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Color name
RGB 229 173 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 173 168 it is the complementary color RGB 26 82 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 173 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 173 168 shade: RGB 234 173 163, RGB 251 191 182, RGB 255 209 201, RGB 255 227 220 and RGB 255 245 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 173 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 212 155 149, RGB 195 137 130, RGB 178 119 111 and RGB 161 101 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 173 168 shade: RGB 229 173 168 and RGB 229 168 168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 229 189 168, RGB 229 206 168, RGB 229 222 168 and RGB 219 229 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 173 168 shade matches the following richer shades: RGB 229 173 168, RGB 238 165 159 and RGB 247 158 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 220 181 177, RGB 211 188 186, RGB 201 196 195 and RGB 192 203 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 173 168 shade: RGB 229 168 196, RGB 229 168 180, RGB 229 172 168, RGB 229 188 168 and RGB 229 204 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 173 168 shade: RGB 210 113 105, RGB 219 143 136, RGB 229 173 168, RGB 238 203 200 and RGB 248 233 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 213 229 168 and RGB 168 188 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 168 229 172 and RGB 172 168 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 213 229 168, RGB 168 225 229 and RGB 184 168 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 173 168 shade: RGB 229 173 168, RGB 194 229 168, RGB 168 225 229 and RGB 202 168 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

Complementary color

CMYK 70 / 6 / 0 / 66

HEX #1A5257

RGB 26 82 87

HSL 184.92, 0.54%, 0.22%

LAB 31.68, -16.13, -8.29

 

CMYK 0 / 26 / 30 / 8

HEX #EAADA3

RGB 234 173 163

HSL 8.45, 0.63%, 0.78%

LAB 76.08, 20.97, 13.9

 

CMYK 0 / 24 / 27 / 2

HEX #FBBFB6

RGB 251 191 182

HSL 7.83, 0.9%, 0.85%

LAB 82.46, 20.28, 12.89

 

CMYK 0 / 18 / 21 / 0

HEX #FFD1C9

RGB 255 209 201

HSL 8.89, 1%, 0.89%

LAB 87.52, 14.96, 10.05

 

CMYK 0 / 11 / 14 / 0

HEX #FFE3DC

RGB 255 227 220

HSL 12, 1%, 0.93%

LAB 92.29, 8.48, 6.91

 

CMYK 0 / 4 / 6 / 0

HEX #FFF5EF

RGB 255 245 239

HSL 22.5, 1%, 0.97%

LAB 97.15, 2.33, 4.06

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 27 / 30 / 17

HEX #D49B95

RGB 212 155 149

HSL 5.71, 0.42%, 0.71%

LAB 69.19, 20.46, 11.53

 

CMYK 0 / 30 / 33 / 24

HEX #C38982

RGB 195 137 130

HSL 6.46, 0.35%, 0.64%

LAB 62.6, 21.24, 12.63

 

CMYK 0 / 33 / 38 / 30

HEX #B2776F

RGB 178 119 111

HSL 7.16, 0.3%, 0.57%

LAB 55.89, 22.12, 13.85

 

CMYK 0 / 37 / 43 / 37

HEX #A1655C

RGB 161 101 92

HSL 7.83, 0.27%, 0.5%

LAB 49.08, 23.12, 15.23

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 27 / 27 / 10

HEX #E5A8A8

RGB 229 168 168

HSL 0, 0.54%, 0.78%

LAB 74.5, 22.44, 8.85

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 17 / 27 / 10

HEX #E5BDA8

RGB 229 189 168

HSL 20.66, 0.54%, 0.78%

LAB 79.55, 11.23, 15.98

 

CMYK 0 / 10 / 27 / 10

HEX #E5CEA8

RGB 229 206 168

HSL 37.38, 0.54%, 0.78%

LAB 83.77, 2.3, 21.85

 

CMYK 0 / 3 / 27 / 10

HEX #E5DEA8

RGB 229 222 168

HSL 53.11, 0.54%, 0.78%

LAB 87.84, -5.93, 27.41

 

CMYK 4 / 0 / 27 / 10

HEX #DBE5A8

RGB 219 229 168

HSL 69.84, 0.54%, 0.78%

LAB 88.89, -13.17, 28.7

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 31 / 33 / 7

HEX #EEA59F

RGB 238 165 159

HSL 4.56, 0.7%, 0.78%

LAB 74.57, 26.22, 14

 

CMYK 0 / 36 / 39 / 3

HEX #F79E96

RGB 247 158 150

HSL 4.95, 0.86%, 0.78%

LAB 73.82, 32.22, 18.05

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 18 / 20 / 14

HEX #DCB5B1

RGB 220 181 177

HSL 5.58, 0.38%, 0.78%

LAB 76.94, 13.43, 7.32

 

