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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 54 231 it is the complementary color RGB 27 201 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 54 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 54 231 shade: RGB 233 54 226, RGB 250 72 245, RGB 255 90 255, RGB 255 108 255 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 54 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 211 36 212, RGB 194 18 193, RGB 177 0 174 and RGB 160 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 231 54 186, RGB 231 54 138, RGB 231 54 91 and RGB 231 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 180 54 231, RGB 132 54 231, RGB 85 54 231 and RGB 54 54 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 54 231 shade matches the following richer shades: RGB 228 54 231 and RGB 245 36 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 210 72 213, RGB 193 90 195, RGB 175 108 176 and RGB 158 126 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 54 231 shade: RGB 130 54 231, RGB 178 54 231, RGB 225 54 231, RGB 231 54 190 and RGB 231 54 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 54 231 shade: RGB 179 21 181, RGB 215 25 218, RGB 228 54 231, RGB 233 91 235 and RGB 238 128 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 231 83 54 and RGB 54 231 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 231 225 54 and RGB 54 231 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 231 83 54, RGB 60 231 54 and RGB 54 201 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 54 231 shade: RGB 228 54 231, RGB 231 136 54, RGB 60 231 54 and RGB 54 148 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

Complementary color

CMYK 87 / 0 / 88 / 21

HEX #1BC918

RGB 27 201 24

HSL 118.98, 0.79%, 0.44%

LAB 70.92, -69.99, 66.62

 

CMYK 0 / 77 / 3 / 9

HEX #E936E2

RGB 233 54 226

HSL 302.35, 0.8%, 0.56%

LAB 57.51, 83.09, -49.33

 

CMYK 0 / 71 / 2 / 2

HEX #FA48F5

RGB 250 72 245

HSL 301.69, 0.95%, 0.63%

LAB 62.97, 84.25, -51.13

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 83 / 0 / 17

HEX #D324D4

RGB 211 36 212

HSL 299.66, 0.71%, 0.49%

LAB 51.68, 81.01, -50.88

 

CMYK 0 / 91 / 1 / 24

HEX #C212C1

RGB 194 18 193

HSL 300.34, 0.83%, 0.42%

LAB 46.65, 78.13, -48.12

 

CMYK 0 / 100 / 2 / 31

HEX #B100AE

RGB 177 0 174

HSL 301.02, 1%, 0.35%

LAB 41.85, 74.27, -44.78

 

CMYK 0 / 100 / 3 / 37

HEX #A0009B

RGB 160 0 155

HSL 301.88, 1%, 0.31%

LAB 37.55, 68.6, -40.41

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 77 / 19 / 9

HEX #E736BA

RGB 231 54 186

HSL 315.25, 0.79%, 0.56%

LAB 55.25, 77.13, -30.06

 

CMYK 0 / 77 / 40 / 9

HEX #E7368A

RGB 231 54 138

HSL 331.53, 0.79%, 0.56%

LAB 53.45, 71.74, -4.56

 

CMYK 0 / 77 / 61 / 9

HEX #E7365B

RGB 231 54 91

HSL 347.46, 0.79%, 0.56%

LAB 52.27, 68.05, 22.01

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 22 / 77 / 0 / 9

HEX #B436E7

RGB 180 54 231

HSL 282.71, 0.79%, 0.56%

LAB 49.63, 74, -65.24

 

CMYK 43 / 77 / 0 / 9

HEX #8436E7

RGB 132 54 231

HSL 266.44, 0.79%, 0.56%

LAB 43.23, 66.15, -75.94

 

CMYK 63 / 77 / 0 / 9

HEX #5536E7

RGB 85 54 231

HSL 250.51, 0.79%, 0.56%

LAB 38.44, 60.17, -83.98

 

CMYK 77 / 77 / 0 / 9

HEX #3636E7

RGB 54 54 231

HSL 240, 0.79%, 0.56%

LAB 36.35, 57.51, -87.51

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 2 / 86 / 0 / 2

HEX #F524F9

RGB 245 36 249

HSL 298.87, 0.95%, 0.56%

LAB 59.45, 92.43, -59.01

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 1 / 66 / 0 / 16

HEX #D248D5

RGB 210 72 213

HSL 298.72, 0.63%, 0.56%

LAB 55.22, 70.53, -45.84

 

CMYK 1 / 54 / 0 / 24

HEX #C15AC3

RGB 193 90 195

HSL 298.86, 0.47%, 0.56%

LAB 54.65, 55.56, -36.62

 

