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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 43 232 it is the complementary color RGB 28 212 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 43 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 43 232 shade: RGB 232 43 227, RGB 249 61 246, RGB 255 79 255, RGB 255 97 255 and RGB 255 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 43 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 43 232 shade: RGB 227 43 232, RGB 210 25 213, RGB 193 7 194, RGB 176 0 175 and RGB 159 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 43 232 shade: RGB 226 43 231, RGB 231 43 185, RGB 231 43 135, RGB 231 43 84 and RGB 231 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 43 232 shade: RGB 226 43 231, RGB 175 43 231, RGB 125 43 231, RGB 74 43 231 and RGB 43 43 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 43 232 shade matches the following richer shades: RGB 226 43 231 and RGB 244 24 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 43 232 shade: RGB 226 43 231, RGB 208 62 212, RGB 190 81 193, RGB 172 100 174 and RGB 154 119 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 43 232 shade: RGB 125 43 231, RGB 175 43 231, RGB 225 43 231, RGB 231 43 187 and RGB 231 43 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 43 232 shade: RGB 169 19 173, RGB 205 23 210, RGB 226 43 231, RGB 231 80 235 and RGB 236 118 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 43 232 shade: RGB 227 43 232, RGB 231 75 43 and RGB 43 231 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 43 232 shade: RGB 227 43 232, RGB 231 225 43 and RGB 43 231 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 43 232 shade: RGB 227 43 232, RGB 231 75 43, RGB 50 231 43 and RGB 43 200 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 43 232 shade: RGB 227 43 232, RGB 231 131 43, RGB 50 231 43 and RGB 43 143 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

Complementary color

CMYK 87 / 0 / 89 / 17

HEX #1CD417

RGB 28 212 23

HSL 118.41, 0.8%, 0.46%

LAB 74.44, -73.03, 69.84

 

CMYK 0 / 81 / 2 / 9

HEX #E82BE3

RGB 232 43 227

HSL 301.59, 0.8%, 0.54%

LAB 56.52, 85.63, -51.49

 

CMYK 0 / 76 / 1 / 2

HEX #F93DF6

RGB 249 61 246

HSL 300.96, 0.94%, 0.61%

LAB 61.77, 87.35, -53.6

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

CMYK 1 / 88 / 0 / 16

HEX #D219D5

RGB 210 25 213

HSL 299.04, 0.79%, 0.47%

LAB 50.92, 82.89, -52.68

 

CMYK 1 / 96 / 0 / 24

HEX #C107C2

RGB 193 7 194

HSL 299.68, 0.93%, 0.39%

LAB 46.16, 79.22, -49.5

 

CMYK 0 / 100 / 1 / 31

HEX #B000AF

RGB 176 0 175

HSL 300.34, 1%, 0.35%

LAB 41.73, 74.25, -45.58

 

CMYK 0 / 100 / 2 / 38

HEX #9F009C

RGB 159 0 156

HSL 301.13, 1%, 0.31%

LAB 37.43, 68.57, -41.22

 

CMYK 2 / 81 / 0 / 9

HEX #E22BE7

RGB 226 43 231

HSL 298.4, 0.8%, 0.54%

LAB 55.75, 85.13, -55.02

 

CMYK 0 / 81 / 20 / 9

HEX #E72BB9

RGB 231 43 185

HSL 314.68, 0.8%, 0.54%

LAB 54.26, 79.73, -31.02

 

CMYK 0 / 81 / 42 / 9

HEX #E72B87

RGB 231 43 135

HSL 330.64, 0.8%, 0.54%

LAB 52.36, 74.31, -4.38

 

CMYK 0 / 81 / 64 / 9

HEX #E72B54

RGB 231 43 84

HSL 346.91, 0.8%, 0.54%

LAB 51.1, 70.57, 24.69

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 2 / 81 / 0 / 9

HEX #E22BE7

RGB 226 43 231

HSL 298.4, 0.8%, 0.54%

LAB 55.75, 85.13, -55.02

 

CMYK 24 / 81 / 0 / 9

HEX #AF2BE7

RGB 175 43 231

HSL 282.13, 0.8%, 0.54%

LAB 47.77, 76.45, -68.3

 

CMYK 46 / 81 / 0 / 9

HEX #7D2BE7

RGB 125 43 231

HSL 266.17, 0.8%, 0.54%

LAB 40.99, 69.27, -79.65

 

CMYK 68 / 81 / 0 / 9

HEX #4A2BE7

RGB 74 43 231

HSL 249.89, 0.8%, 0.54%

LAB 35.89, 64.04, -88.23

 

CMYK 81 / 81 / 0 / 9

HEX #2B2BE7

RGB 43 43 231

HSL 240, 0.8%, 0.54%

LAB 34.01, 62.16, -91.42

 

CMYK 2 / 81 / 0 / 9

HEX #E22BE7

RGB 226 43 231

HSL 298.4, 0.8%, 0.54%

LAB 55.75, 85.13, -55.02

 

CMYK 2 / 90 / 0 / 2

HEX #F418FA

RGB 244 24 250

HSL 298.41, 0.96%, 0.54%

LAB 58.78, 94.06, -60.64

 

