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Color name
RGB 229 149 136

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 149 136 it is the complementary color RGB 26 106 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 149 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 149 136 shade: RGB 234 149 131, RGB 251 167 150, RGB 255 185 169, RGB 255 203 188 and RGB 255 221 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 149 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 149 136 shade: RGB 229 149 136, RGB 212 131 117, RGB 195 113 98, RGB 178 95 79 and RGB 161 77 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 149 136 shade: RGB 229 150 137 and RGB 229 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 149 136 shade: RGB 229 150 137, RGB 229 175 137, RGB 229 199 137, RGB 229 224 137 and RGB 209 229 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 149 136 shade matches the following richer shades: RGB 229 150 137, RGB 240 142 126 and RGB 252 134 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 149 136 shade: RGB 229 150 137, RGB 217 159 149, RGB 206 167 161, RGB 194 175 172 and RGB 183 183 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 149 136 shade: RGB 229 137 174, RGB 229 137 150, RGB 229 150 137, RGB 229 174 137 and RGB 229 198 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 149 136 shade: RGB 214 90 70, RGB 221 120 104, RGB 229 150 137, RGB 236 180 171 and RGB 244 210 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 149 136 shade: RGB 229 149 136, RGB 198 229 137 and RGB 137 162 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 149 136 shade: RGB 229 149 136, RGB 137 229 150 and RGB 150 137 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 149 136 shade: RGB 229 149 136, RGB 198 229 137, RGB 137 217 229 and RGB 168 137 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 149 136 shade: RGB 229 149 136, RGB 171 229 137, RGB 137 217 229 and RGB 195 137 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

Complementary color

CMYK 78 / 11 / 0 / 53

HEX #1A6A77

RGB 26 106 119

HSL 188.39, 0.64%, 0.28%

LAB 40.99, -18.52, -14.03

 

CMYK 0 / 36 / 44 / 8

HEX #EA9583

RGB 234 149 131

HSL 10.49, 0.71%, 0.72%

LAB 69.91, 29.99, 22.87

 

CMYK 0 / 33 / 40 / 2

HEX #FBA796

RGB 251 167 150

HSL 10.1, 0.93%, 0.79%

LAB 76.28, 29.01, 21.51

 

CMYK 0 / 27 / 34 / 0

HEX #FFB9A9

RGB 255 185 169

HSL 11.16, 1%, 0.83%

LAB 81.19, 23.27, 18.13

 

CMYK 0 / 20 / 26 / 0

HEX #FFCBBC

RGB 255 203 188

HSL 13.43, 1%, 0.87%

LAB 85.81, 16.28, 14.48

 

CMYK 0 / 13 / 19 / 0

HEX #FFDDCF

RGB 255 221 207

HSL 17.5, 1%, 0.91%

LAB 90.54, 9.61, 11.2

 

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

CMYK 0 / 38 / 45 / 17

HEX #D48375

RGB 212 131 117

HSL 8.84, 0.52%, 0.65%

LAB 62.94, 29.63, 20.76

 

CMYK 0 / 42 / 50 / 24

HEX #C37162

RGB 195 113 98

HSL 9.28, 0.45%, 0.57%

LAB 56.38, 30.76, 22.36

 

CMYK 0 / 47 / 56 / 30

HEX #B25F4F

RGB 178 95 79

HSL 9.7, 0.39%, 0.5%

LAB 49.75, 32, 24.18

 

CMYK 0 / 52 / 63 / 37

HEX #A14D3C

RGB 161 77 60

HSL 10.1, 0.46%, 0.43%

LAB 43.08, 33.37, 26.32

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 40 / 40 / 10

HEX #E58989

RGB 229 137 137

HSL 0, 0.64%, 0.72%

LAB 66.79, 35.06, 15.15

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 24 / 40 / 10

HEX #E5AF89

RGB 229 175 137

HSL 24.78, 0.64%, 0.72%

LAB 75.53, 14.83, 27.09

 

CMYK 0 / 13 / 40 / 10

HEX #E5C789

RGB 229 199 137

HSL 40.43, 0.64%, 0.72%

LAB 81.46, 2.17, 34.93

 

CMYK 0 / 2 / 40 / 10

HEX #E5E089

RGB 229 224 137

HSL 56.74, 0.64%, 0.72%

LAB 87.86, -10.61, 43.15

 

CMYK 9 / 0 / 40 / 10

HEX #D1E589

RGB 209 229 137

HSL 73.04, 0.64%, 0.72%

LAB 87.68, -20.78, 42.61

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 41 / 48 / 6

HEX #F08E7E

RGB 240 142 126

HSL 8.42, 0.79%, 0.72%

LAB 69.02, 35.45, 24.56

 

