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Color name
RGB 230 174 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 174 29 it is the complementary color RGB 25 81 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 174 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 174 29 shade: RGB 235 174 24, RGB 252 192 43, RGB 255 210 62, RGB 255 228 81 and RGB 255 246 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 174 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 174 29 shade: RGB 230 174 29, RGB 213 156 10, RGB 196 138 0, RGB 179 120 0 and RGB 162 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 174 29 shade: RGB 230 174 30, RGB 230 120 30, RGB 230 66 30 and RGB 230 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 174 29 shade: RGB 230 174 30, RGB 230 228 30, RGB 177 230 30, RGB 123 230 30 and RGB 70 230 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 174 29 shade matches the following richer shades: RGB 230 174 30 and RGB 250 183 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 174 29 shade: RGB 230 174 30, RGB 209 165 50, RGB 189 156 70, RGB 169 147 90 and RGB 149 138 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 174 29 shade: RGB 230 66 30, RGB 230 120 30, RGB 230 173 30, RGB 230 226 30 and RGB 180 230 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 174 29 shade: RGB 159 120 17, RGB 196 148 21, RGB 230 174 30, RGB 234 187 67 and RGB 238 200 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 174 29 shade: RGB 230 174 29, RGB 46 230 30 and RGB 93 30 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 174 29 shade: RGB 230 174 29, RGB 30 230 173 and RGB 173 30 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 174 29 shade: RGB 230 174 29, RGB 46 230 30, RGB 30 86 230 and RGB 213 30 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 174 29 shade: RGB 230 174 29, RGB 30 230 73, RGB 30 86 230 and RGB 230 30 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

Complementary color

CMYK 89 / 64 / 0 / 11

HEX #1951E2

RGB 25 81 226

HSL 223.28, 0.8%, 0.49%

LAB 40.54, 38.38, -77.78

 

CMYK 0 / 26 / 90 / 8

HEX #EBAE18

RGB 235 174 24

HSL 42.65, 0.84%, 0.51%

LAB 74.83, 10.96, 74.55

 

CMYK 0 / 24 / 83 / 1

HEX #FCC02B

RGB 252 192 43

HSL 42.78, 0.97%, 0.58%

LAB 81.05, 9.22, 75.74

 

CMYK 0 / 18 / 76 / 0

HEX #FFD23E

RGB 255 210 62

HSL 46.01, 1%, 0.62%

LAB 85.86, 1.83, 74.21

 

CMYK 0 / 11 / 68 / 0

HEX #FFE451

RGB 255 228 81

HSL 50.69, 1%, 0.66%

LAB 90.48, -6.42, 71.82

 

CMYK 0 / 4 / 61 / 0

HEX #FFF664

RGB 255 246 100

HSL 56.52, 1%, 0.7%

LAB 95.2, -14.22, 69.21

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

CMYK 0 / 27 / 95 / 16

HEX #D59C0A

RGB 213 156 10

HSL 43.15, 0.91%, 0.44%

LAB 67.98, 10.78, 70.7

 

CMYK 0 / 30 / 100 / 23

HEX #C48A00

RGB 196 138 0

HSL 42.24, 1%, 0.38%

LAB 61.58, 12.91, 66.75

 

CMYK 0 / 33 / 100 / 30

HEX #B37800

RGB 179 120 0

HSL 40.22, 1%, 0.35%

LAB 55.09, 15.24, 61.44

 

CMYK 0 / 37 / 100 / 36

HEX #A26600

RGB 162 102 0

HSL 37.78, 1%, 0.32%

LAB 48.49, 17.68, 56.06

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1E

RGB 230 174 30

HSL 43.2, 0.8%, 0.51%

LAB 74.31, 8.91, 72.62

 

CMYK 0 / 48 / 87 / 10

HEX #E6781E

RGB 230 120 30

HSL 27, 0.8%, 0.51%

LAB 61.95, 37.38, 62.78

 

CMYK 0 / 71 / 87 / 10

HEX #E6421E

RGB 230 66 30

HSL 10.8, 0.8%, 0.51%

LAB 52.74, 61.44, 55.48

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1E

RGB 230 174 30

HSL 43.2, 0.8%, 0.51%

LAB 74.31, 8.91, 72.62

 

CMYK 0 / 1 / 87 / 10

HEX #E6E41E

RGB 230 228 30

HSL 59.4, 0.8%, 0.51%

LAB 88.16, -18.61, 83.68

 

CMYK 23 / 0 / 87 / 10

HEX #B1E61E

RGB 177 230 30

HSL 75.9, 0.8%, 0.51%

LAB 85.01, -40.97, 79.58

 

CMYK 47 / 0 / 87 / 10

HEX #7BE61E

RGB 123 230 30

HSL 92.1, 0.8%, 0.51%

LAB 82.32, -59.72, 76.24

 

CMYK 70 / 0 / 87 / 10

HEX #46E61E

RGB 70 230 30

HSL 108, 0.8%, 0.51%

LAB 80.73, -72.57, 74.25

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1E

RGB 230 174 30

HSL 43.2, 0.8%, 0.51%

LAB 74.31, 8.91, 72.62

 