CMYK 2 / 81 / 0 / 9

HEX #E22BE7

RGB 226 43 231

HSL 298.4, 0.8%, 0.54%

LAB 55.75, 85.13, -55.02

 

CMYK 2 / 71 / 0 / 17

HEX #D03ED4

RGB 208 62 212

HSL 298.4, 0.64%, 0.54%

LAB 53.61, 73.46, -47.84

 

CMYK 2 / 58 / 0 / 24

HEX #BE51C1

RGB 190 81 193

HSL 298.39, 0.47%, 0.54%

LAB 52.6, 58.56, -38.72

 

CMYK 1 / 43 / 0 / 32

HEX #AC64AE

RGB 172 100 174

HSL 298.38, 0.31%, 0.54%

LAB 52.88, 40.5, -27.45

 

CMYK 1 / 23 / 0 / 39

HEX #9A779B

RGB 154 119 155

HSL 298.33, 0.15%, 0.54%

LAB 54.48, 20.11, -14.14

 

CMYK 46 / 81 / 0 / 9

HEX #7D2BE7

RGB 125 43 231

HSL 266.17, 0.8%, 0.54%

LAB 40.99, 69.27, -79.65

 

CMYK 24 / 81 / 0 / 9

HEX #AF2BE7

RGB 175 43 231

HSL 282.13, 0.8%, 0.54%

LAB 47.77, 76.45, -68.3

 

CMYK 3 / 81 / 0 / 9

HEX #E12BE7

RGB 225 43 231

HSL 298.09, 0.8%, 0.54%

LAB 55.59, 84.95, -55.29

 

CMYK 0 / 81 / 19 / 9

HEX #E72BBB

RGB 231 43 187

HSL 314.04, 0.8%, 0.54%

LAB 54.35, 79.98, -32.04

 

CMYK 0 / 81 / 41 / 9

HEX #E72B89

RGB 231 43 137

HSL 330, 0.8%, 0.54%

LAB 52.42, 74.49, -5.48

 

CMYK 2 / 89 / 0 / 32

HEX #A913AD

RGB 169 19 173

HSL 298.44, 0.8%, 0.38%

LAB 41.09, 70.58, -45.49

 

CMYK 2 / 89 / 0 / 18

HEX #CD17D2

RGB 205 23 210

HSL 298.4, 0.8%, 0.46%

LAB 49.79, 81.88, -52.81

 

CMYK 2 / 81 / 0 / 9

HEX #E22BE7

RGB 226 43 231

HSL 298.4, 0.8%, 0.54%

LAB 55.75, 85.13, -55.02

 

CMYK 2 / 66 / 0 / 8

HEX #E750EB

RGB 231 80 235

HSL 298.45, 0.79%, 0.62%

LAB 60.54, 75.92, -49.6

 

CMYK 1 / 51 / 0 / 6

HEX #EC76EF

RGB 236 118 239

HSL 298.51, 0.79%, 0.7%

LAB 67.29, 61.76, -41.14

 

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

CMYK 0 / 68 / 81 / 9

HEX #E74B2B

RGB 231 75 43

HSL 10.21, 0.8%, 0.54%

LAB 54.23, 58.72, 51.05

 

CMYK 81 / 0 / 35 / 9

HEX #2BE796

RGB 43 231 150

HSL 154.15, 0.8%, 0.54%

LAB 81.77, -62.76, 27.06

 

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

CMYK 0 / 3 / 81 / 9

HEX #E7E12B

RGB 231 225 43

HSL 58.09, 0.8%, 0.54%

LAB 87.49, -16.41, 80.42

 

CMYK 81 / 0 / 3 / 9

HEX #2BE7E1

RGB 43 231 225

HSL 178.09, 0.8%, 0.54%

LAB 83.5, -44.54, -9.78

 

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

CMYK 0 / 68 / 81 / 9

HEX #E74B2B

RGB 231 75 43

HSL 10.21, 0.8%, 0.54%

LAB 54.23, 58.72, 51.05

 

CMYK 78 / 0 / 81 / 9

HEX #32E72B

RGB 50 231 43

HSL 117.77, 0.8%, 0.54%

LAB 80.74, -75.32, 71.22

 

CMYK 81 / 13 / 0 / 9

HEX #2BC8E7

RGB 43 200 231

HSL 189.89, 0.8%, 0.54%

LAB 74.57, -28.36, -26.47

 

CMYK 2 / 81 / 0 / 9

HEX #E32BE8

RGB 227 43 232

HSL 298.41, 0.8%, 0.54%

LAB 55.97, 85.46, -55.22

 

CMYK 0 / 43 / 81 / 9

HEX #E7832B

RGB 231 131 43

HSL 28.09, 0.8%, 0.54%

LAB 64.48, 32.45, 60.42

 

CMYK 78 / 0 / 81 / 9

HEX #32E72B

RGB 50 231 43

HSL 117.77, 0.8%, 0.54%

LAB 80.74, -75.32, 71.22

 

CMYK 81 / 38 / 0 / 9

HEX #2B8FE7

RGB 43 143 231

HSL 208.09, 0.8%, 0.54%

LAB 57.97, 2.56, -52.39

 

Description

Color code: RGB 227 43 232 | qconv.com Color code: RGB 227 43 232 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 43 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 43 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 81 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 81% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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