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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 198 214 it is the complementary color RGB 26 57 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 198 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 198 214 shade: RGB 234 198 209, RGB 251 216 228, RGB 255 234 247 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 198 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 198 214 shade: RGB 229 198 214, RGB 212 180 195, RGB 195 162 176, RGB 178 144 157 and RGB 161 126 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 198 214 shade: RGB 229 199 214, RGB 229 199 206 and RGB 229 199 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 198 214 shade: RGB 229 199 214, RGB 229 199 222, RGB 227 199 229, RGB 219 199 229 and RGB 211 199 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 198 214 shade matches the following richer shades: RGB 229 199 214, RGB 235 192 214, RGB 242 185 215 and RGB 249 179 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 198 214 shade: RGB 229 199 214, RGB 222 205 214, RGB 216 212 214, RGB 209 218 214 and RGB 202 225 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 198 214 shade: RGB 227 199 229, RGB 229 199 222, RGB 229 199 214, RGB 229 199 206 and RGB 229 199 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 198 214 shade: RGB 203 142 173, RGB 216 170 194, RGB 229 199 214 and RGB 242 227 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 198 214 shade: RGB 229 198 214, RGB 229 219 199 and RGB 199 226 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 198 214 shade: RGB 229 198 214, RGB 214 229 199 and RGB 199 214 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 198 214 shade: RGB 229 198 214, RGB 229 219 199, RGB 199 229 213 and RGB 199 208 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 198 214 shade: RGB 229 198 214, RGB 229 228 199, RGB 199 229 213 and RGB 199 199 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

Complementary color

CMYK 54 / 0 / 28 / 78

HEX #1A3929

RGB 26 57 41

HSL 149.03, 0.37%, 0.16%

LAB 21.23, -16.07, 6.48

 

CMYK 0 / 15 / 11 / 8

HEX #EAC6D1

RGB 234 198 209

HSL 341.67, 0.46%, 0.85%

LAB 83.17, 14.49, -0.74

 

CMYK 0 / 14 / 9 / 2

HEX #FBD8E4

RGB 251 216 228

HSL 339.43, 0.81%, 0.92%

LAB 89.5, 14.07, -1.38

 

CMYK 0 / 8 / 3 / 0

HEX #FFEAF7

RGB 255 234 247

HSL 322.86, 1%, 0.96%

LAB 94.66, 9.32, -3.7

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

CMYK 0 / 15 / 8 / 17

HEX #D4B4C3

RGB 212 180 195

HSL 331.88, 0.27%, 0.77%

LAB 76.42, 14, -3.32

 

CMYK 0 / 17 / 10 / 24

HEX #C3A2B0

RGB 195 162 176

HSL 334.55, 0.22%, 0.7%

LAB 69.88, 14.45, -2.68

 

CMYK 0 / 19 / 12 / 30

HEX #B2909D

RGB 178 144 157

HSL 337.06, 0.18%, 0.63%

LAB 63.22, 14.94, -2.01

 

CMYK 0 / 22 / 14 / 37

HEX #A17E8A

RGB 161 126 138

HSL 339.43, 0.16%, 0.56%

LAB 56.42, 15.49, -1.3

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 13 / 10 / 10

HEX #E5C7CE

RGB 229 199 206

HSL 346, 0.37%, 0.84%

LAB 82.89, 11.7, 0.4

 

CMYK 0 / 13 / 13 / 10

HEX #E5C7C7

RGB 229 199 199

HSL 0, 0.37%, 0.84%

LAB 82.72, 10.56, 3.89

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 13 / 3 / 10

HEX #E5C7DE

RGB 229 199 222

HSL 314, 0.37%, 0.84%

LAB 83.33, 14.46, -7.51

 

CMYK 1 / 13 / 0 / 10

HEX #E3C7E5

RGB 227 199 229

HSL 296, 0.37%, 0.84%

LAB 83.36, 15.05, -11.22

 

CMYK 4 / 13 / 0 / 10

HEX #DBC7E5

RGB 219 199 229

HSL 280, 0.37%, 0.84%

LAB 82.68, 12.39, -12.3

 

CMYK 8 / 13 / 0 / 10

HEX #D3C7E5

RGB 211 199 229

HSL 264, 0.37%, 0.84%

LAB 82.03, 9.76, -13.34

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 18 / 9 / 8

HEX #EBC0D6

RGB 235 192 214

HSL 329.3, 0.52%, 0.84%

LAB 81.96, 18.85, -5.19

 

CMYK 0 / 24 / 11 / 5

HEX #F2B9D7

RGB 242 185 215

HSL 328.42, 0.69%, 0.84%

LAB 81.01, 25.16, -7.06

 

