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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 213 228 it is the complementary color RGB 25 42 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 213 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 213 228 shade: RGB 235 213 223, RGB 252 231 242 and RGB 255 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 213 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 213 195 209, RGB 196 177 190, RGB 179 159 171 and RGB 162 141 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 230 213 223, RGB 230 213 219, RGB 230 213 214 and RGB 230 213 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 227 213 230, RGB 223 213 230, RGB 218 213 230 and RGB 214 213 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 213 228 shade matches the following richer shades: RGB 230 213 228, RGB 235 208 232, RGB 240 202 236, RGB 246 197 240 and RGB 251 192 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 224 218 224, RGB 219 224 219, RGB 214 229 215 and RGB 208 235 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 213 228 shade: RGB 223 213 230, RGB 227 213 230, RGB 230 213 228, RGB 230 213 223 and RGB 230 213 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 213 228 shade: RGB 199 161 194, RGB 214 187 211, RGB 230 213 228 and RGB 245 239 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 230 218 213 and RGB 213 230 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 228 230 213 and RGB 213 228 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 230 218 213, RGB 213 230 215 and RGB 213 224 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 213 228 shade: RGB 230 213 228, RGB 230 223 213, RGB 213 230 215 and RGB 213 219 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

Complementary color

CMYK 40 / 0 / 36 / 84

HEX #192A1B

RGB 25 42 27

HSL 127.06, 0.25%, 0.13%

LAB 15.18, -11.05, 7.62

 

CMYK 0 / 9 / 5 / 8

HEX #EBD5DF

RGB 235 213 223

HSL 332.73, 0.35%, 0.88%

LAB 87.28, 9.3, -2.16

 

CMYK 0 / 8 / 4 / 1

HEX #FCE7F2

RGB 252 231 242

HSL 328.57, 0.78%, 0.95%

LAB 93.56, 8.99, -2.75

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 8 / 2 / 16

HEX #D5C3D1

RGB 213 195 209

HSL 313.33, 0.18%, 0.8%

LAB 80.62, 8.78, -4.7

 

CMYK 0 / 10 / 3 / 23

HEX #C4B1BE

RGB 196 177 190

HSL 318.95, 0.14%, 0.73%

LAB 74.12, 9.1, -4.13

 

CMYK 0 / 11 / 4 / 30

HEX #B39FAB

RGB 179 159 171

HSL 324, 0.12%, 0.66%

LAB 67.52, 9.45, -3.54

 

CMYK 0 / 13 / 6 / 36

HEX #A28D98

RGB 162 141 152

HSL 328.57, 0.1%, 0.59%

LAB 60.78, 9.83, -2.93

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 7 / 3 / 10

HEX #E6D5DF

RGB 230 213 223

HSL 324.71, 0.25%, 0.87%

LAB 86.87, 7.59, -2.81

 

CMYK 0 / 7 / 5 / 10

HEX #E6D5DB

RGB 230 213 219

HSL 338.82, 0.25%, 0.87%

LAB 86.76, 6.89, -0.84

 

CMYK 0 / 7 / 7 / 10

HEX #E6D5D6

RGB 230 213 214

HSL 356.47, 0.25%, 0.87%

LAB 86.64, 6.03, 1.61

 

CMYK 0 / 7 / 7 / 10

HEX #E6D5D5

RGB 230 213 213

HSL 0, 0.25%, 0.87%

LAB 86.61, 5.86, 2.11

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 1 / 7 / 0 / 10

HEX #E3D5E6

RGB 227 213 230

HSL 289.41, 0.25%, 0.87%

LAB 86.82, 7.83, -6.62

 

CMYK 3 / 7 / 0 / 10

HEX #DFD5E6

RGB 223 213 230

HSL 275.29, 0.25%, 0.87%

LAB 86.5, 6.5, -7.12

 

CMYK 5 / 7 / 0 / 10

HEX #DAD5E6

RGB 218 213 230

HSL 257.65, 0.25%, 0.87%

LAB 86.11, 4.84, -7.74

 

CMYK 7 / 7 / 0 / 10

HEX #D6D5E6

RGB 214 213 230

HSL 243.53, 0.25%, 0.87%

LAB 85.8, 3.52, -8.23

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 11 / 1 / 8

HEX #EBD0E8

RGB 235 208 232

HSL 306.67, 0.4%, 0.87%

LAB 86.31, 13.51, -8.36

 

CMYK 0 / 16 / 2 / 6

HEX #F0CAEC

RGB 240 202 236

HSL 306.32, 0.56%, 0.87%

LAB 85.41, 19.08, -11.76

 

CMYK 0 / 20 / 2 / 4

HEX #F6C5F0

RGB 246 197 240

HSL 307.35, 0.73%, 0.87%

LAB 84.9, 24.43, -14.6

 

