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Color name
RGB 229 191 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 191 142 it is the complementary color RGB 26 64 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 191 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 191 142 shade: RGB 234 191 137, RGB 251 209 156, RGB 255 227 175, RGB 255 245 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 191 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 212 173 123, RGB 195 155 104, RGB 178 137 85 and RGB 161 119 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 229 168 142, RGB 229 144 142 and RGB 229 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 229 215 142, RGB 220 229 142, RGB 197 229 142 and RGB 173 229 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 191 142 shade matches the following richer shades: RGB 229 191 142, RGB 240 193 131 and RGB 251 194 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 218 190 153, RGB 207 188 165, RGB 196 187 176 and RGB 184 186 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 191 142 shade: RGB 229 144 142, RGB 229 167 142, RGB 229 190 142, RGB 229 213 142 and RGB 222 229 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 191 142 shade: RGB 214 153 75, RGB 221 172 109, RGB 229 191 142, RGB 237 210 176 and RGB 244 229 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 164 229 142 and RGB 155 142 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 142 229 190 and RGB 190 142 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 164 229 142, RGB 142 181 229 and RGB 207 142 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 191 142 shade: RGB 229 191 142, RGB 142 229 147, RGB 142 181 229 and RGB 229 142 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

Complementary color

CMYK 77 / 43 / 0 / 56

HEX #1A4071

RGB 26 64 113

HSL 213.79, 0.63%, 0.27%

LAB 26.96, 5.14, -32.19

 

CMYK 0 / 18 / 41 / 8

HEX #EABF89

RGB 234 191 137

HSL 33.4, 0.7%, 0.73%

LAB 79.93, 8.34, 33.02

 

CMYK 0 / 17 / 38 / 2

HEX #FBD19C

RGB 251 209 156

HSL 33.47, 0.92%, 0.8%

LAB 86.26, 7.69, 31.82

 

CMYK 0 / 11 / 31 / 0

HEX #FFE3AF

RGB 255 227 175

HSL 39, 1%, 0.84%

LAB 91.37, 2.2, 28.95

 

CMYK 0 / 4 / 24 / 0

HEX #FFF5C2

RGB 255 245 194

HSL 50.16, 1%, 0.88%

LAB 96.19, -4.45, 25.81

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 0 / 18 / 42 / 17

HEX #D4AD7B

RGB 212 173 123

HSL 33.71, 0.51%, 0.66%

LAB 73.1, 7.58, 31.02

 

CMYK 0 / 21 / 47 / 24

HEX #C39B68

RGB 195 155 104

HSL 33.63, 0.43%, 0.59%

LAB 66.55, 8.34, 32.33

 

CMYK 0 / 23 / 52 / 30

HEX #B28955

RGB 178 137 85

HSL 33.55, 0.38%, 0.52%

LAB 59.9, 9.24, 33.72

 

CMYK 0 / 26 / 59 / 37

HEX #A17742

RGB 161 119 66

HSL 33.47, 0.42%, 0.45%

LAB 53.13, 10.32, 35.19

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 0 / 27 / 38 / 10

HEX #E5A88E

RGB 229 168 142

HSL 17.93, 0.63%, 0.73%

LAB 73.94, 19.14, 22.26

 

CMYK 0 / 37 / 38 / 10

HEX #E5908E

RGB 229 144 142

HSL 1.38, 0.63%, 0.73%

LAB 68.43, 31.94, 14.64

 

CMYK 0 / 38 / 38 / 10

HEX #E58E8E

RGB 229 142 142

HSL 0, 0.63%, 0.73%

LAB 67.99, 33, 14.02

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 0 / 6 / 38 / 10

HEX #E5D78E

RGB 229 215 142

HSL 50.34, 0.63%, 0.73%

LAB 85.61, -5.52, 37.77

 

CMYK 4 / 0 / 38 / 10

HEX #DCE58E

RGB 220 229 142

HSL 66.21, 0.63%, 0.73%

LAB 88.55, -16.03, 41.41

 

CMYK 14 / 0 / 38 / 10

HEX #C5E58E

RGB 197 229 142

HSL 82.07, 0.63%, 0.73%

LAB 86.93, -24.67, 39

 

CMYK 24 / 0 / 38 / 10

HEX #ADE58E

RGB 173 229 142

HSL 98.62, 0.63%, 0.73%

LAB 85.44, -33.26, 36.79

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 0 / 20 / 45 / 6

HEX #F0C183

RGB 240 193 131

HSL 34.13, 0.78%, 0.73%

LAB 80.91, 9.06, 37.5

 

CMYK 0 / 23 / 52 / 2

HEX #FBC278

RGB 251 194 120

HSL 33.89, 0.94%, 0.73%

LAB 82.08, 11.95, 44.8

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 0 / 13 / 30 / 15

HEX #DABE99

RGB 218 190 153

HSL 34.15, 0.47%, 0.73%

LAB 78.48, 4.5, 22.37

 

