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Color name
RGB 230 128 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 128 34 it is the complementary color RGB 25 127 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 128 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 128 34 shade: RGB 235 128 29, RGB 252 146 48, RGB 255 164 67, RGB 255 182 86 and RGB 255 200 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 128 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 213 110 15, RGB 196 92 0, RGB 179 74 0 and RGB 162 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 230 75 34 and RGB 230 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 230 181 34, RGB 226 230 34, RGB 173 230 34 and RGB 121 230 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 128 34 shade matches the following richer shades: RGB 230 128 34 and RGB 250 127 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 210 129 54, RGB 190 130 74, RGB 171 131 94 and RGB 151 131 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 128 34 shade: RGB 230 34 47, RGB 230 73 34, RGB 230 126 34, RGB 230 178 34 and RGB 230 230 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 128 34 shade: RGB 164 88 18, RGB 201 108 22, RGB 230 128 34, RGB 234 149 71 and RGB 238 171 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 99 230 34 and RGB 47 34 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 34 230 126 and RGB 126 34 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 99 230 34, RGB 34 139 230 and RGB 165 34 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 128 34 shade: RGB 230 128 34, RGB 41 230 34, RGB 34 139 230 and RGB 223 34 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

Complementary color

CMYK 89 / 43 / 0 / 13

HEX #197FDD

RGB 25 127 221

HSL 208.78, 0.8%, 0.48%

LAB 52.52, 7.14, -55.53

 

CMYK 0 / 46 / 88 / 8

HEX #EB801D

RGB 235 128 29

HSL 28.83, 0.84%, 0.52%

LAB 64.31, 35.27, 65.24

 

CMYK 0 / 42 / 81 / 1

HEX #FC9230

RGB 252 146 48

HSL 28.82, 0.97%, 0.59%

LAB 70.5, 33.34, 64.98

 

CMYK 0 / 36 / 74 / 0

HEX #FFA443

RGB 255 164 67

HSL 30.96, 1%, 0.63%

LAB 74.96, 25.91, 61.77

 

CMYK 0 / 29 / 66 / 0

HEX #FFB656

RGB 255 182 86

HSL 34.08, 1%, 0.67%

LAB 79.26, 17.46, 57.94

 

CMYK 0 / 22 / 59 / 0

HEX #FFC869

RGB 255 200 105

HSL 38, 1%, 0.71%

LAB 83.75, 9.3, 54.2

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 48 / 93 / 16

HEX #D56E0F

RGB 213 110 15

HSL 28.79, 0.87%, 0.45%

LAB 57.4, 35.42, 62.38

 

CMYK 0 / 53 / 100 / 23

HEX #C45C00

RGB 196 92 0

HSL 28.16, 1%, 0.38%

LAB 51.14, 37.62, 60.15

 

CMYK 0 / 59 / 100 / 30

HEX #B34A00

RGB 179 74 0

HSL 24.8, 1%, 0.35%

LAB 44.92, 39.89, 55.17

 

CMYK 0 / 65 / 100 / 36

HEX #A23800

RGB 162 56 0

HSL 20.74, 1%, 0.32%

LAB 38.74, 41.92, 50.27

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 67 / 85 / 10

HEX #E64B22

RGB 230 75 34

HSL 12.55, 0.8%, 0.52%

LAB 54, 58.16, 54.83

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 21 / 85 / 10

HEX #E6B522

RGB 230 181 34

HSL 45, 0.8%, 0.52%

LAB 76.06, 5.32, 73.06

 

CMYK 2 / 0 / 85 / 10

HEX #E2E622

RGB 226 230 34

HSL 61.22, 0.8%, 0.52%

LAB 88.39, -21.16, 82.99

 

CMYK 25 / 0 / 85 / 10

HEX #ADE622

RGB 173 230 34

HSL 77.45, 0.8%, 0.52%

LAB 84.79, -42.39, 78.53

 

CMYK 47 / 0 / 85 / 10

HEX #79E622

RGB 121 230 34

HSL 93.37, 0.8%, 0.52%

LAB 82.26, -60.19, 75.36

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 49 / 94 / 2

HEX #FA7F0E

RGB 250 127 14

HSL 28.73, 0.96%, 0.52%

LAB 66.16, 41.5, 71.05

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 39 / 74 / 18

HEX #D28136

RGB 210 129 54

HSL 28.85, 0.63%, 0.52%

LAB 61.37, 25.23, 51.9

 

CMYK 0 / 32 / 61 / 25

HEX #BE824A

RGB 190 130 74

HSL 28.97, 0.47%, 0.52%

LAB 59.35, 17.36, 39.19

 

