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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 243 200 it is the complementary color RGB 25 12 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 243 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 243 200 shade: RGB 235 243 195, RGB 252 255 214, RGB 255 255 233 and RGB 255 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 243 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 213 225 181, RGB 196 207 162, RGB 179 189 143 and RGB 162 171 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 241 243 200, RGB 243 233 200, RGB 243 221 200 and RGB 243 210 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 218 243 200, RGB 207 243 200, RGB 200 243 205 and RGB 200 243 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 243 200 shade matches the following richer shades: RGB 230 243 200, RGB 232 248 195 and RGB 234 253 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 228 237 205, RGB 225 232 211, RGB 223 226 216 and RGB 221 221 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 243 200 shade: RGB 243 233 200, RGB 241 243 200, RGB 230 243 200, RGB 219 243 200 and RGB 207 243 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 243 200 shade: RGB 199 228 132, RGB 214 235 166, RGB 230 243 200 and RGB 245 250 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 200 243 221 and RGB 238 200 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 200 230 243 and RGB 243 200 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 200 243 221, RGB 213 200 243 and RGB 243 200 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 243 200 shade: RGB 230 243 200, RGB 200 243 234, RGB 213 200 243 and RGB 243 200 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

Complementary color

CMYK 55 / 78 / 0 / 78

HEX #190C37

RGB 25 12 55

HSL 258.14, 0.64%, 0.13%

LAB 6.73, 19.14, -25.55

 

CMYK 3 / 0 / 20 / 5

HEX #EBF3C3

RGB 235 243 195

HSL 70, 0.67%, 0.86%

LAB 94.19, -10.53, 22.3

 

CMYK 1 / 0 / 16 / 0

HEX #FCFFD6

RGB 252 255 214

HSL 64.39, 1%, 0.92%

LAB 98.86, -7.67, 19.29

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 5 / 0 / 20 / 12

HEX #D5E1B5

RGB 213 225 181

HSL 76.36, 0.42%, 0.8%

LAB 87.65, -11.48, 20.22

 

CMYK 5 / 0 / 22 / 19

HEX #C4CFA2

RGB 196 207 162

HSL 74.67, 0.32%, 0.72%

LAB 81.28, -11.4, 21.16

 

CMYK 5 / 0 / 24 / 26

HEX #B3BD8F

RGB 179 189 143

HSL 73.04, 0.26%, 0.65%

LAB 74.8, -11.32, 22.15

 

CMYK 5 / 0 / 27 / 33

HEX #A2AB7C

RGB 162 171 124

HSL 71.49, 0.22%, 0.58%

LAB 68.21, -11.21, 23.2

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 1 / 0 / 18 / 5

HEX #F1F3C8

RGB 241 243 200

HSL 62.79, 0.64%, 0.87%

LAB 94.73, -7.65, 20.56

 

CMYK 0 / 4 / 18 / 5

HEX #F3E9C8

RGB 243 233 200

HSL 46.05, 0.64%, 0.87%

LAB 92.35, -1.9, 17.27

 

CMYK 0 / 9 / 18 / 5

HEX #F3DDC8

RGB 243 221 200

HSL 29.3, 0.64%, 0.87%

LAB 89.36, 4.25, 13.05

 

CMYK 0 / 14 / 18 / 5

HEX #F3D2C8

RGB 243 210 200

HSL 13.95, 0.64%, 0.87%

LAB 86.66, 9.96, 9.2

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 10 / 0 / 18 / 5

HEX #DAF3C8

RGB 218 243 200

HSL 94.88, 0.64%, 0.87%

LAB 93.09, -15.72, 18.03

 

CMYK 15 / 0 / 18 / 5

HEX #CFF3C8

RGB 207 243 200

HSL 110.23, 0.64%, 0.87%

LAB 92.37, -19.46, 16.91

 

CMYK 18 / 0 / 16 / 5

HEX #C8F3CD

RGB 200 243 205

HSL 126.98, 0.64%, 0.87%

LAB 92.04, -20.93, 13.8

 

CMYK 18 / 0 / 11 / 5

HEX #C8F3D8

RGB 200 243 216

HSL 142.33, 0.64%, 0.87%

LAB 92.28, -18.96, 8.46

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 6 / 0 / 21 / 3

HEX #E8F8C3

RGB 232 248 195

HSL 78.11, 0.79%, 0.87%

LAB 95.26, -14.06, 23.75

 