CMYK 0 / 9 / 20 / 19

HEX #CFBCA5

RGB 207 188 165

HSL 32.86, 0.3%, 0.73%

LAB 77.25, 3.05, 14.08

 

CMYK 0 / 5 / 10 / 23

HEX #C4BBB0

RGB 196 187 176

HSL 33, 0.14%, 0.73%

LAB 76.32, 1.26, 6.69

 

CMYK 2 / 1 / 0 / 27

HEX #B8BABB

RGB 184 186 187

HSL 200, 0.02%, 0.73%

LAB 75.39, -0.5, -0.76

 

CMYK 0 / 37 / 38 / 10

HEX #E5908E

RGB 229 144 142

HSL 1.38, 0.63%, 0.73%

LAB 68.43, 31.94, 14.64

 

CMYK 0 / 27 / 38 / 10

HEX #E5A78E

RGB 229 167 142

HSL 17.24, 0.63%, 0.73%

LAB 73.71, 19.67, 21.93

 

CMYK 0 / 17 / 38 / 10

HEX #E5BE8E

RGB 229 190 142

HSL 33.1, 0.63%, 0.73%

LAB 79.29, 7.44, 29.47

 

CMYK 0 / 7 / 38 / 10

HEX #E5D58E

RGB 229 213 142

HSL 48.97, 0.63%, 0.73%

LAB 85.1, -4.5, 37.1

 

CMYK 3 / 0 / 38 / 10

HEX #DEE58E

RGB 222 229 142

HSL 64.83, 0.63%, 0.73%

LAB 88.7, -15.26, 41.63

 

CMYK 0 / 29 / 65 / 16

HEX #D6994B

RGB 214 153 75

HSL 33.67, 0.63%, 0.57%

LAB 67.71, 15.08, 49.03

 

CMYK 0 / 22 / 51 / 13

HEX #DDAC6D

RGB 221 172 109

HSL 33.75, 0.62%, 0.65%

LAB 73.53, 10.4, 39.09

RGB 221 172 109

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

RGB 229 191 142

CMYK 0 / 11 / 26 / 7

HEX #EDD2B0

RGB 237 210 176

HSL 33.44, 0.63%, 0.81%

LAB 85.62, 4.31, 20.31

RGB 237 210 176

CMYK 0 / 6 / 14 / 4

HEX #F4E5D2

RGB 244 229 210

HSL 33.53, 0.61%, 0.89%

LAB 91.65, 2.02, 11.09

RGB 244 229 210

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 28 / 0 / 38 / 10

HEX #A4E58E

RGB 164 229 142

HSL 104.83, 0.63%, 0.73%

LAB 84.94, -36.32, 36.03

 

CMYK 32 / 38 / 0 / 10

HEX #9B8EE5

RGB 155 142 229

HSL 248.97, 0.63%, 0.73%

LAB 63.32, 24.28, -42.45

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 38 / 0 / 17 / 10

HEX #8EE5BE

RGB 142 229 190

HSL 153.1, 0.63%, 0.73%

LAB 84.74, -34.78, 10.82

 

CMYK 17 / 38 / 0 / 10

HEX #BE8EE5

RGB 190 142 229

HSL 273.1, 0.63%, 0.73%

LAB 66.48, 34.32, -37.27

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 28 / 0 / 38 / 10

HEX #A4E58E

RGB 164 229 142

HSL 104.83, 0.63%, 0.73%

LAB 84.94, -36.32, 36.03

 

CMYK 38 / 21 / 0 / 10

HEX #8EB5E5

RGB 142 181 229

HSL 213.1, 0.63%, 0.73%

LAB 72.53, -1.3, -28.21

 

CMYK 10 / 38 / 0 / 10

HEX #CF8EE5

RGB 207 142 229

HSL 284.83, 0.63%, 0.73%

LAB 68.22, 39.4, -34.44

 

CMYK 0 / 17 / 38 / 10

HEX #E5BF8E

RGB 229 191 142

HSL 33.79, 0.63%, 0.73%

LAB 79.54, 6.92, 29.8

 

CMYK 38 / 0 / 36 / 10

HEX #8EE593

RGB 142 229 147

HSL 123.45, 0.63%, 0.73%

LAB 83.91, -42.58, 31.95

 

CMYK 38 / 21 / 0 / 10

HEX #8EB5E5

RGB 142 181 229

HSL 213.1, 0.63%, 0.73%

LAB 72.53, -1.3, -28.21

 

CMYK 0 / 38 / 2 / 10

HEX #E58EE1

RGB 229 142 225

HSL 302.76, 0.63%, 0.73%

LAB 70.48, 45.33, -28.54

 

Description

Color code: RGB 229 191 142 | qconv.com Color code: RGB 229 191 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 191 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 191 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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