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Color name
RGB 22 37 242

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 22 37 242 it is the complementary color RGB 233 218 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 22 37 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 22 37 242 shade: RGB 27 37 237, RGB 44 55 255, RGB 61 73 255, RGB 78 91 255 and RGB 95 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 22 37 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 22 37 242 shade: RGB 22 37 242, RGB 5 19 223, RGB 0 1 204, RGB 0 0 185 and RGB 0 0 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 22 37 242 shade: RGB 23 38 241, RGB 67 23 241, RGB 126 23 241, RGB 185 23 241 and RGB 241 23 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 22 37 242 shade: RGB 23 38 241 and RGB 23 23 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 22 37 242 shade matches the following richer shades: RGB 23 38 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 22 37 242 shade: RGB 23 38 241, RGB 43 55 221, RGB 63 72 201, RGB 83 89 182 and RGB 102 106 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 22 37 242 shade: RGB 23 158 241, RGB 23 99 241, RGB 23 41 241, RGB 63 23 241 and RGB 121 23 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 22 37 242 shade: RGB 10 21 172, RGB 12 25 211, RGB 23 38 241, RGB 62 75 243 and RGB 101 111 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 22 37 242 shade: RGB 22 37 242, RGB 241 23 216 and RGB 128 241 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 22 37 242 shade: RGB 22 37 242, RGB 241 23 41 and RGB 41 241 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 22 37 242 shade: RGB 22 37 242, RGB 241 23 216, RGB 241 223 23 and RGB 23 241 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 22 37 242 shade: RGB 22 37 242, RGB 241 23 150, RGB 241 223 23 and RGB 23 241 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

Complementary color

CMYK 0 / 6 / 94 / 9

HEX #E9DA0D

RGB 233 218 13

HSL 55.91, 0.89%, 0.48%

LAB 85.75, -12.68, 84.27

 

CMYK 89 / 84 / 0 / 7

HEX #1B25ED

RGB 27 37 237

HSL 237.14, 0.85%, 0.52%

LAB 33.29, 65.91, -96.05

 

CMYK 83 / 78 / 0 / 0

HEX #2C37FF

RGB 44 55 255

HSL 236.87, 1%, 0.59%

LAB 38.7, 63.84, -97.16

 

CMYK 76 / 71 / 0 / 0

HEX #3D49FF

RGB 61 73 255

HSL 236.29, 1%, 0.62%

LAB 42.73, 55.51, -90.48

 

CMYK 69 / 64 / 0 / 0

HEX #4E5BFF

RGB 78 91 255

HSL 235.59, 1%, 0.65%

LAB 47.39, 46.82, -82.77

 

CMYK 63 / 57 / 0 / 0

HEX #5F6DFF

RGB 95 109 255

HSL 234.75, 1%, 0.69%

LAB 52.5, 38.38, -74.4

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 98 / 91 / 0 / 13

HEX #0513DF

RGB 5 19 223

HSL 236.15, 0.96%, 0.45%

LAB 28.97, 67.78, -95.26

 

CMYK 100 / 100 / 0 / 20

HEX #0001CC

RGB 0 1 204

HSL 239.71, 1%, 0.4%

LAB 24.89, 66.73, -91.06

 

CMYK 100 / 100 / 0 / 27

HEX #0000B9

RGB 0 0 185

HSL 240, 1%, 0.36%

LAB 21.95, 62.23, -84.76

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 90 / 84 / 0 / 5

HEX #1726F1

RGB 23 38 241

HSL 235.87, 0.89%, 0.52%

LAB 33.81, 66.57, -97.44

 

CMYK 72 / 90 / 0 / 5

HEX #4317F1

RGB 67 23 241

HSL 252.11, 0.89%, 0.52%

LAB 34.31, 72.91, -96.56

 

CMYK 48 / 90 / 0 / 5

HEX #7E17F1

RGB 126 23 241

HSL 268.35, 0.89%, 0.52%

LAB 40.24, 77.01, -86.54

 

CMYK 23 / 90 / 0 / 5

HEX #B917F1

RGB 185 23 241

HSL 284.59, 0.89%, 0.52%

LAB 48.61, 83.92, -72.51

 

CMYK 0 / 90 / 1 / 5

HEX #F117EF

RGB 241 23 239

HSL 300.55, 0.89%, 0.52%

LAB 57.6, 92.11, -56.41

 

CMYK 90 / 84 / 0 / 5

HEX #1726F1

RGB 23 38 241

HSL 235.87, 0.89%, 0.52%

LAB 33.81, 66.57, -97.44

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 90 / 84 / 0 / 5

HEX #1726F1

RGB 23 38 241

HSL 235.87, 0.89%, 0.52%

LAB 33.81, 66.57, -97.44

 

CMYK 90 / 84 / 0 / 5

HEX #1726F1

RGB 23 38 241

HSL 235.87, 0.89%, 0.52%

LAB 33.81, 66.57, -97.44

 

