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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 63 211 it is the complementary color RGB 28 192 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 63 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 63 211 shade: RGB 232 63 206, RGB 249 81 225, RGB 255 99 244, RGB 255 117 255 and RGB 255 135 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 63 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 210 45 192, RGB 193 27 173, RGB 176 9 154 and RGB 159 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 227 63 167, RGB 227 63 122, RGB 227 63 78 and RGB 227 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 199 63 227, RGB 154 63 227, RGB 110 63 227 and RGB 66 63 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 63 211 shade matches the following richer shades: RGB 227 63 211 and RGB 245 45 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 209 80 197, RGB 192 98 182, RGB 174 116 168 and RGB 156 134 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 63 211 shade: RGB 153 63 227, RGB 197 63 227, RGB 227 63 213, RGB 227 63 170 and RGB 227 63 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 63 211 shade: RGB 182 26 166, RGB 218 31 200, RGB 227 63 211, RGB 232 99 219 and RGB 237 135 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 227 109 63 and RGB 63 227 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 213 227 63 and RGB 63 213 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 227 109 63, RGB 63 227 76 and RGB 63 180 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 63 211 shade: RGB 227 63 211, RGB 227 159 63, RGB 63 227 76 and RGB 63 131 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

Complementary color

CMYK 85 / 0 / 77 / 25

HEX #1CC02C

RGB 28 192 44

HSL 125.85, 0.75%, 0.43%

LAB 68.11, -66.25, 58.88

 

CMYK 0 / 73 / 11 / 9

HEX #E83FCE

RGB 232 63 206

HSL 309.23, 0.79%, 0.58%

LAB 57.24, 77.44, -38.44

 

CMYK 0 / 67 / 10 / 2

HEX #F951E1

RGB 249 81 225

HSL 308.57, 0.93%, 0.65%

LAB 62.89, 78.1, -40.11

 

CMYK 0 / 61 / 4 / 0

HEX #FF63F4

RGB 255 99 244

HSL 304.23, 1%, 0.69%

LAB 67.06, 75.67, -44.07

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 79 / 9 / 18

HEX #D22DC0

RGB 210 45 192

HSL 306.55, 0.65%, 0.5%

LAB 51.13, 75.82, -40.24

 

CMYK 0 / 86 / 10 / 24

HEX #C11BAD

RGB 193 27 173

HSL 307.23, 0.75%, 0.43%

LAB 45.82, 73.68, -37.69

 

CMYK 0 / 95 / 13 / 31

HEX #B0099A

RGB 176 9 154

HSL 307.9, 0.9%, 0.36%

LAB 40.83, 70.35, -34.41

 

CMYK 0 / 100 / 15 / 38

HEX #9F0087

RGB 159 0 135

HSL 309.06, 1%, 0.31%

LAB 36.21, 65.59, -30.28

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 72 / 26 / 11

HEX #E33FA7

RGB 227 63 167

HSL 321.95, 0.75%, 0.57%

LAB 54.74, 71.14, -19.84

 

CMYK 0 / 72 / 46 / 11

HEX #E33F7A

RGB 227 63 122

HSL 338.41, 0.75%, 0.57%

LAB 53.27, 66.42, 4.66

 

CMYK 0 / 72 / 66 / 11

HEX #E33F4E

RGB 227 63 78

HSL 354.51, 0.75%, 0.57%

LAB 52.33, 63.29, 29.67

 

CMYK 0 / 72 / 72 / 11

HEX #E33F3F

RGB 227 63 63

HSL 0, 0.75%, 0.57%

LAB 52.11, 62.57, 38.09

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 12 / 72 / 0 / 11

HEX #C73FE3

RGB 199 63 227

HSL 289.76, 0.75%, 0.57%

LAB 53.21, 73.83, -57.06

 

CMYK 32 / 72 / 0 / 11

HEX #9A3FE3

RGB 154 63 227

HSL 273.29, 0.75%, 0.57%

LAB 46.94, 65.21, -67.51

 

CMYK 52 / 72 / 0 / 11

HEX #6E3FE3

RGB 110 63 227

HSL 257.2, 0.75%, 0.57%

LAB 41.87, 57.9, -75.99

 

CMYK 71 / 72 / 0 / 11

HEX #423FE3

RGB 66 63 227

HSL 241.1, 0.75%, 0.57%

LAB 38.3, 52.47, -81.98

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 82 / 8 / 4

HEX #F52DE1

RGB 245 45 225

HSL 306, 0.91%, 0.57%

LAB 58.72, 87.36, -46.73

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 62 / 6 / 18

HEX #D150C5

RGB 209 80 197

HSL 305.58, 0.58%, 0.57%

LAB 55.4, 64.53, -36.42

 

