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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 240 214 it is the complementary color RGB 26 15 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 240 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 240 214 shade: RGB 234 240 209, RGB 251 255 228 and RGB 255 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 240 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 240 214 shade: RGB 229 240 214, RGB 212 222 195, RGB 195 204 176, RGB 178 186 157 and RGB 161 168 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 240 214 shade: RGB 228 239 214, RGB 235 239 214, RGB 239 236 214, RGB 239 229 214 and RGB 239 222 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 240 214 shade: RGB 228 239 214, RGB 221 239 214, RGB 215 239 214, RGB 214 239 220 and RGB 214 239 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 240 214 shade matches the following richer shades: RGB 228 239 214, RGB 229 244 209, RGB 230 248 204 and RGB 231 253 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 240 214 shade: RGB 228 239 214, RGB 228 235 218, RGB 227 230 223, RGB 226 226 227 and RGB 226 221 232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 240 214 shade: RGB 239 236 214, RGB 235 239 214, RGB 229 239 214, RGB 222 239 214 and RGB 215 239 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 240 214 shade: RGB 190 217 153, RGB 209 228 183, RGB 228 239 214 and RGB 248 250 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 240 214 shade: RGB 229 240 214, RGB 214 239 229 and RGB 239 214 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 240 214 shade: RGB 229 240 214, RGB 214 229 239 and RGB 239 214 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 240 214 shade: RGB 229 240 214, RGB 214 239 229, RGB 224 214 239 and RGB 239 214 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 240 214 shade: RGB 229 240 214, RGB 214 239 237, RGB 224 214 239 and RGB 239 214 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

Complementary color

CMYK 37 / 63 / 0 / 84

HEX #1A0F29

RGB 26 15 41

HSL 265.38, 0.46%, 0.11%

LAB 6.52, 12.4, -15.52

 

CMYK 3 / 0 / 13 / 6

HEX #EAF0D1

RGB 234 240 209

HSL 71.61, 0.51%, 0.88%

LAB 93.63, -7.25, 14.31

 

CMYK 2 / 0 / 11 / 0

HEX #FBFFE4

RGB 251 255 228

HSL 68.89, 1%, 0.95%

LAB 99.08, -5.86, 12.45

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

CMYK 5 / 0 / 12 / 13

HEX #D4DEC3

RGB 212 222 195

HSL 82.22, 0.29%, 0.82%

LAB 87.08, -8.1, 12.1

 

CMYK 4 / 0 / 14 / 20

HEX #C3CCB0

RGB 195 204 176

HSL 79.29, 0.22%, 0.75%

LAB 80.7, -8.02, 12.91

 

CMYK 4 / 0 / 16 / 27

HEX #B2BA9D

RGB 178 186 157

HSL 76.55, 0.17%, 0.67%

LAB 74.2, -7.94, 13.77

 

CMYK 4 / 0 / 18 / 34

HEX #A1A88A

RGB 161 168 138

HSL 74, 0.15%, 0.6%

LAB 67.59, -7.86, 14.69

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 2 / 0 / 10 / 6

HEX #EBEFD6

RGB 235 239 214

HSL 69.6, 0.44%, 0.89%

LAB 93.56, -5.59, 11.63

 

CMYK 0 / 1 / 10 / 6

HEX #EFECD6

RGB 239 236 214

HSL 52.8, 0.44%, 0.89%

LAB 93.1, -2.68, 11.02

 

CMYK 0 / 4 / 10 / 6

HEX #EFE5D6

RGB 239 229 214

HSL 36, 0.44%, 0.89%

LAB 91.34, 0.89, 8.51

 

CMYK 0 / 7 / 10 / 6

HEX #EFDED6

RGB 239 222 214

HSL 19.2, 0.44%, 0.89%

LAB 89.6, 4.49, 6

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 8 / 0 / 10 / 6

HEX #DDEFD6

RGB 221 239 214

HSL 103.2, 0.44%, 0.89%

LAB 92.56, -10.4, 10.07

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 10 / 0 / 8 / 6

HEX #D6EFDC

RGB 214 239 220

HSL 134.4, 0.44%, 0.89%

LAB 92.22, -11.69, 6.41

 

CMYK 10 / 0 / 5 / 6

HEX #D6EFE2

RGB 214 239 226

HSL 148.8, 0.44%, 0.89%

LAB 92.36, -10.6, 3.49

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 6 / 0 / 14 / 4

HEX #E5F4D1

RGB 229 244 209

HSL 85.71, 0.61%, 0.89%

LAB 94.3, -10.98, 15.2

 