CMYK 81 / 75 / 0 / 13

HEX #2B37DD

RGB 43 55 221

HSL 235.96, 0.72%, 0.52%

LAB 34.94, 53.11, -84.16

 

CMYK 69 / 64 / 0 / 21

HEX #3F48C9

RGB 63 72 201

HSL 236.09, 0.56%, 0.52%

LAB 37.68, 38.29, -68.06

 

CMYK 54 / 51 / 0 / 29

HEX #5359B6

RGB 83 89 182

HSL 236.36, 0.4%, 0.52%

LAB 41.78, 24.59, -50.25

 

CMYK 37 / 35 / 0 / 36

HEX #666AA2

RGB 102 106 162

HSL 236, 0.24%, 0.52%

LAB 46.63, 12.6, -30.71

 

CMYK 90 / 34 / 0 / 5

HEX #179EF1

RGB 23 158 241

HSL 202.84, 0.89%, 0.52%

LAB 62.5, -3.85, -50.75

 

CMYK 90 / 59 / 0 / 5

HEX #1763F1

RGB 23 99 241

HSL 219.08, 0.89%, 0.52%

LAB 46.25, 32.45, -76.9

 

CMYK 90 / 83 / 0 / 5

HEX #1729F1

RGB 23 41 241

HSL 235.05, 0.89%, 0.52%

LAB 34.23, 65.34, -96.75

 

CMYK 74 / 90 / 0 / 5

HEX #3F17F1

RGB 63 23 241

HSL 251.01, 0.89%, 0.52%

LAB 34.03, 72.74, -97.04

 

CMYK 50 / 90 / 0 / 5

HEX #7917F1

RGB 121 23 241

HSL 266.97, 0.89%, 0.52%

LAB 39.63, 76.55, -87.58

 

CMYK 94 / 88 / 0 / 33

HEX #0A15AC

RGB 10 21 172

HSL 235.93, 0.89%, 0.36%

LAB 22.23, 52.87, -76.5

 

CMYK 94 / 88 / 0 / 17

HEX #0C19D3

RGB 12 25 211

HSL 236.08, 0.89%, 0.44%

LAB 28.05, 62.73, -89.85

 

CMYK 90 / 84 / 0 / 5

HEX #1726F1

RGB 23 38 241

HSL 235.87, 0.89%, 0.52%

LAB 33.81, 66.57, -97.44

 

CMYK 74 / 69 / 0 / 5

HEX #3E4BF3

RGB 62 75 243

HSL 235.69, 0.88%, 0.6%

LAB 42.04, 50.55, -84.89

 

CMYK 59 / 55 / 0 / 4

HEX #656FF6

RGB 101 111 246

HSL 235.86, 0.89%, 0.68%

LAB 52.72, 35.24, -69.04

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 0 / 90 / 10 / 5

HEX #F117D8

RGB 241 23 216

HSL 306.88, 0.89%, 0.52%

LAB 56.36, 88.96, -45.41

 

CMYK 47 / 0 / 90 / 5

HEX #80F117

RGB 128 241 23

HSL 91.1, 0.89%, 0.52%

LAB 85.79, -62.45, 80.37

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 0 / 90 / 83 / 5

HEX #F11729

RGB 241 23 41

HSL 355.05, 0.89%, 0.52%

LAB 51.24, 75.21, 49.96

 

CMYK 83 / 0 / 90 / 5

HEX #29F117

RGB 41 241 23

HSL 115.05, 0.89%, 0.52%

LAB 83.68, -79.91, 77.75

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 0 / 90 / 10 / 5

HEX #F117D8

RGB 241 23 216

HSL 306.88, 0.89%, 0.52%

LAB 56.36, 88.96, -45.41

 

CMYK 0 / 7 / 90 / 5

HEX #F1DF17

RGB 241 223 23

HSL 55.05, 0.89%, 0.52%

LAB 87.75, -11.65, 84.86

 

CMYK 90 / 0 / 80 / 5

HEX #17F131

RGB 23 241 49

HSL 127.16, 0.89%, 0.52%

LAB 83.61, -80.2, 72.2

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 0 / 90 / 38 / 5

HEX #F11796

RGB 241 23 150

HSL 325.05, 0.89%, 0.52%

LAB 53.51, 81.49, -11.43

 

CMYK 0 / 7 / 90 / 5

HEX #F1DF17

RGB 241 223 23

HSL 55.05, 0.89%, 0.52%

LAB 87.75, -11.65, 84.86

 

CMYK 90 / 0 / 53 / 5

HEX #17F172

RGB 23 241 114

HSL 145.05, 0.89%, 0.52%

LAB 84.13, -73.72, 47.77

 

Description

Color code: RGB 22 37 242 | qconv.com Color code: RGB 22 37 242 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 37 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 37 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 85 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 85% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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