CMYK 0 / 11 / 12 / 17

HEX #D3BCBA

RGB 211 188 186

HSL 4.8, 0.22%, 0.78%

LAB 78.09, 7.82, 3.98

 

CMYK 0 / 2 / 3 / 21

HEX #C9C4C3

RGB 201 196 195

HSL 10, 0.05%, 0.78%

LAB 79.52, 1.56, 1.11

 

CMYK 6 / 0 / 0 / 20

HEX #C0CBCC

RGB 192 203 204

HSL 185, 0.11%, 0.78%

LAB 80.89, -3.54, -1.8

 

CMYK 0 / 27 / 14 / 10

HEX #E5A8C4

RGB 229 168 196

HSL 332.46, 0.54%, 0.78%

LAB 75.23, 26.62, -5.43

 

CMYK 0 / 27 / 21 / 10

HEX #E5A8B4

RGB 229 168 180

HSL 348.2, 0.54%, 0.78%

LAB 74.8, 24.15, 2.7

 

CMYK 0 / 25 / 27 / 10

HEX #E5ACA8

RGB 229 172 168

HSL 3.93, 0.54%, 0.78%

LAB 75.45, 20.3, 10.2

 

CMYK 0 / 18 / 27 / 10

HEX #E5BCA8

RGB 229 188 168

HSL 19.67, 0.54%, 0.78%

LAB 79.3, 11.76, 15.64

 

CMYK 0 / 11 / 27 / 10

HEX #E5CCA8

RGB 229 204 168

HSL 35.41, 0.54%, 0.78%

LAB 83.27, 3.34, 21.16

 

CMYK 0 / 46 / 50 / 18

HEX #D27169

RGB 210 113 105

HSL 4.57, 0.54%, 0.62%

LAB 58.54, 37.21, 21.59

 

CMYK 0 / 35 / 38 / 14

HEX #DB8F88

RGB 219 143 136

HSL 5.06, 0.54%, 0.7%

LAB 66.89, 27.99, 15.66

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 0 / 15 / 16 / 7

HEX #EECBC8

RGB 238 203 200

HSL 4.74, 0.53%, 0.86%

LAB 84.51, 11.83, 6.06

 

CMYK 0 / 6 / 6 / 3

HEX #F8E9E8

RGB 248 233 232

HSL 3.75, 0.53%, 0.94%

LAB 93.48, 4.91, 2.3

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 7 / 0 / 27 / 10

HEX #D5E5A8

RGB 213 229 168

HSL 75.74, 0.54%, 0.78%

LAB 88.45, -15.37, 28.04

 

CMYK 27 / 18 / 0 / 10

HEX #A8BCE5

RGB 168 188 229

HSL 220.33, 0.54%, 0.78%

LAB 76.04, 2.22, -22.7

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 27 / 0 / 25 / 10

HEX #A8E5AC

RGB 168 229 172

HSL 123.93, 0.54%, 0.78%

LAB 85.68, -30.34, 21.72

 

CMYK 25 / 27 / 0 / 10

HEX #ACA8E5

RGB 172 168 229

HSL 243.93, 0.54%, 0.78%

LAB 71.17, 14.43, -30.13

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 7 / 0 / 27 / 10

HEX #D5E5A8

RGB 213 229 168

HSL 75.74, 0.54%, 0.78%

LAB 88.45, -15.37, 28.04

 

CMYK 27 / 2 / 0 / 10

HEX #A8E1E5

RGB 168 225 229

HSL 183.93, 0.54%, 0.78%

LAB 85.92, -17.14, -7.85

 

CMYK 20 / 27 / 0 / 10

HEX #B8A8E5

RGB 184 168 229

HSL 255.74, 0.54%, 0.78%

LAB 72.13, 18.06, -28.57

 

CMYK 0 / 24 / 27 / 10

HEX #E5ADA8

RGB 229 173 168

HSL 4.92, 0.54%, 0.78%

LAB 75.68, 19.76, 10.53

 

CMYK 15 / 0 / 27 / 10

HEX #C2E5A8

RGB 194 229 168

HSL 94.43, 0.54%, 0.78%

LAB 87.16, -22.19, 26.07

 

CMYK 27 / 2 / 0 / 10

HEX #A8E1E5

RGB 168 225 229

HSL 183.93, 0.54%, 0.78%

LAB 85.92, -17.14, -7.85

 

CMYK 12 / 27 / 0 / 10

HEX #CAA8E5

RGB 202 168 229

HSL 273.44, 0.54%, 0.78%

LAB 73.69, 23.67, -26.05

 

Description

Color code: RGB 229 173 168 | qconv.com Color code: RGB 229 173 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 173 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 173 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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