CMYK 7 / 0 / 18 / 3

HEX #E6F8CC

RGB 230 248 204

HSL 84.55, 0.76%, 0.89%

LAB 95.29, -13.41, 19.18

 

CMYK 9 / 0 / 21 / 1

HEX #E7FDC8

RGB 231 253 200

HSL 84.91, 0.93%, 0.89%

LAB 96.58, -16.12, 23.02

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 3 / 0 / 7 / 8

HEX #E4EBDA

RGB 228 235 218

HSL 84.71, 0.3%, 0.89%

LAB 92.12, -5.32, 7.43

 

CMYK 1 / 0 / 3 / 10

HEX #E3E6DF

RGB 227 230 223

HSL 85.71, 0.12%, 0.89%

LAB 90.89, -2.24, 3.04

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 3 / 5 / 0 / 9

HEX #E2DDE8

RGB 226 221 232

HSL 267.27, 0.19%, 0.89%

LAB 88.78, 3.69, -4.77

 

CMYK 0 / 1 / 10 / 6

HEX #EFECD6

RGB 239 236 214

HSL 52.8, 0.44%, 0.89%

LAB 93.1, -2.68, 11.02

 

CMYK 2 / 0 / 10 / 6

HEX #EBEFD6

RGB 235 239 214

HSL 69.6, 0.44%, 0.89%

LAB 93.56, -5.59, 11.63

 

CMYK 4 / 0 / 10 / 6

HEX #E5EFD6

RGB 229 239 214

HSL 84, 0.44%, 0.89%

LAB 93.12, -7.67, 10.95

 

CMYK 7 / 0 / 10 / 6

HEX #DEEFD6

RGB 222 239 214

HSL 100.8, 0.44%, 0.89%

LAB 92.63, -10.06, 10.18

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 12 / 0 / 29 / 15

HEX #BED999

RGB 190 217 153

HSL 85.31, 0.46%, 0.73%

LAB 83.38, -19.93, 28.65

 

CMYK 8 / 0 / 20 / 11

HEX #D1E4B7

RGB 209 228 183

HSL 85.33, 0.45%, 0.81%

LAB 88.19, -14.1, 19.89

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 1 / 0 / 2 / 2

HEX #F8FAF4

RGB 248 250 244

HSL 80, 0.37%, 0.97%

LAB 97.98, -1.7, 2.63

 

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

CMYK 10 / 0 / 4 / 6

HEX #D6EFE5

RGB 214 239 229

HSL 156, 0.44%, 0.89%

LAB 92.44, -10.05, 2.04

 

CMYK 0 / 10 / 0 / 6

HEX #EFD6EF

RGB 239 214 239

HSL 300, 0.44%, 0.89%

LAB 88.29, 12.96, -9.07

 

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

CMYK 10 / 4 / 0 / 6

HEX #D6E5EF

RGB 214 229 239

HSL 204, 0.44%, 0.89%

LAB 90.12, -3.04, -6.57

 

CMYK 0 / 10 / 4 / 6

HEX #EFD6E5

RGB 239 214 229

HSL 324, 0.44%, 0.89%

LAB 88.02, 11.18, -4.2

 

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

CMYK 10 / 0 / 4 / 6

HEX #D6EFE5

RGB 214 239 229

HSL 156, 0.44%, 0.89%

LAB 92.44, -10.05, 2.04

 

CMYK 6 / 10 / 0 / 6

HEX #E0D6EF

RGB 224 214 239

HSL 264, 0.44%, 0.89%

LAB 87.08, 8, -11.01

 

CMYK 0 / 10 / 7 / 6

HEX #EFD6DF

RGB 239 214 223

HSL 338.4, 0.44%, 0.89%

LAB 87.86, 10.15, -1.27

 

CMYK 5 / 0 / 11 / 6

HEX #E5F0D6

RGB 229 240 214

HSL 85.38, 0.46%, 0.89%

LAB 93.38, -8.17, 11.32

 

CMYK 10 / 0 / 1 / 6

HEX #D6EFED

RGB 214 239 237

HSL 175.2, 0.44%, 0.89%

LAB 92.64, -8.53, -1.83

 

CMYK 6 / 10 / 0 / 6

HEX #E0D6EF

RGB 224 214 239

HSL 264, 0.44%, 0.89%

LAB 87.08, 8, -11.01

 

CMYK 0 / 10 / 10 / 6

HEX #EFD6D8

RGB 239 214 216

HSL 355.2, 0.44%, 0.89%

LAB 87.68, 8.98, 2.17

 

Description

Color code: RGB 229 240 214 | qconv.com Color code: RGB 229 240 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 240 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 240 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 11 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 11% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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