CMYK 0 / 47 / 55 / 1

HEX #FC8672

RGB 252 134 114

HSL 8.7, 0.96%, 0.72%

LAB 68.72, 42.99, 31.05

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 27 / 31 / 15

HEX #D99F95

RGB 217 159 149

HSL 8.82, 0.47%, 0.72%

LAB 70.68, 20.2, 13.7

 

CMYK 0 / 19 / 22 / 19

HEX #CEA7A1

RGB 206 167 161

HSL 8, 0.31%, 0.72%

LAB 71.78, 13.36, 8.5

 

CMYK 0 / 10 / 11 / 24

HEX #C2AFAC

RGB 194 175 172

HSL 8.18, 0.15%, 0.72%

LAB 72.96, 6.31, 4.01

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 0 / 40 / 24 / 10

HEX #E589AE

RGB 229 137 174

HSL 335.87, 0.64%, 0.72%

LAB 67.73, 39.74, -4.31

 

CMYK 0 / 40 / 34 / 10

HEX #E58996

RGB 229 137 150

HSL 351.52, 0.64%, 0.72%

LAB 67.09, 36.58, 8.26

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 24 / 40 / 10

HEX #E5AE89

RGB 229 174 137

HSL 24.13, 0.64%, 0.72%

LAB 75.29, 15.37, 26.77

 

CMYK 0 / 14 / 40 / 10

HEX #E5C689

RGB 229 198 137

HSL 39.78, 0.64%, 0.72%

LAB 81.21, 2.69, 34.6

 

CMYK 0 / 58 / 67 / 16

HEX #D65A46

RGB 214 90 70

HSL 8.33, 0.64%, 0.56%

LAB 54.08, 47.54, 35.9

 

CMYK 0 / 46 / 53 / 13

HEX #DD7868

RGB 221 120 104

HSL 8.21, 0.63%, 0.64%

LAB 61.49, 37.67, 26.34

 

CMYK 0 / 34 / 40 / 10

HEX #E59689

RGB 229 150 137

HSL 8.48, 0.64%, 0.72%

LAB 69.67, 28.19, 19.13

 

CMYK 0 / 24 / 28 / 7

HEX #ECB4AB

RGB 236 180 171

HSL 8.31, 0.63%, 0.8%

LAB 78.12, 19.05, 12.46

 

CMYK 0 / 14 / 16 / 4

HEX #F4D2CD

RGB 244 210 205

HSL 7.69, 0.64%, 0.88%

LAB 86.87, 11.08, 6.86

 

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

CMYK 14 / 0 / 40 / 10

HEX #C6E589

RGB 198 229 137

HSL 80.22, 0.64%, 0.72%

LAB 86.92, -24.91, 41.49

 

CMYK 40 / 29 / 0 / 10

HEX #89A2E5

RGB 137 162 229

HSL 223.7, 0.64%, 0.72%

LAB 67.14, 7.97, -36.57

 

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

CMYK 40 / 0 / 34 / 10

HEX #89E596

RGB 137 229 150

HSL 128.48, 0.64%, 0.72%

LAB 83.74, -43.57, 30.15

 

CMYK 34 / 40 / 0 / 10

HEX #9689E5

RGB 150 137 229

HSL 248.48, 0.64%, 0.72%

LAB 61.68, 25.8, -45.05

 

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

CMYK 14 / 0 / 40 / 10

HEX #C6E589

RGB 198 229 137

HSL 80.22, 0.64%, 0.72%

LAB 86.92, -24.91, 41.49

 

CMYK 40 / 5 / 0 / 10

HEX #89D9E5

RGB 137 217 229

HSL 187.83, 0.64%, 0.72%

LAB 82.16, -21.46, -13.62

 

CMYK 27 / 40 / 0 / 10

HEX #A889E5

RGB 168 137 229

HSL 260.22, 0.64%, 0.72%

LAB 63.24, 30.75, -42.5

 

CMYK 0 / 35 / 41 / 10

HEX #E59588

RGB 229 149 136

HSL 8.39, 0.64%, 0.72%

LAB 69.42, 28.61, 19.35

 

CMYK 25 / 0 / 40 / 10

HEX #ABE589

RGB 171 229 137

HSL 97.83, 0.64%, 0.72%

LAB 85.25, -34.62, 39.02

 

CMYK 40 / 5 / 0 / 10

HEX #89D9E5

RGB 137 217 229

HSL 187.83, 0.64%, 0.72%

LAB 82.16, -21.46, -13.62

 

CMYK 15 / 40 / 0 / 10

HEX #C389E5

RGB 195 137 229

HSL 277.83, 0.64%, 0.72%

LAB 65.87, 38.54, -38.2

 

Description

Color code: RGB 229 149 136 | qconv.com Color code: RGB 229 149 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 149 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 149 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 41 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 41% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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