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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 151 59 it is the complementary color RGB 25 104 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 151 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 151 59 shade: RGB 235 151 54, RGB 252 169 73, RGB 255 187 92, RGB 255 205 111 and RGB 255 223 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 151 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 151 59 shade: RGB 230 151 59, RGB 213 133 40, RGB 196 115 21, RGB 179 97 2 and RGB 162 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 151 59 shade: RGB 229 151 60, RGB 229 106 60 and RGB 229 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 151 59 shade: RGB 229 151 60, RGB 229 197 60, RGB 216 229 60, RGB 171 229 60 and RGB 125 229 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 151 59 shade matches the following richer shades: RGB 229 151 60 and RGB 247 153 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 151 59 shade: RGB 229 151 60, RGB 212 150 78, RGB 194 149 96, RGB 176 147 114 and RGB 158 146 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 151 59 shade: RGB 229 60 60, RGB 229 105 60, RGB 229 150 60, RGB 229 196 60 and RGB 218 229 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 151 59 shade: RGB 184 110 23, RGB 220 132 28, RGB 229 151 60, RGB 234 171 97 and RGB 239 190 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 151 59 shade: RGB 230 151 59, RGB 105 229 60 and RGB 83 60 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 151 59 shade: RGB 230 151 59, RGB 60 229 150 and RGB 150 60 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 151 59 shade: RGB 230 151 59, RGB 105 229 60, RGB 60 139 229 and RGB 184 60 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 151 59 shade: RGB 230 151 59, RGB 60 229 66, RGB 60 139 229 and RGB 229 60 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

Complementary color

CMYK 87 / 47 / 0 / 23

HEX #1968C4

RGB 25 104 196

HSL 212.28, 0.77%, 0.43%

LAB 44.37, 11.88, -54.37

 

CMYK 0 / 36 / 77 / 8

HEX #EB9736

RGB 235 151 54

HSL 32.15, 0.82%, 0.57%

LAB 69.51, 23.95, 60.97

 

CMYK 0 / 33 / 71 / 1

HEX #FCA949

RGB 252 169 73

HSL 32.18, 0.97%, 0.64%

LAB 75.79, 22.34, 59.93

 

CMYK 0 / 27 / 64 / 0

HEX #FFBB5C

RGB 255 187 92

HSL 34.97, 1%, 0.68%

LAB 80.5, 15.2, 56.56

 

CMYK 0 / 20 / 56 / 0

HEX #FFCD6F

RGB 255 205 111

HSL 39.17, 1%, 0.72%

LAB 85.03, 7.15, 52.85

 

CMYK 0 / 13 / 49 / 0

HEX #FFDF82

RGB 255 223 130

HSL 44.64, 1%, 0.75%

LAB 89.7, -0.51, 49.34

 

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

CMYK 0 / 38 / 81 / 16

HEX #D58528

RGB 213 133 40

HSL 32.25, 0.68%, 0.5%

LAB 62.57, 23.8, 58.95

 

CMYK 0 / 41 / 89 / 23

HEX #C47315

RGB 196 115 21

HSL 32.23, 0.81%, 0.43%

LAB 56.14, 25.78, 58.89

 

CMYK 0 / 46 / 99 / 30

HEX #B36102

RGB 179 97 2

HSL 32.2, 0.98%, 0.35%

LAB 49.66, 27.99, 57.51

 

CMYK 0 / 51 / 100 / 36

HEX #A24F00

RGB 162 79 0

HSL 29.26, 1%, 0.32%

LAB 43.17, 30.45, 52.74

 

CMYK 0 / 34 / 74 / 10

HEX #E5973C

RGB 229 151 60

HSL 32.31, 0.76%, 0.57%

LAB 68.84, 21.69, 57.58

 

CMYK 0 / 54 / 74 / 10

HEX #E56A3C

RGB 229 106 60

HSL 16.33, 0.76%, 0.57%

LAB 59.24, 44.93, 47.66

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 34 / 74 / 10

HEX #E5973C

RGB 229 151 60

HSL 32.31, 0.76%, 0.57%

LAB 68.84, 21.69, 57.58

 

CMYK 0 / 14 / 74 / 10

HEX #E5C53C

RGB 229 197 60

HSL 48.64, 0.76%, 0.57%

LAB 80.13, -2.58, 68.64

 

CMYK 6 / 0 / 74 / 10

HEX #D8E53C

RGB 216 229 60

HSL 64.62, 0.76%, 0.57%

LAB 87.47, -23.95, 75.19

 

CMYK 25 / 0 / 74 / 10

HEX #ABE53C

RGB 171 229 60

HSL 80.59, 0.76%, 0.57%

LAB 84.5, -41.66, 71.32

 

CMYK 45 / 0 / 74 / 10

HEX #7DE53C

RGB 125 229 60

HSL 96.92, 0.76%, 0.57%

LAB 82.23, -57.37, 68.34

 

CMYK 0 / 34 / 74 / 10

HEX #E5973C

RGB 229 151 60

HSL 32.31, 0.76%, 0.57%

LAB 68.84, 21.69, 57.58

 

