.05

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 0 / 8 / 1 / 11

HEX #E4D1E1

RGB 228 209 225

HSL 309.47, 0.26%, 0.86%

LAB 85.77, 9.37, -5.5

 

CMYK 0 / 8 / 4 / 11

HEX #E4D1DC

RGB 228 209 220

HSL 325.26, 0.26%, 0.86%

LAB 85.64, 8.48, -3.05

 

CMYK 0 / 8 / 6 / 11

HEX #E4D1D7

RGB 228 209 215

HSL 341.05, 0.26%, 0.86%

LAB 85.5, 7.6, -0.59

 

CMYK 0 / 8 / 8 / 11

HEX #E4D1D2

RGB 228 209 210

HSL 356.84, 0.26%, 0.86%

LAB 85.38, 6.75, 1.88

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 3 / 8 / 0 / 11

HEX #DDD1E4

RGB 221 209 228

HSL 277.89, 0.26%, 0.86%

LAB 85.29, 7.56, -7.87

 

CMYK 5 / 8 / 0 / 11

HEX #D8D1E4

RGB 216 209 228

HSL 262.11, 0.26%, 0.86%

LAB 84.89, 5.9, -8.5

 

CMYK 7 / 8 / 0 / 11

HEX #D3D1E4

RGB 211 209 228

HSL 246.32, 0.26%, 0.86%

LAB 84.51, 4.25, -9.11

 

CMYK 8 / 8 / 0 / 11

HEX #D1D1E4

RGB 209 209 228

HSL 240, 0.26%, 0.86%

LAB 84.36, 3.6, -9.35

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 1 / 13 / 0 / 8

HEX #E7CBEA

RGB 231 203 234

HSL 294.19, 0.42%, 0.86%

LAB 84.81, 15.19, -11.68

 

CMYK 2 / 18 / 0 / 6

HEX #ECC6F0

RGB 236 198 240

HSL 294.29, 0.58%, 0.86%

LAB 84.23, 20.6, -15.7

 

CMYK 2 / 22 / 0 / 4

HEX #F0C0F6

RGB 240 192 246

HSL 293.33, 0.75%, 0.86%

LAB 83.38, 26.21, -20.14

 

CMYK 3 / 26 / 0 / 1

HEX #F5BAFC

RGB 245 186 252

HSL 293.64, 0.92%, 0.86%

LAB 82.68, 32.11, -24.36

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 0 / 4 / 0 / 13

HEX #DED7DF

RGB 222 215 223

HSL 292.5, 0.11%, 0.86%

LAB 86.73, 3.83, -3.08

 

CMYK 2 / 0 / 2 / 13

HEX #D9DDD9

RGB 217 221 217

HSL 120, 0.06%, 0.86%

LAB 87.71, -2.07, 1.48

 

CMYK 6 / 0 / 7 / 11

HEX #D5E2D3

RGB 213 226 211

HSL 112, 0.21%, 0.86%

LAB 88.56, -7.06, 5.82

 

CMYK 10 / 0 / 12 / 9

HEX #D0E8CD

RGB 208 232 205

HSL 113.33, 0.37%, 0.86%

LAB 89.64, -12.84, 10.46

 

CMYK 5 / 8 / 0 / 11

HEX #D8D1E4

RGB 216 209 228

HSL 262.11, 0.26%, 0.86%

LAB 84.89, 5.9, -8.5

 

CMYK 3 / 8 / 0 / 11

HEX #DDD1E4

RGB 221 209 228

HSL 277.89, 0.26%, 0.86%

LAB 85.29, 7.56, -7.87

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 0 / 8 / 1 / 11

HEX #E4D1E2

RGB 228 209 226

HSL 306.32, 0.26%, 0.86%

LAB 85.8, 9.55, -5.99

 

CMYK 0 / 8 / 4 / 11

HEX #E4D1DC

RGB 228 209 220

HSL 325.26, 0.26%, 0.86%

LAB 85.64, 8.48, -3.05

 

CMYK 2 / 21 / 0 / 22

HEX #C29DC6

RGB 194 157 198

HSL 294.15, 0.26%, 0.7%

LAB 69.23, 20.89, -15.87

 

CMYK 1 / 14 / 0 / 16

HEX #D2B7D5

RGB 210 183 213

HSL 294, 0.26%, 0.78%

LAB 77.5, 14.94, -11.51

 

CMYK 1 / 8 / 0 / 11

HEX #E2D1E4

RGB 226 209 228

HSL 293.68, 0.26%, 0.86%

LAB 85.69, 9.24, -7.23

 

CMYK 0 / 3 / 0 / 5

HEX #F3EBF3

RGB 243 235 243

HSL 300, 0.25%, 0.94%

LAB 93.86, 4.1, -2.91

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

CMYK 0 / 7 / 8 / 11

HEX #E4D3D1

RGB 228 211 209

HSL 6.32, 0.26%, 0.86%

LAB 85.85, 5.54, 3.1

 

CMYK 8 / 0 / 4 / 11

HEX #D1E4DA

RGB 209 228 218

HSL 148.42, 0.26%, 0.86%

LAB 88.97, -8.16, 2.71

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

CMYK 0 / 1 / 8 / 11

HEX #E4E2D1

RGB 228 226 209

HSL 53.68, 0.26%, 0.86%

LAB 89.62, -2.23, 8.54

 

CMYK 8 / 0 / 1 / 11

HEX #D1E4E2

RGB 209 228 226

HSL 173.68, 0.26%, 0.86%

LAB 89.17, -6.66, -1.19

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

CMYK 0 / 7 / 8 / 11

HEX #E4D3D1

RGB 228 211 209

HSL 6.32, 0.26%, 0.86%

LAB 85.85, 5.54, 3.1

 

CMYK 7 / 0 / 8 / 11

HEX #D3E4D1

RGB 211 228 209

HSL 113.68, 0.26%, 0.86%

LAB 88.89, -9.11, 7.33

 

CMYK 8 / 0 / 0 / 11

HEX #D1E3E4

RGB 209 227 228

HSL 183.16, 0.26%, 0.86%

LAB 88.97, -5.76, -2.55

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

CMYK 0 / 5 / 8 / 11

HEX #E4D9D1

RGB 228 217 209

HSL 25.26, 0.26%, 0.86%

LAB 87.35, 2.41, 5.27

 

CMYK 7 / 0 / 8 / 11

HEX #D3E4D1

RGB 211 228 209

HSL 113.68, 0.26%, 0.86%

LAB 88.89, -9.11, 7.33

 

CMYK 8 / 3 / 0 / 11

HEX #D1DDE4

RGB 209 221 228

HSL 202.11, 0.26%, 0.86%

LAB 87.42, -2.67, -4.82

 

Description

Color code: RGB 227 210 229 | qconv.com Color code: RGB 227 210 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 210 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 210 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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