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Color name
RGB 228 59 244

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 59 244 it is the complementary color RGB 27 196 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 59 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 59 244 shade: RGB 233 59 239, RGB 250 77 255, RGB 255 95 255, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 59 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 59 244 shade: RGB 228 59 244, RGB 211 41 225, RGB 194 23 206, RGB 177 5 187 and RGB 160 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 59 244 shade: RGB 227 57 243, RGB 243 57 209, RGB 243 57 159, RGB 243 57 109 and RGB 243 57 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 59 244 shade: RGB 227 57 243, RGB 177 57 243, RGB 127 57 243, RGB 76 57 243 and RGB 57 57 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 59 244 shade matches the following richer shades: RGB 227 57 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 59 244 shade: RGB 227 57 243, RGB 213 74 226, RGB 199 91 209, RGB 185 108 192 and RGB 171 125 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 59 244 shade: RGB 125 57 243, RGB 175 57 243, RGB 224 57 243, RGB 243 57 212 and RGB 243 57 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 59 244 shade: RGB 189 12 206, RGB 221 18 241, RGB 227 57 243, RGB 232 96 245 and RGB 238 135 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 59 244 shade: RGB 228 59 244, RGB 243 76 57 and RGB 57 243 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 59 244 shade: RGB 228 59 244, RGB 243 224 57 and RGB 57 243 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 59 244 shade: RGB 228 59 244, RGB 243 76 57, RGB 76 243 57 and RGB 57 224 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 59 244 shade: RGB 228 59 244, RGB 243 131 57, RGB 76 243 57 and RGB 57 169 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

Complementary color

CMYK 86 / 0 / 94 / 23

HEX #1BC40B

RGB 27 196 11

HSL 114.81, 0.89%, 0.41%

LAB 69.28, -68.95, 67.23

 

CMYK 3 / 75 / 0 / 6

HEX #E93BEF

RGB 233 59 239

HSL 298, 0.85%, 0.58%

LAB 58.68, 83.73, -54.77

 

CMYK 2 / 70 / 0 / 0

HEX #FA4DFF

RGB 250 77 255

HSL 298.31, 1%, 0.65%

LAB 64.04, 84.22, -54.96

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

CMYK 6 / 82 / 0 / 12

HEX #D329E1

RGB 211 41 225

HSL 295.43, 0.75%, 0.52%

LAB 52.81, 81.96, -56.48

 

CMYK 6 / 89 / 0 / 19

HEX #C217CE

RGB 194 23 206

HSL 296.07, 0.8%, 0.45%

LAB 47.67, 79.42, -54.01

 

CMYK 5 / 97 / 0 / 27

HEX #B105BB

RGB 177 5 187

HSL 296.7, 0.95%, 0.38%

LAB 42.83, 75.74, -50.89

 

CMYK 5 / 100 / 0 / 34

HEX #A000A8

RGB 160 0 168

HSL 297.14, 1%, 0.33%

LAB 38.38, 70.58, -46.93

 

CMYK 7 / 77 / 0 / 5

HEX #E339F3

RGB 227 57 243

HSL 294.84, 0.89%, 0.59%

LAB 57.78, 83.78, -58.5

 

CMYK 0 / 77 / 14 / 5

HEX #F339D1

RGB 243 57 209

HSL 310.97, 0.89%, 0.59%

LAB 58.59, 81.95, -37.9

 

CMYK 0 / 77 / 35 / 5

HEX #F3399F

RGB 243 57 159

HSL 327.1, 0.89%, 0.59%

LAB 56.57, 75.98, -12.11

 

CMYK 0 / 77 / 55 / 5

HEX #F3396D

RGB 243 57 109

HSL 343.23, 0.89%, 0.59%

LAB 55.16, 71.64, 15.52

 

CMYK 0 / 77 / 76 / 5

HEX #F3393A

RGB 243 57 58

HSL 359.68, 0.89%, 0.59%

LAB 54.33, 69, 44.15

 

CMYK 7 / 77 / 0 / 5

HEX #E339F3

RGB 227 57 243

HSL 294.84, 0.89%, 0.59%

LAB 57.78, 83.78, -58.5

 

CMYK 27 / 77 / 0 / 5

HEX #B139F3

RGB 177 57 243

HSL 278.71, 0.89%, 0.59%

LAB 50.39, 74.85, -70.79

 

CMYK 48 / 77 / 0 / 5

HEX #7F39F3

RGB 127 57 243

HSL 262.58, 0.89%, 0.59%

LAB 44.1, 67.14, -81.31

 

CMYK 69 / 77 / 0 / 5

HEX #4C39F3

RGB 76 57 243

HSL 246.13, 0.89%, 0.59%

LAB 39.47, 61.35, -89.11

 

CMYK 77 / 77 / 0 / 5

HEX #3939F3

RGB 57 57 243

HSL 240, 0.89%, 0.59%

LAB 38.32, 59.9, -91.05

 