CMYK 0 / 23 / 45 / 33

HEX #AB835E

RGB 171 131 94

HSL 28.83, 0.31%, 0.52%

LAB 57.75, 10.52, 25.9

 

CMYK 0 / 13 / 25 / 41

HEX #978371

RGB 151 131 113

HSL 28.42, 0.15%, 0.52%

LAB 56.09, 4.67, 12.54

 

CMYK 0 / 85 / 80 / 10

HEX #E6222F

RGB 230 34 47

HSL 356.02, 0.8%, 0.52%

LAB 49.7, 70.74, 44.55

 

CMYK 0 / 68 / 85 / 10

HEX #E64922

RGB 230 73 34

HSL 11.94, 0.8%, 0.52%

LAB 53.71, 58.94, 54.59

 

CMYK 0 / 45 / 85 / 10

HEX #E67E22

RGB 230 126 34

HSL 28.16, 0.8%, 0.52%

LAB 63.23, 34.39, 62.51

 

CMYK 0 / 23 / 85 / 10

HEX #E6B222

RGB 230 178 34

HSL 44.08, 0.8%, 0.52%

LAB 75.31, 6.89, 72.45

 

CMYK 0 / 0 / 85 / 10

HEX #E6E622

RGB 230 230 34

HSL 60, 0.8%, 0.52%

LAB 88.7, -19.49, 83.37

 

CMYK 0 / 46 / 89 / 36

HEX #A45812

RGB 164 88 18

HSL 28.77, 0.8%, 0.36%

LAB 45.52, 26.72, 49.57

 

CMYK 0 / 46 / 89 / 21

HEX #C96C16

RGB 201 108 22

HSL 28.83, 0.8%, 0.44%

LAB 55.28, 31.66, 58.25

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 0 / 36 / 70 / 8

HEX #EA9547

RGB 234 149 71

HSL 28.71, 0.8%, 0.6%

LAB 69.07, 25.36, 53.08

 

CMYK 0 / 28 / 55 / 7

HEX #EEAB6C

RGB 238 171 108

HSL 29.08, 0.79%, 0.68%

LAB 75.07, 17.79, 41.9

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 57 / 0 / 85 / 10

HEX #63E622

RGB 99 230 34

HSL 100.1, 0.8%, 0.52%

LAB 81.49, -66.22, 74.4

 

CMYK 80 / 85 / 0 / 10

HEX #2F22E6

RGB 47 34 230

HSL 243.98, 0.8%, 0.52%

LAB 32.84, 65.74, -92.79

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 85 / 0 / 45 / 10

HEX #22E67E

RGB 34 230 126

HSL 148.16, 0.8%, 0.52%

LAB 80.98, -67.6, 38.1

 

CMYK 45 / 85 / 0 / 10

HEX #7E22E6

RGB 126 34 230

HSL 268.16, 0.8%, 0.52%

LAB 40.07, 71.96, -80.59

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 57 / 0 / 85 / 10

HEX #63E622

RGB 99 230 34

HSL 100.1, 0.8%, 0.52%

LAB 81.49, -66.22, 74.4

 

CMYK 85 / 40 / 0 / 10

HEX #228BE6

RGB 34 139 230

HSL 207.86, 0.8%, 0.52%

LAB 56.6, 3.85, -54.02

 

CMYK 28 / 85 / 0 / 10

HEX #A522E6

RGB 165 34 230

HSL 280.1, 0.8%, 0.52%

LAB 45.44, 77.02, -71.59

 

CMYK 0 / 44 / 85 / 10

HEX #E68022

RGB 230 128 34

HSL 28.78, 0.8%, 0.52%

LAB 63.65, 33.35, 62.86

 

CMYK 82 / 0 / 85 / 10

HEX #29E622

RGB 41 230 34

HSL 117.86, 0.8%, 0.52%

LAB 80.28, -76.47, 72.87

 

CMYK 85 / 40 / 0 / 10

HEX #228BE6

RGB 34 139 230

HSL 207.86, 0.8%, 0.52%

LAB 56.6, 3.85, -54.02

 

CMYK 3 / 85 / 0 / 10

HEX #DF22E6

RGB 223 34 230

HSL 297.86, 0.8%, 0.52%

LAB 54.6, 86.21, -56.33

 

Description

Color code: RGB 230 128 34 | qconv.com Color code: RGB 230 128 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 128 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 128 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 85% 10% C M Y K

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Provide designers and agencies with accurate color values.

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