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Color name
RGB 229 144 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 144 197 it is the complementary color RGB 26 111 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 144 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 144 197 shade: RGB 234 144 192, RGB 251 162 211, RGB 255 180 230, RGB 255 198 249 and RGB 255 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 144 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 144 197 shade: RGB 229 144 197, RGB 212 126 178, RGB 195 108 159, RGB 178 90 140 and RGB 161 72 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 144 197 shade: RGB 228 143 196, RGB 228 143 173, RGB 228 143 150 and RGB 228 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 144 197 shade: RGB 228 143 196, RGB 228 143 219, RGB 214 143 228, RGB 191 143 228 and RGB 168 143 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 144 197 shade matches the following richer shades: RGB 228 143 196, RGB 239 132 199 and RGB 251 121 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 144 197 shade: RGB 228 143 196, RGB 217 154 193, RGB 206 165 191, RGB 195 176 188 and RGB 184 188 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 144 197 shade: RGB 214 143 228, RGB 228 143 220, RGB 228 143 197, RGB 228 143 174 and RGB 228 143 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 144 197 shade: RGB 213 76 161, RGB 220 110 179, RGB 228 143 196, RGB 236 176 214 and RGB 244 210 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 144 197 shade: RGB 229 144 197, RGB 228 191 143 and RGB 143 228 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 144 197 shade: RGB 229 144 197, RGB 197 228 143 and RGB 143 197 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 144 197 shade: RGB 229 144 197, RGB 228 191 143, RGB 143 228 174 and RGB 143 180 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 144 197 shade: RGB 229 144 197, RGB 228 217 143, RGB 143 228 174 and RGB 143 154 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

Complementary color

CMYK 77 / 0 / 48 / 56

HEX #1A6F3A

RGB 26 111 58

HSL 142.59, 0.62%, 0.27%

LAB 41.05, -37.57, 22.52

 

CMYK 0 / 38 / 18 / 8

HEX #EA90C0

RGB 234 144 192

HSL 328, 0.68%, 0.74%

LAB 70.35, 40.44, -10.42

 

CMYK 0 / 35 / 16 / 2

HEX #FBA2D3

RGB 251 162 211

HSL 326.97, 0.92%, 0.81%

LAB 76.71, 39.68, -11.18

 

CMYK 0 / 29 / 10 / 0

HEX #FFB4E6

RGB 255 180 230

HSL 320, 1%, 0.85%

LAB 81.63, 34.65, -14.07

 

CMYK 0 / 22 / 2 / 0

HEX #FFC6F9

RGB 255 198 249

HSL 306.32, 1%, 0.89%

LAB 86.25, 28.45, -17.27

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 0 / 41 / 16 / 17

HEX #D47EB2

RGB 212 126 178

HSL 323.72, 0.5%, 0.66%

LAB 63.45, 40.32, -13.16

 

CMYK 0 / 45 / 18 / 24

HEX #C36C9F

RGB 195 108 159

HSL 324.83, 0.42%, 0.59%

LAB 56.91, 41.11, -12.33

 

CMYK 0 / 49 / 21 / 30

HEX #B25A8C

RGB 178 90 140

HSL 325.91, 0.36%, 0.53%

LAB 50.3, 41.89, -11.35

 

CMYK 0 / 55 / 25 / 37

HEX #A14879

RGB 161 72 121

HSL 326.97, 0.38%, 0.46%

LAB 43.64, 42.61, -10.16

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC4

RGB 228 143 196

HSL 322.59, 0.61%, 0.73%

LAB 69.56, 39.58, -13.9

 

CMYK 0 / 37 / 24 / 11

HEX #E48FAD

RGB 228 143 173

HSL 338.82, 0.61%, 0.73%

LAB 68.86, 36.1, -2.09

 

CMYK 0 / 37 / 34 / 11

HEX #E48F96

RGB 228 143 150

HSL 355.06, 0.61%, 0.73%

LAB 68.27, 33.05, 9.93

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC4

RGB 228 143 196

HSL 322.59, 0.61%, 0.73%

LAB 69.56, 39.58, -13.9

 

CMYK 0 / 37 / 4 / 11

HEX #E48FDB

RGB 228 143 219

HSL 306.35, 0.61%, 0.73%

LAB 70.35, 43.44, -25.44

 

CMYK 6 / 37 / 0 / 11

HEX #D68FE4

RGB 214 143 228

HSL 290.12, 0.61%, 0.73%

LAB 69.14, 40.78, -32.4

 

CMYK 16 / 37 / 0 / 11

HEX #BF8FE4

RGB 191 143 228

HSL 273.88, 0.61%, 0.73%

LAB 66.77, 33.85, -36.27

 

CMYK 26 / 37 / 0 / 11

HEX #A88FE4

RGB 168 143 228

HSL 257.65, 0.61%, 0.73%

LAB 64.62, 27.11, -39.78

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC4

RGB 228 143 196

HSL 322.59, 0.61%, 0.73%

LAB 69.56, 39.58, -13.9

 

CMYK 0 / 45 / 17 / 6

HEX #EF84C7

RGB 239 132 199

HSL 322.43, 0.77%, 0.73%

LAB 68.73, 49.28, -16.68

 