CMYK 1 / 39 / 0 / 31

HEX #AF6CB0

RGB 175 108 176

HSL 299.12, 0.3%, 0.56%

LAB 55.05, 37.49, -25.24

 

CMYK 0 / 20 / 0 / 38

HEX #9E7E9E

RGB 158 126 158

HSL 300, 0.14%, 0.56%

LAB 56.74, 18.09, -12.42

 

CMYK 44 / 77 / 0 / 9

HEX #8236E7

RGB 130 54 231

HSL 265.76, 0.79%, 0.56%

LAB 42.99, 65.86, -76.34

 

CMYK 23 / 77 / 0 / 9

HEX #B236E7

RGB 178 54 231

HSL 282.03, 0.79%, 0.56%

LAB 49.34, 73.65, -65.72

 

CMYK 3 / 77 / 0 / 9

HEX #E136E7

RGB 225 54 231

HSL 297.97, 0.79%, 0.56%

LAB 56.5, 82.3, -53.84

 

CMYK 0 / 77 / 18 / 9

HEX #E736BE

RGB 231 54 190

HSL 313.9, 0.79%, 0.56%

LAB 55.43, 77.65, -32.1

 

CMYK 0 / 77 / 39 / 9

HEX #E7368E

RGB 231 54 142

HSL 330.17, 0.79%, 0.56%

LAB 53.58, 72.13, -6.75

 

CMYK 1 / 88 / 0 / 29

HEX #B315B5

RGB 179 21 181

HSL 299.25, 0.79%, 0.4%

LAB 43.44, 73.27, -46.35

 

CMYK 1 / 89 / 0 / 15

HEX #D719DA

RGB 215 25 218

HSL 299.07, 0.79%, 0.48%

LAB 52.07, 84.48, -53.65

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 1 / 61 / 0 / 8

HEX #E95BEB

RGB 233 91 235

HSL 299.17, 0.78%, 0.64%

LAB 62.34, 72.15, -46.73

 

CMYK 1 / 47 / 0 / 6

HEX #EE80F0

RGB 238 128 240

HSL 298.93, 0.79%, 0.72%

LAB 69.4, 57.7, -38.37

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 64 / 77 / 9

HEX #E75336

RGB 231 83 54

HSL 9.83, 0.79%, 0.56%

LAB 55.52, 55.84, 46.88

 

CMYK 77 / 0 / 33 / 9

HEX #36E79A

RGB 54 231 154

HSL 153.9, 0.79%, 0.56%

LAB 81.98, -60.82, 25.33

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 3 / 77 / 9

HEX #E7E136

RGB 231 225 54

HSL 57.97, 0.79%, 0.56%

LAB 87.54, -16.06, 77.51

 

CMYK 77 / 0 / 3 / 9

HEX #36E7E1

RGB 54 231 225

HSL 177.97, 0.79%, 0.56%

LAB 83.64, -43.6, -9.55

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 64 / 77 / 9

HEX #E75336

RGB 231 83 54

HSL 9.83, 0.79%, 0.56%

LAB 55.52, 55.84, 46.88

 

CMYK 74 / 0 / 77 / 9

HEX #3CE736

RGB 60 231 54

HSL 117.97, 0.79%, 0.56%

LAB 80.95, -73.32, 68.37

 

CMYK 77 / 13 / 0 / 9

HEX #36C9E7

RGB 54 201 231

HSL 190.17, 0.79%, 0.56%

LAB 75.03, -27.85, -25.74

 

CMYK 1 / 77 / 0 / 9

HEX #E436E7

RGB 228 54 231

HSL 298.98, 0.79%, 0.56%

LAB 56.98, 82.88, -53.04

 

CMYK 0 / 41 / 77 / 9

HEX #E78836

RGB 231 136 54

HSL 27.8, 0.79%, 0.56%

LAB 65.64, 30.21, 57.05

 

CMYK 74 / 0 / 77 / 9

HEX #3CE736

RGB 60 231 54

HSL 117.97, 0.79%, 0.56%

LAB 80.95, -73.32, 68.37

 

CMYK 77 / 36 / 0 / 9

HEX #3694E7

RGB 54 148 231

HSL 208.14, 0.79%, 0.56%

LAB 59.65, 0.72, -49.71

 

Description

Color code: RGB 228 54 231 | qconv.com Color code: RGB 228 54 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 54 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 54 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 77 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 77% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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