CMYK 8 / 0 / 25 / 1

HEX #EAFDBD

RGB 234 253 189

HSL 77.81, 0.94%, 0.87%

LAB 96.58, -16.66, 28.63

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 4 / 0 / 14 / 7

HEX #E4EDCD

RGB 228 237 205

HSL 76.88, 0.47%, 0.87%

LAB 92.34, -8.47, 14.49

 

CMYK 3 / 0 / 9 / 9

HEX #E1E8D3

RGB 225 232 211

HSL 80, 0.31%, 0.87%

LAB 90.97, -6, 9.4

 

CMYK 1 / 0 / 4 / 11

HEX #DFE2D8

RGB 223 226 216

HSL 78, 0.15%, 0.87%

LAB 89.41, -2.78, 4.52

 

CMYK 0 / 0 / 0 / 13

HEX #DDDDDE

RGB 221 221 222

HSL 240, 0.01%, 0.87%

LAB 88.14, 0.18, -0.5

 

CMYK 0 / 4 / 18 / 5

HEX #F3E9C8

RGB 243 233 200

HSL 46.05, 0.64%, 0.87%

LAB 92.35, -1.9, 17.27

 

CMYK 1 / 0 / 18 / 5

HEX #F1F3C8

RGB 241 243 200

HSL 62.79, 0.64%, 0.87%

LAB 94.73, -7.65, 20.56

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 10 / 0 / 18 / 5

HEX #DBF3C8

RGB 219 243 200

HSL 93.49, 0.64%, 0.87%

LAB 93.16, -15.38, 18.14

 

CMYK 15 / 0 / 18 / 5

HEX #CFF3C8

RGB 207 243 200

HSL 110.23, 0.64%, 0.87%

LAB 92.37, -19.46, 16.91

 

CMYK 13 / 0 / 42 / 11

HEX #C7E484

RGB 199 228 132

HSL 78.13, 0.64%, 0.71%

LAB 86.65, -24.64, 43.62

 

CMYK 9 / 0 / 29 / 8

HEX #D6EBA6

RGB 214 235 166

HSL 78.26, 0.63%, 0.79%

LAB 90.08, -18.24, 31.26

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 2 / 0 / 6 / 2

HEX #F5FAEA

RGB 245 250 234

HSL 78.75, 0.62%, 0.95%

LAB 97.52, -4.41, 7.09

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 18 / 0 / 9 / 5

HEX #C8F3DD

RGB 200 243 221

HSL 149.3, 0.64%, 0.87%

LAB 92.4, -18.03, 6.03

 

CMYK 2 / 18 / 0 / 5

HEX #EEC8F3

RGB 238 200 243

HSL 293.02, 0.64%, 0.87%

LAB 84.97, 20.75, -16.16

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 18 / 5 / 0 / 5

HEX #C8E6F3

RGB 200 230 243

HSL 198.14, 0.64%, 0.87%

LAB 89.55, -7.14, -9.61

 

CMYK 0 / 18 / 5 / 5

HEX #F3C8E6

RGB 243 200 230

HSL 318.14, 0.64%, 0.87%

LAB 85.04, 20.08, -9.11

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 18 / 0 / 9 / 5

HEX #C8F3DD

RGB 200 243 221

HSL 149.3, 0.64%, 0.87%

LAB 92.4, -18.03, 6.03

 

CMYK 12 / 18 / 0 / 5

HEX #D5C8F3

RGB 213 200 243

HSL 258.14, 0.64%, 0.87%

LAB 82.87, 12.69, -19.53

 

CMYK 0 / 18 / 9 / 5

HEX #F3C8DD

RGB 243 200 221

HSL 330.7, 0.64%, 0.87%

LAB 84.78, 18.55, -4.68

 

CMYK 5 / 0 / 18 / 5

HEX #E6F3C8

RGB 230 243 200

HSL 78.14, 0.64%, 0.87%

LAB 93.92, -11.55, 19.32

 

CMYK 18 / 0 / 4 / 5

HEX #C8F3EA

RGB 200 243 234

HSL 167.44, 0.64%, 0.87%

LAB 92.72, -15.53, -0.26

 

CMYK 12 / 18 / 0 / 5

HEX #D5C8F3

RGB 213 200 243

HSL 258.14, 0.64%, 0.87%

LAB 82.87, 12.69, -19.53

 

CMYK 0 / 18 / 14 / 5

HEX #F3C8D1

RGB 243 200 209

HSL 347.44, 0.64%, 0.87%

LAB 84.47, 16.6, 1.25

 

Description

Color code: RGB 230 243 200 | qconv.com Color code: RGB 230 243 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 243 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 243 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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