CMYK 0 / 52 / 20 / 2

HEX #FB79CA

RGB 251 121 202

HSL 322.62, 0.94%, 0.73%

LAB 68.35, 58.76, -18.79

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC4

RGB 228 143 196

HSL 322.59, 0.61%, 0.73%

LAB 69.56, 39.58, -13.9

 

CMYK 0 / 29 / 11 / 15

HEX #D99AC1

RGB 217 154 193

HSL 322.86, 0.45%, 0.73%

LAB 70.67, 29.49, -10.69

 

CMYK 0 / 20 / 7 / 19

HEX #CEA5BF

RGB 206 165 191

HSL 321.95, 0.29%, 0.73%

LAB 72.09, 19.34, -7.59

 

CMYK 0 / 10 / 4 / 24

HEX #C3B0BC

RGB 195 176 188

HSL 322.11, 0.14%, 0.73%

LAB 73.73, 8.93, -3.63

 

CMYK 2 / 0 / 2 / 26

HEX #B8BCB9

RGB 184 188 185

HSL 135, 0.03%, 0.73%

LAB 75.86, -1.95, 1.02

 

CMYK 6 / 37 / 0 / 11

HEX #D68FE4

RGB 214 143 228

HSL 290.12, 0.61%, 0.73%

LAB 69.14, 40.78, -32.4

 

CMYK 0 / 37 / 4 / 11

HEX #E48FDC

RGB 228 143 220

HSL 305.65, 0.61%, 0.73%

LAB 70.39, 43.62, -25.94

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC5

RGB 228 143 197

HSL 321.88, 0.61%, 0.73%

LAB 69.59, 39.74, -14.41

 

CMYK 0 / 37 / 24 / 11

HEX #E48FAE

RGB 228 143 174

HSL 338.12, 0.61%, 0.73%

LAB 68.89, 36.25, -2.61

 

CMYK 0 / 37 / 33 / 11

HEX #E48F98

RGB 228 143 152

HSL 353.65, 0.61%, 0.73%

LAB 68.32, 33.3, 8.88

 

CMYK 0 / 64 / 24 / 16

HEX #D54CA1

RGB 213 76 161

HSL 322.77, 0.62%, 0.57%

LAB 53.91, 61.96, -17.79

 

CMYK 0 / 50 / 19 / 14

HEX #DC6EB3

RGB 220 110 179

HSL 322.36, 0.61%, 0.65%

LAB 61.33, 51.21, -16.84

 

CMYK 0 / 37 / 14 / 11

HEX #E48FC4

RGB 228 143 196

HSL 322.59, 0.61%, 0.73%

LAB 69.56, 39.58, -13.9

 

CMYK 0 / 25 / 9 / 7

HEX #ECB0D6

RGB 236 176 214

HSL 322, 0.61%, 0.81%

LAB 78.31, 27.72, -10.59

 

CMYK 0 / 14 / 5 / 4

HEX #F4D2E7

RGB 244 210 231

HSL 322.94, 0.61%, 0.89%

LAB 87.53, 15.33, -5.93

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 0 / 16 / 37 / 11

HEX #E4BF8F

RGB 228 191 143

HSL 33.88, 0.61%, 0.73%

LAB 79.46, 6.64, 29.15

 

CMYK 37 / 0 / 1 / 11

HEX #8FE4E1

RGB 143 228 225

HSL 177.88, 0.61%, 0.73%

LAB 85.38, -26.33, -6.68

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 14 / 0 / 37 / 11

HEX #C5E48F

RGB 197 228 143

HSL 81.88, 0.61%, 0.73%

LAB 86.67, -24.07, 38.17

 

CMYK 37 / 14 / 0 / 11

HEX #8FC5E4

RGB 143 197 228

HSL 201.88, 0.61%, 0.73%

LAB 76.9, -9.9, -20.98

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 0 / 16 / 37 / 11

HEX #E4BF8F

RGB 228 191 143

HSL 33.88, 0.61%, 0.73%

LAB 79.46, 6.64, 29.15

 

CMYK 37 / 0 / 24 / 11

HEX #8FE4AE

RGB 143 228 174

HSL 141.88, 0.61%, 0.73%

LAB 84.16, -37.17, 18.39

 

CMYK 37 / 21 / 0 / 11

HEX #8FB4E4

RGB 143 180 228

HSL 213.88, 0.61%, 0.73%

LAB 72.28, -0.75, -28.04

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 0 / 5 / 37 / 11

HEX #E4D98F

RGB 228 217 143

HSL 52.24, 0.61%, 0.73%

LAB 86.06, -6.82, 37.82

 

CMYK 37 / 0 / 24 / 11

HEX #8FE4AE

RGB 143 228 174

HSL 141.88, 0.61%, 0.73%

LAB 84.16, -37.17, 18.39

 

CMYK 37 / 32 / 0 / 11

HEX #8F9AE4

RGB 143 154 228

HSL 232.24, 0.61%, 0.73%

LAB 65.4, 13.85, -38.71

 

Description

Color code: RGB 229 144 197 | qconv.com Color code: RGB 229 144 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 144 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 144 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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