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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 26 60 it is the complementary color RGB 27 229 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 26 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 26 60 shade: RGB 233 26 55, RGB 250 44 74, RGB 255 62 93, RGB 255 80 112 and RGB 255 98 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 26 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 26 60 shade: RGB 228 26 60, RGB 211 8 41, RGB 194 0 22, RGB 177 0 3 and RGB 160 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 26 60 shade: RGB 229 25 59 and RGB 229 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 26 60 shade: RGB 229 25 59, RGB 229 25 114, RGB 229 25 169, RGB 229 25 224 and RGB 179 25 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 26 60 shade matches the following richer shades: RGB 229 25 59 and RGB 250 4 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 26 60 shade: RGB 229 25 59, RGB 208 46 73, RGB 188 66 87, RGB 167 87 100 and RGB 146 108 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 26 60 shade: RGB 229 25 171, RGB 229 25 117, RGB 229 25 62, RGB 229 42 25 and RGB 229 96 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 26 60 shade: RGB 155 17 40, RGB 192 21 50, RGB 229 25 59, RGB 233 62 91 and RGB 237 99 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 26 60 shade: RGB 228 26 60, RGB 226 229 25 and RGB 25 144 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 26 60 shade: RGB 228 26 60, RGB 62 229 25 and RGB 25 62 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 26 60 shade: RGB 228 26 60, RGB 226 229 25, RGB 25 229 192 and RGB 28 25 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 26 60 shade: RGB 228 26 60, RGB 164 229 25, RGB 25 229 192 and RGB 90 25 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

Complementary color

CMYK 88 / 0 / 15 / 10

HEX #1BE5C3

RGB 27 229 195

HSL 169.9, 0.8%, 0.5%

LAB 81.95, -52.83, 3.8

 

CMYK 0 / 89 / 76 / 9

HEX #E91A37

RGB 233 26 55

HSL 351.59, 0.82%, 0.51%

LAB 49.9, 73.16, 40.48

 

CMYK 0 / 82 / 70 / 2

HEX #FA2C4A

RGB 250 44 74

HSL 351.26, 0.95%, 0.58%

LAB 54.68, 74.86, 35.87

 

CMYK 0 / 76 / 64 / 0

HEX #FF3E5D

RGB 255 62 93

HSL 350.36, 1%, 0.62%

LAB 57.56, 72.47, 28.57

 

CMYK 0 / 69 / 56 / 0

HEX #FF5070

RGB 255 80 112

HSL 349.03, 1%, 0.66%

LAB 60.04, 67.72, 20.76

 

CMYK 0 / 62 / 49 / 0

HEX #FF6283

RGB 255 98 131

HSL 347.39, 1%, 0.69%

LAB 63.04, 62.14, 13.87

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 0 / 96 / 81 / 17

HEX #D30829

RGB 211 8 41

HSL 350.25, 0.93%, 0.43%

LAB 44.49, 69.35, 41.36

 

CMYK 0 / 100 / 89 / 24

HEX #C20016

RGB 194 0 22

HSL 353.2, 1%, 0.38%

LAB 40.45, 65.47, 46.35

 

CMYK 0 / 100 / 98 / 31

HEX #B10003

RGB 177 0 3

HSL 358.98, 1%, 0.35%

LAB 36.66, 60.95, 49.83

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 89 / 89 / 10

HEX #E51919

RGB 229 25 25

HSL 0, 0.8%, 0.5%

LAB 48.79, 71.58, 54.47

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 89 / 50 / 10

HEX #E51972

RGB 229 25 114

HSL 333.82, 0.8%, 0.5%

LAB 50.18, 75.5, 5.11

 

CMYK 0 / 89 / 26 / 10

HEX #E519A9

RGB 229 25 169

HSL 317.65, 0.8%, 0.5%

LAB 52.08, 80.68, -25.06

 

CMYK 0 / 89 / 2 / 10

HEX #E519E0

RGB 229 25 224

HSL 301.47, 0.8%, 0.5%

LAB 54.8, 87.73, -52.56

 

CMYK 22 / 89 / 0 / 10

HEX #B319E5

RGB 179 25 229

HSL 285.29, 0.8%, 0.5%

LAB 46.89, 80.63, -68.56

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 98 / 82 / 2

HEX #FA042E

RGB 250 4 46

HSL 349.76, 0.97%, 0.5%

LAB 52.52, 79.24, 49.21

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 78 / 65 / 18

HEX #D02E49

RGB 208 46 73

HSL 350, 0.64%, 0.5%

LAB 46.77, 62.89, 24.89

 

