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Color name
RGB 229 56 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 56 168 it is the complementary color RGB 26 199 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 56 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 56 168 shade: RGB 234 56 163, RGB 251 74 182, RGB 255 92 201, RGB 255 110 220 and RGB 255 128 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 56 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 212 38 149, RGB 195 20 130, RGB 178 2 111 and RGB 161 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 229 56 121, RGB 229 56 75 and RGB 229 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 229 56 214, RGB 196 56 229, RGB 150 56 229 and RGB 103 56 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 56 168 shade matches the following richer shades: RGB 229 56 168 and RGB 247 38 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 211 74 162, RGB 192 92 157, RGB 174 110 152 and RGB 156 129 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 56 168 shade: RGB 197 56 229, RGB 229 56 214, RGB 229 56 168, RGB 229 56 122 and RGB 229 56 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 56 168 shade: RGB 179 23 124, RGB 216 28 149, RGB 229 56 168, RGB 233 92 184 and RGB 238 129 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 229 151 56 and RGB 56 229 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 168 229 56 and RGB 56 168 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 229 151 56, RGB 56 229 116 and RGB 56 134 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 56 168 shade: RGB 229 56 168, RGB 229 203 56, RGB 56 229 116 and RGB 56 82 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

Complementary color

CMYK 87 / 0 / 56 / 22

HEX #1AC757

RGB 26 199 87

HSL 141.16, 0.77%, 0.44%

LAB 70.7, -64.09, 44.19

 

CMYK 0 / 76 / 30 / 8

HEX #EA38A3

RGB 234 56 163

HSL 323.93, 0.81%, 0.57%

LAB 55.04, 74.52, -16.93

 

CMYK 0 / 71 / 27 / 2

HEX #FB4AB6

RGB 251 74 182

HSL 323.39, 0.96%, 0.64%

LAB 60.59, 75.31, -19.25

 

CMYK 0 / 64 / 21 / 0

HEX #FF5CC9

RGB 255 92 201

HSL 319.88, 1%, 0.68%

LAB 64.27, 72.21, -24.4

 

CMYK 0 / 57 / 14 / 0

HEX #FF6EDC

RGB 255 110 220

HSL 314.48, 1%, 0.72%

LAB 67.71, 67.47, -29.77

 

CMYK 0 / 50 / 6 / 0

HEX #FF80EF

RGB 255 128 239

HSL 307.56, 1%, 0.75%

LAB 71.51, 62.28, -34.39

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 82 / 30 / 17

HEX #D42695

RGB 212 38 149

HSL 321.72, 0.7%, 0.49%

LAB 48.95, 72.42, -18.26

 

CMYK 0 / 90 / 33 / 24

HEX #C31482

RGB 195 20 130

HSL 322.29, 0.81%, 0.42%

LAB 43.82, 69.96, -14.85

 

CMYK 0 / 99 / 38 / 30

HEX #B2026F

RGB 178 2 111

HSL 322.84, 0.98%, 0.35%

LAB 39, 66.42, -10.67

 

CMYK 0 / 100 / 43 / 37

HEX #A1005C

RGB 161 0 92

HSL 325.71, 1%, 0.32%

LAB 34.7, 61.11, -5.34

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 76 / 47 / 10

HEX #E53879

RGB 229 56 121

HSL 337.46, 0.77%, 0.56%

LAB 52.8, 69.1, 4.64

 

CMYK 0 / 76 / 67 / 10

HEX #E5384B

RGB 229 56 75

HSL 353.41, 0.77%, 0.56%

LAB 51.83, 66, 30.9

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 76 / 7 / 10

HEX #E538D6

RGB 229 56 214

HSL 305.2, 0.77%, 0.56%

LAB 56.43, 79.99, -44.3

 

CMYK 14 / 76 / 0 / 10

HEX #C438E5

RGB 196 56 229

HSL 288.55, 0.77%, 0.56%

LAB 52.09, 75.9, -60.03

 

CMYK 34 / 76 / 0 / 10

HEX #9638E5

RGB 150 56 229

HSL 272.6, 0.77%, 0.56%

LAB 45.59, 67.74, -70.86

 

CMYK 55 / 76 / 0 / 10

HEX #6738E5

RGB 103 56 229

HSL 256.3, 0.77%, 0.56%

LAB 40.2, 60.77, -79.9

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 85 / 30 / 3

HEX #F726AD

RGB 247 38 173

HSL 321.24, 0.93%, 0.56%

LAB 56.27, 82.76, -20.7

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 65 / 23 / 17

HEX #D34AA2

RGB 211 74 162

HSL 321.46, 0.61%, 0.56%

LAB 53.34, 62.35, -19.28

 