CMYK 0 / 27 / 96 / 2

HEX #FAB709

RGB 250 183 9

HSL 43.32, 0.96%, 0.51%

LAB 78.58, 12.49, 80.19

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1E

RGB 230 174 30

HSL 43.2, 0.8%, 0.51%

LAB 74.31, 8.91, 72.62

 

CMYK 0 / 21 / 76 / 18

HEX #D1A532

RGB 209 165 50

HSL 43.4, 0.63%, 0.51%

LAB 69.96, 5.18, 61.91

 

CMYK 0 / 17 / 63 / 26

HEX #BD9C46

RGB 189 156 70

HSL 43.36, 0.47%, 0.51%

LAB 65.78, 2.38, 48.51

 

CMYK 0 / 13 / 47 / 34

HEX #A9935A

RGB 169 147 90

HSL 43.29, 0.31%, 0.51%

LAB 61.69, 0.35, 33.09

 

CMYK 0 / 7 / 26 / 42

HEX #958A6E

RGB 149 138 110

HSL 43.08, 0.16%, 0.51%

LAB 57.74, -0.53, 16.51

 

CMYK 0 / 71 / 87 / 10

HEX #E6421E

RGB 230 66 30

HSL 10.8, 0.8%, 0.51%

LAB 52.74, 61.44, 55.48

 

CMYK 0 / 48 / 87 / 10

HEX #E6781E

RGB 230 120 30

HSL 27, 0.8%, 0.51%

LAB 61.95, 37.38, 62.78

 

CMYK 0 / 25 / 87 / 10

HEX #E6AD1E

RGB 230 173 30

HSL 42.9, 0.8%, 0.51%

LAB 74.06, 9.44, 72.42

 

CMYK 0 / 2 / 87 / 10

HEX #E6E21E

RGB 230 226 30

HSL 58.8, 0.8%, 0.51%

LAB 87.64, -17.63, 83.26

 

CMYK 22 / 0 / 87 / 10

HEX #B4E61E

RGB 180 230 30

HSL 75, 0.8%, 0.51%

LAB 85.2, -39.81, 79.81

 

CMYK 0 / 25 / 89 / 38

HEX #9F7811

RGB 159 120 17

HSL 43.52, 0.81%, 0.35%

LAB 52.78, 6.37, 55.35

 

CMYK 0 / 24 / 89 / 23

HEX #C49415

RGB 196 148 21

HSL 43.54, 0.81%, 0.43%

LAB 64.14, 7.74, 65.1

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1E

RGB 230 174 30

HSL 43.2, 0.8%, 0.51%

LAB 74.31, 8.91, 72.62

 

CMYK 0 / 20 / 71 / 8

HEX #EABB43

RGB 234 187 67

HSL 43.11, 0.8%, 0.59%

LAB 78.13, 5.06, 64.21

 

CMYK 0 / 16 / 56 / 7

HEX #EEC868

RGB 238 200 104

HSL 42.99, 0.8%, 0.67%

LAB 82.1, 2.25, 52.33

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

CMYK 80 / 0 / 87 / 10

HEX #2EE61E

RGB 46 230 30

HSL 115.2, 0.8%, 0.51%

LAB 80.33, -76.08, 73.74

 

CMYK 60 / 87 / 0 / 10

HEX #5D1EE6

RGB 93 30 230

HSL 258.9, 0.8%, 0.51%

LAB 35.92, 69.88, -87.56

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

CMYK 87 / 0 / 25 / 10

HEX #1EE6AD

RGB 30 230 173

HSL 162.9, 0.8%, 0.51%

LAB 81.78, -58.44, 15.13

 

CMYK 25 / 87 / 0 / 10

HEX #AD1EE6

RGB 173 30 230

HSL 282.9, 0.8%, 0.51%

LAB 46.35, 79.03, -70.05

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

CMYK 80 / 0 / 87 / 10

HEX #2EE61E

RGB 46 230 30

HSL 115.2, 0.8%, 0.51%

LAB 80.33, -76.08, 73.74

 

CMYK 87 / 63 / 0 / 10

HEX #1E56E6

RGB 30 86 230

HSL 223.2, 0.8%, 0.51%

LAB 42.22, 36.95, -77.3

 

CMYK 7 / 87 / 0 / 10

HEX #D51EE6

RGB 213 30 230

HSL 294.9, 0.8%, 0.51%

LAB 52.72, 85.21, -59.44

 

CMYK 0 / 24 / 87 / 10

HEX #E6AE1D

RGB 230 174 29

HSL 43.28, 0.8%, 0.51%

LAB 74.31, 8.89, 72.85

 

CMYK 87 / 0 / 68 / 10

HEX #1EE649

RGB 30 230 73

HSL 132.9, 0.8%, 0.51%

LAB 80.38, -74.85, 61.09

 

CMYK 87 / 63 / 0 / 10

HEX #1E56E6

RGB 30 86 230

HSL 223.2, 0.8%, 0.51%

LAB 42.22, 36.95, -77.3

 

CMYK 0 / 87 / 19 / 10

HEX #E61EBA

RGB 230 30 186

HSL 313.2, 0.8%, 0.51%

LAB 53.27, 82.13, -33.15

 

Description

Color code: RGB 230 174 29 | qconv.com Color code: RGB 230 174 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 174 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 174 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 87% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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