CMYK 0 / 24 / 3 / 2

HEX #FBC0F4

RGB 251 192 244

HSL 307.12, 0.88%, 0.87%

LAB 84.35, 29.42, -17.51

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 3 / 0 / 12

HEX #E0DAE0

RGB 224 218 224

HSL 300, 0.09%, 0.87%

LAB 87.67, 3.12, -2.22

 

CMYK 2 / 0 / 2 / 12

HEX #DBE0DB

RGB 219 224 219

HSL 120, 0.07%, 0.87%

LAB 88.68, -2.58, 1.85

 

CMYK 7 / 0 / 6 / 10

HEX #D6E5D7

RGB 214 229 215

HSL 124, 0.22%, 0.87%

LAB 89.51, -7.54, 5.1

 

CMYK 11 / 0 / 10 / 8

HEX #D0EBD3

RGB 208 235 211

HSL 126.67, 0.4%, 0.87%

LAB 90.56, -13.29, 8.66

 

CMYK 3 / 7 / 0 / 10

HEX #DFD5E6

RGB 223 213 230

HSL 275.29, 0.25%, 0.87%

LAB 86.5, 6.5, -7.12

 

CMYK 1 / 7 / 0 / 10

HEX #E3D5E6

RGB 227 213 230

HSL 289.41, 0.25%, 0.87%

LAB 86.82, 7.83, -6.62

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 7 / 3 / 10

HEX #E6D5DF

RGB 230 213 223

HSL 324.71, 0.25%, 0.87%

LAB 86.87, 7.59, -2.81

 

CMYK 0 / 7 / 5 / 10

HEX #E6D5DB

RGB 230 213 219

HSL 338.82, 0.25%, 0.87%

LAB 86.76, 6.89, -0.84

 

CMYK 0 / 19 / 3 / 22

HEX #C7A1C2

RGB 199 161 194

HSL 307.89, 0.25%, 0.71%

LAB 70.54, 19.63, -11.62

 

CMYK 0 / 13 / 1 / 16

HEX #D6BBD3

RGB 214 187 211

HSL 306.67, 0.25%, 0.79%

LAB 78.78, 13.77, -8.5

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 2 / 0 / 4

HEX #F5EFF4

RGB 245 239 244

HSL 310, 0.23%, 0.95%

LAB 95.02, 2.89, -1.7

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 5 / 7 / 10

HEX #E6DAD5

RGB 230 218 213

HSL 17.65, 0.25%, 0.87%

LAB 87.86, 3.26, 3.92

 

CMYK 7 / 0 / 2 / 10

HEX #D5E6E1

RGB 213 230 225

HSL 162.35, 0.25%, 0.87%

LAB 89.94, -6.56, 0.49

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 1 / 0 / 7 / 10

HEX #E4E6D5

RGB 228 230 213

HSL 67.06, 0.25%, 0.87%

LAB 90.73, -3.62, 8.04

 

CMYK 7 / 1 / 0 / 10

HEX #D5E4E6

RGB 213 228 230

HSL 187.06, 0.25%, 0.87%

LAB 89.55, -4.59, -2.7

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 5 / 7 / 10

HEX #E6DAD5

RGB 230 218 213

HSL 17.65, 0.25%, 0.87%

LAB 87.86, 3.26, 3.92

 

CMYK 7 / 0 / 7 / 10

HEX #D5E6D7

RGB 213 230 215

HSL 127.06, 0.25%, 0.87%

LAB 89.69, -8.38, 5.36

 

CMYK 7 / 3 / 0 / 10

HEX #D5E0E6

RGB 213 224 230

HSL 201.18, 0.25%, 0.87%

LAB 88.53, -2.54, -4.21

 

CMYK 0 / 7 / 1 / 10

HEX #E6D5E4

RGB 230 213 228

HSL 307.06, 0.25%, 0.87%

LAB 87, 8.48, -5.25

 

CMYK 0 / 3 / 7 / 10

HEX #E6DFD5

RGB 230 223 213

HSL 35.29, 0.25%, 0.87%

LAB 89.11, 0.67, 5.73

 

CMYK 7 / 0 / 7 / 10

HEX #D5E6D7

RGB 213 230 215

HSL 127.06, 0.25%, 0.87%

LAB 89.69, -8.38, 5.36

 

CMYK 7 / 5 / 0 / 10

HEX #D5DBE6

RGB 213 219 230

HSL 218.82, 0.25%, 0.87%

LAB 87.25, 0.06, -6.09

 

Description

Color code: RGB 230 213 228 | qconv.com Color code: RGB 230 213 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 213 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 213 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 1 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 1% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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