CMYK 0 / 49 / 5 / 25

HEX #C062B6

RGB 192 98 182

HSL 306.38, 0.43%, 0.57%

LAB 55.4, 49.08, -27.98

 

CMYK 0 / 33 / 3 / 32

HEX #AE74A8

RGB 174 116 168

HSL 306.21, 0.26%, 0.57%

LAB 56.4, 31.23, -18.55

 

CMYK 0 / 14 / 1 / 39

HEX #9C869A

RGB 156 134 154

HSL 305.45, 0.1%, 0.57%

LAB 58.46, 12, -7.57

 

CMYK 33 / 72 / 0 / 11

HEX #993FE3

RGB 153 63 227

HSL 272.93, 0.75%, 0.57%

LAB 46.81, 65.03, -67.73

 

CMYK 13 / 72 / 0 / 11

HEX #C53FE3

RGB 197 63 227

HSL 289.02, 0.75%, 0.57%

LAB 52.92, 73.43, -57.56

 

CMYK 0 / 72 / 6 / 11

HEX #E33FD5

RGB 227 63 213

HSL 305.12, 0.75%, 0.57%

LAB 56.77, 77.37, -43.21

 

CMYK 0 / 72 / 25 / 11

HEX #E33FAA

RGB 227 63 170

HSL 320.85, 0.75%, 0.57%

LAB 54.85, 71.5, -21.42

 

CMYK 0 / 72 / 44 / 11

HEX #E33F7E

RGB 227 63 126

HSL 336.95, 0.75%, 0.57%

LAB 53.38, 66.78, 2.42

 

CMYK 0 / 86 / 9 / 29

HEX #B61AA6

RGB 182 26 166

HSL 306.15, 0.75%, 0.41%

LAB 43.41, 70.72, -37.47

 

CMYK 0 / 86 / 8 / 15

HEX #DA1FC8

RGB 218 31 200

HSL 305.78, 0.75%, 0.49%

LAB 51.9, 81.49, -43.57

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 57 / 6 / 9

HEX #E863DB

RGB 232 99 219

HSL 305.86, 0.74%, 0.65%

LAB 62.67, 65.94, -37.28

 

CMYK 0 / 43 / 4 / 7

HEX #ED87E3

RGB 237 135 227

HSL 305.88, 0.74%, 0.73%

LAB 70.09, 51.68, -30.17

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 52 / 72 / 11

HEX #E36D3F

RGB 227 109 63

HSL 16.83, 0.75%, 0.57%

LAB 59.55, 42.84, 46.39

 

CMYK 72 / 0 / 23 / 11

HEX #3FE3AF

RGB 63 227 175

HSL 160.98, 0.75%, 0.57%

LAB 81.34, -53.65, 13.53

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 6 / 0 / 72 / 11

HEX #D5E33F

RGB 213 227 63

HSL 65.12, 0.75%, 0.57%

LAB 86.72, -24.09, 73.44

 

CMYK 72 / 6 / 0 / 11

HEX #3FD5E3

RGB 63 213 227

HSL 185.12, 0.75%, 0.57%

LAB 78.57, -33.86, -18.19

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 52 / 72 / 11

HEX #E36D3F

RGB 227 109 63

HSL 16.83, 0.75%, 0.57%

LAB 59.55, 42.84, 46.39

 

CMYK 72 / 0 / 67 / 11

HEX #3FE34C

RGB 63 227 76

HSL 124.76, 0.75%, 0.57%

LAB 79.91, -69.87, 59.55

 

CMYK 72 / 21 / 0 / 11

HEX #3FB4E3

RGB 63 180 227

HSL 197.2, 0.75%, 0.57%

LAB 68.93, -17.38, -32.94

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD3

RGB 227 63 211

HSL 305.85, 0.75%, 0.57%

LAB 56.67, 77.07, -42.23

 

CMYK 0 / 30 / 72 / 11

HEX #E39F3F

RGB 227 159 63

HSL 35.12, 0.75%, 0.57%

LAB 70.52, 16.71, 57.92

 

CMYK 72 / 0 / 67 / 11

HEX #3FE34C

RGB 63 227 76

HSL 124.76, 0.75%, 0.57%

LAB 79.91, -69.87, 59.55

 

CMYK 72 / 42 / 0 / 11

HEX #3F83E3

RGB 63 131 227

HSL 215.12, 0.75%, 0.57%

LAB 54.9, 10.55, -55.02

 

Description

Color code: RGB 227 63 211 | qconv.com Color code: RGB 227 63 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 63 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 63 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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