CMYK 7 / 77 / 0 / 5

HEX #E339F3

RGB 227 57 243

HSL 294.84, 0.89%, 0.59%

LAB 57.78, 83.78, -58.5

 

CMYK 7 / 77 / 0 / 5

HEX #E339F3

RGB 227 57 243

HSL 294.84, 0.89%, 0.59%

LAB 57.78, 83.78, -58.5

 

CMYK 6 / 67 / 0 / 11

HEX #D54AE2

RGB 213 74 226

HSL 294.87, 0.72%, 0.59%

LAB 56.62, 72.65, -50.94

 

CMYK 5 / 56 / 0 / 18

HEX #C75BD1

RGB 199 91 209

HSL 294.92, 0.56%, 0.59%

LAB 56.32, 59.22, -41.93

 

CMYK 4 / 44 / 0 / 25

HEX #B96CC0

RGB 185 108 192

HSL 295, 0.4%, 0.59%

LAB 56.92, 43.66, -31.42

 

CMYK 2 / 29 / 0 / 31

HEX #AB7DAF

RGB 171 125 175

HSL 295.2, 0.24%, 0.59%

LAB 58.43, 26.51, -19.5

 

CMYK 49 / 77 / 0 / 5

HEX #7D39F3

RGB 125 57 243

HSL 261.94, 0.89%, 0.59%

LAB 43.88, 66.87, -81.68

 

CMYK 28 / 77 / 0 / 5

HEX #AF39F3

RGB 175 57 243

HSL 278.06, 0.89%, 0.59%

LAB 50.11, 74.51, -71.25

 

CMYK 8 / 77 / 0 / 5

HEX #E039F3

RGB 224 57 243

HSL 293.87, 0.89%, 0.59%

LAB 57.31, 83.22, -59.27

 

CMYK 0 / 77 / 13 / 5

HEX #F339D4

RGB 243 57 212

HSL 310, 0.89%, 0.59%

LAB 58.73, 82.35, -39.39

 

CMYK 0 / 77 / 33 / 5

HEX #F339A2

RGB 243 57 162

HSL 326.13, 0.89%, 0.59%

LAB 56.67, 76.3, -13.71

 

CMYK 8 / 94 / 0 / 19

HEX #BD0CCE

RGB 189 12 206

HSL 294.74, 0.89%, 0.43%

LAB 46.36, 79.97, -56.17

 

CMYK 8 / 93 / 0 / 5

HEX #DD12F1

RGB 221 18 241

HSL 294.62, 0.89%, 0.51%

LAB 54.19, 89.76, -63.19

 

CMYK 7 / 77 / 0 / 5

HEX #E339F3

RGB 227 57 243

HSL 294.84, 0.89%, 0.59%

LAB 57.78, 83.78, -58.5

 

CMYK 5 / 61 / 0 / 4

HEX #E860F5

RGB 232 96 245

HSL 294.77, 0.88%, 0.67%

LAB 63.44, 71.57, -50.56

 

CMYK 4 / 46 / 0 / 3

HEX #EE87F8

RGB 238 135 248

HSL 294.69, 0.89%, 0.75%

LAB 71.07, 55.69, -40.16

 

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 77 / 0 / 38 / 5

HEX #39F396

RGB 57 243 150

HSL 150, 0.89%, 0.59%

LAB 85.59, -65.58, 32.21

 

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

CMYK 0 / 8 / 77 / 5

HEX #F3E039

RGB 243 224 57

HSL 53.87, 0.89%, 0.59%

LAB 88.29, -10.45, 77.66

 

CMYK 77 / 0 / 8 / 5

HEX #39F3E0

RGB 57 243 224

HSL 173.87, 0.89%, 0.59%

LAB 87.17, -48.77, -3.8

 

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 69 / 0 / 77 / 5

HEX #4CF339

RGB 76 243 57

HSL 113.87, 0.89%, 0.59%

LAB 84.96, -74.19, 71.44

 

CMYK 77 / 8 / 0 / 5

HEX #39E0F3

RGB 57 224 243

HSL 186.13, 0.89%, 0.59%

LAB 82.19, -34.93, -21.25

 

CMYK 7 / 76 / 0 / 4

HEX #E43BF4

RGB 228 59 244

HSL 294.81, 0.89%, 0.59%

LAB 58.18, 83.57, -58.4

 

CMYK 0 / 46 / 77 / 5

HEX #F38339

RGB 243 131 57

HSL 23.87, 0.89%, 0.59%

LAB 66.2, 37.73, 56.84

 

CMYK 69 / 0 / 77 / 5

HEX #4CF339

RGB 76 243 57

HSL 113.87, 0.89%, 0.59%

LAB 84.96, -74.19, 71.44

 

CMYK 77 / 30 / 0 / 5

HEX #39A9F3

RGB 57 169 243

HSL 203.87, 0.89%, 0.59%

LAB 66.3, -6.73, -45.79

 

Description

Color code: RGB 228 59 244 | qconv.com Color code: RGB 228 59 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 59 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 59 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 76 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 76% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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