CMYK 0 / 65 / 54 / 26

HEX #BC4257

RGB 188 66 87

HSL 349.67, 0.48%, 0.5%

LAB 46.01, 50.52, 14.68

 

CMYK 0 / 48 / 40 / 35

HEX #A75764

RGB 167 87 100

HSL 350.25, 0.31%, 0.5%

LAB 46.91, 34.16, 7.54

 

CMYK 0 / 26 / 22 / 43

HEX #926C72

RGB 146 108 114

HSL 350.53, 0.15%, 0.5%

LAB 49.56, 16.07, 2.59

 

CMYK 0 / 89 / 25 / 10

HEX #E519AB

RGB 229 25 171

HSL 317.06, 0.8%, 0.5%

LAB 52.17, 80.9, -26.11

 

CMYK 0 / 89 / 49 / 10

HEX #E51975

RGB 229 25 117

HSL 332.94, 0.8%, 0.5%

LAB 50.26, 75.73, 3.4

 

CMYK 0 / 89 / 73 / 10

HEX #E5193E

RGB 229 25 62

HSL 349.12, 0.8%, 0.5%

LAB 49.13, 72.55, 35.32

 

CMYK 0 / 82 / 89 / 10

HEX #E52A19

RGB 229 42 25

HSL 5, 0.8%, 0.5%

LAB 49.96, 68.24, 55.31

 

CMYK 0 / 58 / 89 / 10

HEX #E56019

RGB 229 96 25

HSL 20.88, 0.8%, 0.5%

LAB 57.17, 48.62, 60.62

 

CMYK 0 / 89 / 74 / 39

HEX #9B1128

RGB 155 17 40

HSL 350, 0.8%, 0.34%

LAB 32.97, 53.62, 25.99

 

CMYK 0 / 89 / 74 / 25

HEX #C01532

RGB 192 21 50

HSL 349.82, 0.8%, 0.42%

LAB 41.17, 63.24, 31.33

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 73 / 61 / 9

HEX #E93E5B

RGB 233 62 91

HSL 349.82, 0.8%, 0.58%

LAB 53.52, 66.14, 23.73

 

CMYK 0 / 58 / 49 / 7

HEX #ED637A

RGB 237 99 122

HSL 350, 0.79%, 0.66%

LAB 60.19, 55.14, 14.68

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 1 / 0 / 89 / 10

HEX #E2E519

RGB 226 229 25

HSL 60.88, 0.8%, 0.5%

LAB 88.1, -20.85, 84.32

 

CMYK 89 / 37 / 0 / 10

HEX #1990E5

RGB 25 144 229

HSL 205, 0.8%, 0.5%

LAB 57.86, -0.06, -51.48

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 73 / 0 / 89 / 10

HEX #3EE519

RGB 62 229 25

HSL 109.12, 0.8%, 0.5%

LAB 80.25, -73.77, 74.66

 

CMYK 89 / 73 / 0 / 10

HEX #193EE5

RGB 25 62 229

HSL 229.12, 0.8%, 0.5%

LAB 36.57, 50.99, -86.04

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 1 / 0 / 89 / 10

HEX #E2E519

RGB 226 229 25

HSL 60.88, 0.8%, 0.5%

LAB 88.1, -20.85, 84.32

 

CMYK 89 / 0 / 16 / 10

HEX #19E5C0

RGB 25 229 192

HSL 169.12, 0.8%, 0.5%

LAB 81.87, -53.7, 5.26

 

CMYK 88 / 89 / 0 / 10

HEX #1C19E5

RGB 28 25 229

HSL 240.88, 0.8%, 0.5%

LAB 30.88, 67.96, -95.5

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 28 / 0 / 89 / 10

HEX #A4E519

RGB 164 229 25

HSL 79.12, 0.8%, 0.5%

LAB 83.97, -45.56, 79.26

 

CMYK 89 / 0 / 16 / 10

HEX #19E5C0

RGB 25 229 192

HSL 169.12, 0.8%, 0.5%

LAB 81.87, -53.7, 5.26

 

CMYK 61 / 89 / 0 / 10

HEX #5A19E5

RGB 90 25 229

HSL 259.12, 0.8%, 0.5%

LAB 35.06, 70.78, -88.44

 

Description

Color code: RGB 228 26 60 | qconv.com Color code: RGB 228 26 60 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 26 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 26 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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