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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 210 157 it is the complementary color RGB 26 45 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 210 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 210 157 shade: RGB 234 210 152, RGB 251 228 171, RGB 255 246 190, RGB 255 255 209 and RGB 255 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 210 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 210 157 shade: RGB 229 210 157, RGB 212 192 138, RGB 195 174 119, RGB 178 156 100 and RGB 161 138 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 210 157 shade: RGB 229 210 158, RGB 229 191 158, RGB 229 172 158 and RGB 229 158 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 210 157 shade: RGB 229 210 158, RGB 228 229 158, RGB 209 229 158, RGB 190 229 158 and RGB 171 229 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 210 157 shade matches the following richer shades: RGB 229 210 158, RGB 239 215 148 and RGB 249 219 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 210 157 shade: RGB 229 210 158, RGB 219 205 168, RGB 209 201 178, RGB 199 196 188 and RGB 189 191 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 210 157 shade: RGB 229 172 158, RGB 229 191 158, RGB 229 210 158, RGB 229 229 158 and RGB 210 229 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 210 157 shade: RGB 211 180 93, RGB 220 195 125, RGB 229 210 158, RGB 237 225 190 and RGB 246 240 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 210 157 shade: RGB 229 210 157, RGB 163 229 158 and RGB 181 158 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 210 157 shade: RGB 229 210 157, RGB 158 229 210 and RGB 210 158 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 210 157 shade: RGB 229 210 157, RGB 163 229 158, RGB 158 177 229 and RGB 224 158 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 210 157 shade: RGB 229 210 157, RGB 158 229 174, RGB 158 177 229 and RGB 229 158 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

Complementary color

CMYK 73 / 54 / 0 / 62

HEX #1A2D62

RGB 26 45 98

HSL 224.17, 0.58%, 0.24%

LAB 19.96, 12.45, -33.74

 

CMYK 0 / 10 / 35 / 8

HEX #EAD298

RGB 234 210 152

HSL 42.44, 0.66%, 0.76%

LAB 84.92, 0.13, 31.83

 

CMYK 0 / 9 / 32 / 2

HEX #FBE4AB

RGB 251 228 171

HSL 42.75, 0.91%, 0.83%

LAB 91.21, -0.31, 30.72

 

CMYK 0 / 4 / 25 / 0

HEX #FFF6BE

RGB 255 246 190

HSL 51.69, 1%, 0.87%

LAB 96.36, -5.48, 28.09

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

CMYK 0 / 9 / 35 / 17

HEX #D4C08A

RGB 212 192 138

HSL 43.78, 0.46%, 0.69%

LAB 78.19, -0.78, 29.82

 

CMYK 0 / 11 / 39 / 24

HEX #C3AE77

RGB 195 174 119

HSL 43.42, 0.39%, 0.62%

LAB 71.69, -0.29, 31

 

CMYK 0 / 12 / 44 / 30

HEX #B29C64

RGB 178 156 100

HSL 43.08, 0.34%, 0.55%

LAB 65.09, 0.28, 32.26

 

CMYK 0 / 14 / 50 / 37

HEX #A18A51

RGB 161 138 81

HSL 42.75, 0.33%, 0.47%

LAB 58.37, 0.97, 33.57

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 17 / 31 / 10

HEX #E5BF9E

RGB 229 191 158

HSL 27.89, 0.58%, 0.76%

LAB 79.83, 8.85, 21.73

 

CMYK 0 / 25 / 31 / 10

HEX #E5AC9E

RGB 229 172 158

HSL 11.83, 0.58%, 0.76%

LAB 75.22, 18.96, 15.33

 

CMYK 0 / 31 / 31 / 10

HEX #E59E9E

RGB 229 158 158

HSL 0, 0.58%, 0.76%

LAB 71.95, 26.45, 10.71

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 0 / 31 / 10

HEX #E4E59E

RGB 228 229 158

HSL 60.85, 0.58%, 0.76%

LAB 89.39, -11.1, 34.6

 

CMYK 9 / 0 / 31 / 10

HEX #D1E59E

RGB 209 229 158

HSL 76.9, 0.58%, 0.76%

LAB 88, -18.2, 32.49

 

CMYK 17 / 0 / 31 / 10

HEX #BEE59E

RGB 190 229 158

HSL 92.96, 0.58%, 0.76%

LAB 86.73, -25.07, 30.57

 

CMYK 25 / 0 / 31 / 10

HEX #ABE59E

RGB 171 229 158

HSL 109.01, 0.58%, 0.76%

LAB 85.59, -31.61, 28.84

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 10 / 38 / 6

HEX #EFD794

RGB 239 215 148

HSL 44.18, 0.74%, 0.76%

LAB 86.55, -0.96, 36.1

 