CMYK 0 / 38 / 83 / 3

HEX #F7992B

RGB 247 153 43

HSL 32.35, 0.93%, 0.57%

LAB 71.37, 27.52, 67.27

 

CMYK 0 / 34 / 74 / 10

HEX #E5973C

RGB 229 151 60

HSL 32.31, 0.76%, 0.57%

LAB 68.84, 21.69, 57.58

 

CMYK 0 / 29 / 63 / 17

HEX #D4964E

RGB 212 150 78

HSL 32.24, 0.61%, 0.57%

LAB 66.79, 16.04, 46.47

 

CMYK 0 / 23 / 51 / 24

HEX #C29560

RGB 194 149 96

HSL 32.45, 0.45%, 0.57%

LAB 64.81, 10.43, 34.36

 

CMYK 0 / 16 / 35 / 31

HEX #B09372

RGB 176 147 114

HSL 31.94, 0.28%, 0.57%

LAB 62.77, 6.03, 21.54

 

CMYK 0 / 8 / 17 / 38

HEX #9E9283

RGB 158 146 131

HSL 33.33, 0.12%, 0.57%

LAB 61.19, 1.85, 9.55

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 54 / 74 / 10

HEX #E5693C

RGB 229 105 60

HSL 15.98, 0.76%, 0.57%

LAB 59.06, 45.41, 47.45

 

CMYK 0 / 34 / 74 / 10

HEX #E5963C

RGB 229 150 60

HSL 31.95, 0.76%, 0.57%

LAB 68.6, 22.22, 57.34

 

CMYK 0 / 14 / 74 / 10

HEX #E5C43C

RGB 229 196 60

HSL 48.28, 0.76%, 0.57%

LAB 79.88, -2.06, 68.4

 

CMYK 5 / 0 / 74 / 10

HEX #DAE53C

RGB 218 229 60

HSL 63.91, 0.76%, 0.57%

LAB 87.62, -23.14, 75.38

 

CMYK 0 / 40 / 88 / 28

HEX #B86E17

RGB 184 110 23

HSL 32.42, 0.78%, 0.41%

LAB 53.39, 23.38, 55.46

 

CMYK 0 / 40 / 87 / 14

HEX #DC841C

RGB 220 132 28

HSL 32.5, 0.77%, 0.49%

LAB 63.18, 26.98, 63.79

 

CMYK 0 / 34 / 74 / 10

HEX #E5973C

RGB 229 151 60

HSL 32.31, 0.76%, 0.57%

LAB 68.84, 21.69, 57.58

 

CMYK 0 / 27 / 59 / 8

HEX #EAAB61

RGB 234 171 97

HSL 32.41, 0.77%, 0.65%

LAB 74.5, 15.3, 46.66

 

CMYK 0 / 21 / 44 / 6

HEX #EFBE85

RGB 239 190 133

HSL 32.26, 0.77%, 0.73%

LAB 80.11, 10.44, 35.42

 

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

CMYK 54 / 0 / 74 / 10

HEX #69E53C

RGB 105 229 60

HSL 104.02, 0.76%, 0.57%

LAB 81.49, -63.01, 67.37

 

CMYK 64 / 74 / 0 / 10

HEX #533CE5

RGB 83 60 229

HSL 248.17, 0.76%, 0.57%

LAB 39.12, 56.44, -81.74

 

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

CMYK 74 / 0 / 34 / 10

HEX #3CE596

RGB 60 229 150

HSL 151.95, 0.76%, 0.57%

LAB 81.4, -60.14, 26.61

 

CMYK 34 / 74 / 0 / 10

HEX #963CE5

RGB 150 60 229

HSL 271.95, 0.76%, 0.57%

LAB 46.14, 66.17, -69.96

 

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

CMYK 54 / 0 / 74 / 10

HEX #69E53C

RGB 105 229 60

HSL 104.02, 0.76%, 0.57%

LAB 81.49, -63.01, 67.37

 

CMYK 74 / 39 / 0 / 10

HEX #3C8BE5

RGB 60 139 229

HSL 211.95, 0.76%, 0.57%

LAB 57.16, 6.05, -52.55

 

CMYK 20 / 74 / 0 / 10

HEX #B83CE5

RGB 184 60 229

HSL 284.02, 0.76%, 0.57%

LAB 50.78, 72.32, -62.23

 

CMYK 0 / 34 / 74 / 10

HEX #E6973B

RGB 230 151 59

HSL 32.28, 0.77%, 0.57%

LAB 68.95, 22.06, 58.15

 

CMYK 74 / 0 / 71 / 10

HEX #3CE542

RGB 60 229 66

HSL 122.13, 0.76%, 0.57%

LAB 80.4, -71.84, 63.83

 

CMYK 74 / 39 / 0 / 10

HEX #3C8BE5

RGB 60 139 229

HSL 211.95, 0.76%, 0.57%

LAB 57.16, 6.05, -52.55

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE0

RGB 229 60 224

HSL 301.78, 0.76%, 0.57%

LAB 57.34, 80.34, -48.52

 

Description

Color code: RGB 230 151 59 | qconv.com Color code: RGB 230 151 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 151 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 151 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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