CMYK 0 / 52 / 18 / 25

HEX #C05C9D

RGB 192 92 157

HSL 321, 0.44%, 0.56%

LAB 53.27, 47.99, -16.71

 

CMYK 0 / 37 / 13 / 32

HEX #AE6E98

RGB 174 110 152

HSL 320.63, 0.28%, 0.56%

LAB 54.47, 31.7, -12.19

 

CMYK 0 / 17 / 6 / 39

HEX #9C8192

RGB 156 129 146

HSL 322.22, 0.12%, 0.56%

LAB 56.92, 13.34, -5.25

 

CMYK 14 / 76 / 0 / 10

HEX #C538E5

RGB 197 56 229

HSL 288.9, 0.77%, 0.56%

LAB 52.24, 76.09, -59.78

 

CMYK 0 / 76 / 7 / 10

HEX #E538D6

RGB 229 56 214

HSL 305.2, 0.77%, 0.56%

LAB 56.43, 79.99, -44.3

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 76 / 47 / 10

HEX #E5387A

RGB 229 56 122

HSL 337.11, 0.77%, 0.56%

LAB 52.83, 69.19, 4.08

 

CMYK 0 / 76 / 67 / 10

HEX #E5384C

RGB 229 56 76

HSL 353.06, 0.77%, 0.56%

LAB 51.85, 66.05, 30.33

 

CMYK 0 / 87 / 31 / 30

HEX #B3177C

RGB 179 23 124

HSL 321.15, 0.77%, 0.4%

LAB 40.66, 65.25, -16.25

 

CMYK 0 / 87 / 31 / 15

HEX #D81C95

RGB 216 28 149

HSL 321.38, 0.77%, 0.48%

LAB 49.01, 75.29, -18.11

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 61 / 21 / 9

HEX #E95CB8

RGB 233 92 184

HSL 320.85, 0.76%, 0.64%

LAB 60.28, 63.99, -21.12

 

CMYK 0 / 46 / 16 / 7

HEX #EE81C8

RGB 238 129 200

HSL 320.92, 0.76%, 0.72%

LAB 68.06, 50.62, -18.28

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 34 / 76 / 10

HEX #E59738

RGB 229 151 56

HSL 32.95, 0.77%, 0.56%

LAB 68.81, 21.52, 59.23

 

CMYK 76 / 0 / 4 / 10

HEX #38E5DC

RGB 56 229 220

HSL 176.88, 0.77%, 0.56%

LAB 82.94, -43.91, -7.94

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 27 / 0 / 76 / 10

HEX #A8E538

RGB 168 229 56

HSL 81.16, 0.77%, 0.56%

LAB 84.3, -42.98, 72.34

 

CMYK 76 / 27 / 0 / 10

HEX #38A8E5

RGB 56 168 229

HSL 201.16, 0.77%, 0.56%

LAB 65.36, -11.11, -39.61

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 34 / 76 / 10

HEX #E59738

RGB 229 151 56

HSL 32.95, 0.77%, 0.56%

LAB 68.81, 21.52, 59.23

 

CMYK 76 / 0 / 49 / 10

HEX #38E574

RGB 56 229 116

HSL 140.81, 0.77%, 0.56%

LAB 80.82, -66.59, 42.82

 

CMYK 76 / 41 / 0 / 10

HEX #3886E5

RGB 56 134 229

HSL 212.95, 0.77%, 0.56%

LAB 55.63, 8.58, -54.98

 

CMYK 0 / 76 / 27 / 10

HEX #E538A8

RGB 229 56 168

HSL 321.16, 0.77%, 0.56%

LAB 54.36, 73.89, -20.97

 

CMYK 0 / 11 / 76 / 10

HEX #E5CB38

RGB 229 203 56

HSL 50.98, 0.77%, 0.56%

LAB 81.65, -5.82, 71.45

 

CMYK 76 / 0 / 49 / 10

HEX #38E574

RGB 56 229 116

HSL 140.81, 0.77%, 0.56%

LAB 80.82, -66.59, 42.82

 

CMYK 76 / 64 / 0 / 10

HEX #3852E5

RGB 56 82 229

HSL 230.98, 0.77%, 0.56%

LAB 42.05, 41.06, -76.98

 

Description

Color code: RGB 229 56 168 | qconv.com Color code: RGB 229 56 168 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 56 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 56 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 10% C M Y K

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Provide designers and agencies with accurate color values.

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