CMYK 0 / 12 / 45 / 2

HEX #F9DB8A

RGB 249 219 138

HSL 43.78, 0.9%, 0.76%

LAB 88.27, -0.12, 43.53

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 6 / 23 / 14

HEX #DBCDA8

RGB 219 205 168

HSL 43.53, 0.41%, 0.76%

LAB 82.67, -0.94, 20.2

 

CMYK 0 / 4 / 15 / 18

HEX #D1C9B2

RGB 209 201 178

HSL 44.52, 0.25%, 0.76%

LAB 81.04, -1.07, 12.49

 

CMYK 0 / 2 / 6 / 22

HEX #C7C4BC

RGB 199 196 188

HSL 43.64, 0.09%, 0.76%

LAB 79.19, -0.38, 4.37

 

CMYK 4 / 3 / 0 / 23

HEX #BDBFC5

RGB 189 191 197

HSL 225, 0.06%, 0.76%

LAB 77.35, 0.45, -3.26

 

CMYK 0 / 25 / 31 / 10

HEX #E5AC9E

RGB 229 172 158

HSL 11.83, 0.58%, 0.76%

LAB 75.22, 18.96, 15.33

 

CMYK 0 / 17 / 31 / 10

HEX #E5BF9E

RGB 229 191 158

HSL 27.89, 0.58%, 0.76%

LAB 79.83, 8.85, 21.73

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 0 / 31 / 10

HEX #E5E59E

RGB 229 229 158

HSL 60, 0.58%, 0.76%

LAB 89.47, -10.73, 34.71

 

CMYK 8 / 0 / 31 / 10

HEX #D2E59E

RGB 210 229 158

HSL 76.06, 0.58%, 0.76%

LAB 88.07, -17.83, 32.6

 

CMYK 0 / 15 / 56 / 17

HEX #D3B45D

RGB 211 180 93

HSL 44.24, 0.57%, 0.6%

LAB 74.37, 0.64, 47.9

 

CMYK 0 / 11 / 43 / 14

HEX #DCC37D

RGB 220 195 125

HSL 44.21, 0.58%, 0.68%

LAB 79.46, -0.61, 38.35

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29E

RGB 229 210 158

HSL 43.94, 0.58%, 0.76%

LAB 84.6, -1.07, 28.21

 

CMYK 0 / 5 / 20 / 7

HEX #EDE1BE

RGB 237 225 190

HSL 44.68, 0.57%, 0.84%

LAB 89.66, -1.45, 18.61

 

CMYK 0 / 2 / 9 / 4

HEX #F6F0DF

RGB 246 240 223

HSL 44.35, 0.56%, 0.92%

LAB 94.84, -0.84, 8.92

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

CMYK 29 / 0 / 31 / 10

HEX #A3E59E

RGB 163 229 158

HSL 115.77, 0.58%, 0.76%

LAB 85.15, -34.25, 28.17

 

CMYK 21 / 31 / 0 / 10

HEX #B59EE5

RGB 181 158 229

HSL 259.44, 0.58%, 0.76%

LAB 69.42, 22.72, -32.77

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

CMYK 31 / 0 / 8 / 10

HEX #9EE5D2

RGB 158 229 210

HSL 163.94, 0.58%, 0.76%

LAB 85.99, -26.12, 2.2

 

CMYK 8 / 31 / 0 / 10

HEX #D29EE5

RGB 210 158 229

HSL 283.94, 0.58%, 0.76%

LAB 72.1, 31.65, -28.41

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

CMYK 29 / 0 / 31 / 10

HEX #A3E59E

RGB 163 229 158

HSL 115.77, 0.58%, 0.76%

LAB 85.15, -34.25, 28.17

 

CMYK 31 / 23 / 0 / 10

HEX #9EB1E5

RGB 158 177 229

HSL 223.94, 0.58%, 0.76%

LAB 72.48, 5.33, -28.21

 

CMYK 2 / 31 / 0 / 10

HEX #E09EE5

RGB 224 158 229

HSL 295.77, 0.58%, 0.76%

LAB 73.52, 36.06, -26.12

 

CMYK 0 / 8 / 31 / 10

HEX #E5D29D

RGB 229 210 157

HSL 44.17, 0.58%, 0.76%

LAB 84.58, -1.2, 28.71

 

CMYK 31 / 0 / 24 / 10

HEX #9EE5AE

RGB 158 229 174

HSL 133.52, 0.58%, 0.76%

LAB 85.18, -33.15, 19.91

 

CMYK 31 / 23 / 0 / 10

HEX #9EB1E5

RGB 158 177 229

HSL 223.94, 0.58%, 0.76%

LAB 72.48, 5.33, -28.21

 

CMYK 0 / 31 / 7 / 10

HEX #E59ED4

RGB 229 158 212

HSL 314.37, 0.58%, 0.76%

LAB 73.46, 34.63, -16.86

 

Description

Color code: RGB 229 210 157 | qconv.com Color code: RGB 229 210 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 210 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 210 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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