CMYK 0 / 28 / 14 / 2

HEX #F9B3D7

RGB 249 179 215

HSL 329.14, 0.85%, 0.84%

LAB 80.34, 30.73, -7.97

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 8 / 4 / 13

HEX #DECDD6

RGB 222 205 214

HSL 328.24, 0.2%, 0.84%

LAB 83.99, 7.46, -2.33

 

CMYK 0 / 2 / 1 / 15

HEX #D8D4D6

RGB 216 212 214

HSL 330, 0.05%, 0.84%

LAB 85.27, 1.73, -0.51

 

CMYK 4 / 0 / 2 / 15

HEX #D1DAD6

RGB 209 218 214

HSL 153.33, 0.11%, 0.84%

LAB 86.28, -3.76, 0.9

 

CMYK 10 / 0 / 5 / 12

HEX #CAE1D5

RGB 202 225 213

HSL 148.7, 0.28%, 0.84%

LAB 87.59, -9.87, 3.27

 

CMYK 1 / 13 / 0 / 10

HEX #E3C7E5

RGB 227 199 229

HSL 296, 0.37%, 0.84%

LAB 83.36, 15.05, -11.22

 

CMYK 0 / 13 / 3 / 10

HEX #E5C7DE

RGB 229 199 222

HSL 314, 0.37%, 0.84%

LAB 83.33, 14.46, -7.51

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 13 / 10 / 10

HEX #E5C7CE

RGB 229 199 206

HSL 346, 0.37%, 0.84%

LAB 82.89, 11.7, 0.4

 

CMYK 0 / 13 / 13 / 10

HEX #E5C7C7

RGB 229 199 199

HSL 0, 0.37%, 0.84%

LAB 82.72, 10.56, 3.89

 

CMYK 0 / 30 / 15 / 20

HEX #CB8EAD

RGB 203 142 173

HSL 329.51, 0.37%, 0.68%

LAB 65.8, 27.8, -6.95

 

CMYK 0 / 21 / 10 / 15

HEX #D8AAC2

RGB 216 170 194

HSL 328.7, 0.37%, 0.76%

LAB 74.35, 20.65, -5.79

 

CMYK 0 / 13 / 7 / 10

HEX #E5C7D6

RGB 229 199 214

HSL 330, 0.37%, 0.84%

LAB 83.1, 13.06, -3.56

 

CMYK 0 / 6 / 3 / 5

HEX #F2E3EB

RGB 242 227 235

HSL 328, 0.37%, 0.92%

LAB 91.6, 6.48, -2.06

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

CMYK 0 / 4 / 13 / 10

HEX #E5DBC7

RGB 229 219 199

HSL 40, 0.37%, 0.84%

LAB 87.7, 0.1, 11.05

 

CMYK 13 / 1 / 0 / 10

HEX #C7E2E5

RGB 199 226 229

HSL 186, 0.37%, 0.84%

LAB 88.06, -8.27, -4.48

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

CMYK 7 / 0 / 13 / 10

HEX #D6E5C7

RGB 214 229 199

HSL 90, 0.37%, 0.84%

LAB 89.14, -10.29, 12.94

 

CMYK 13 / 7 / 0 / 10

HEX #C7D6E5

RGB 199 214 229

HSL 210, 0.37%, 0.84%

LAB 84.94, -2.06, -9.1

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

CMYK 0 / 4 / 13 / 10

HEX #E5DBC7

RGB 229 219 199

HSL 40, 0.37%, 0.84%

LAB 87.7, 0.1, 11.05

 

CMYK 13 / 0 / 7 / 10

HEX #C7E5D5

RGB 199 229 213

HSL 148, 0.37%, 0.84%

LAB 88.44, -12.88, 4.48

 

CMYK 13 / 9 / 0 / 10

HEX #C7D0E5

RGB 199 208 229

HSL 222, 0.37%, 0.84%

LAB 83.4, 1.09, -11.4

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D6

RGB 229 198 214

HSL 329.03, 0.37%, 0.84%

LAB 82.86, 13.59, -3.92

 

CMYK 0 / 0 / 13 / 10

HEX #E5E4C7

RGB 229 228 199

HSL 58, 0.37%, 0.84%

LAB 89.98, -4.51, 14.29

 

CMYK 13 / 0 / 7 / 10

HEX #C7E5D5

RGB 199 229 213

HSL 148, 0.37%, 0.84%

LAB 88.44, -12.88, 4.48

 

CMYK 13 / 13 / 0 / 10

HEX #C7C7E5

RGB 199 199 229

HSL 240, 0.37%, 0.84%

LAB 81.1, 5.87, -14.84

 

Description

Color code: RGB 229 198 214 | qconv.com Color code: RGB 229 198 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 198 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 198 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 7 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 7% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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