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Color name
RGB 230 35 86

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 35 86 it is the complementary color RGB 25 220 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 35 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 35 86 shade: RGB 235 35 81, RGB 252 53 100, RGB 255 71 119, RGB 255 89 138 and RGB 255 107 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 35 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 35 86 shade: RGB 230 35 86, RGB 213 17 67, RGB 196 0 48, RGB 179 0 29 and RGB 162 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 35 86 shade: RGB 230 34 85 and RGB 230 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 35 86 shade: RGB 230 34 85, RGB 230 34 138, RGB 230 34 191, RGB 216 34 230 and RGB 163 34 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 35 86 shade matches the following richer shades: RGB 230 34 85 and RGB 250 14 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 35 86 shade: RGB 230 34 85, RGB 210 54 95, RGB 190 74 104, RGB 171 94 114 and RGB 151 113 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 35 86 shade: RGB 230 34 191, RGB 230 34 139, RGB 230 34 86, RGB 230 34 34 and RGB 230 86 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 35 86 shade: RGB 164 18 56, RGB 201 22 69, RGB 230 34 85, RGB 234 71 114 and RGB 238 108 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 35 86 shade: RGB 230 35 86, RGB 230 217 34 and RGB 34 165 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 35 86 shade: RGB 230 35 86, RGB 86 230 34 and RGB 34 86 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 35 86 shade: RGB 230 35 86, RGB 230 217 34, RGB 34 230 178 and RGB 34 47 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 35 86 shade: RGB 230 35 86, RGB 184 230 34, RGB 34 230 178 and RGB 80 34 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

Complementary color

CMYK 89 / 0 / 23 / 14

HEX #19DCA9

RGB 25 220 169

HSL 164.31, 0.8%, 0.48%

LAB 78.61, -55.84, 12.77

 

CMYK 0 / 85 / 66 / 8

HEX #EB2351

RGB 235 35 81

HSL 346.2, 0.83%, 0.53%

LAB 51.22, 73.18, 26.8

 

CMYK 0 / 79 / 60 / 1

HEX #FC3564

RGB 252 53 100

HSL 345.83, 0.97%, 0.6%

LAB 56.25, 74.54, 22.63

 

CMYK 0 / 72 / 53 / 0

HEX #FF4777

RGB 255 71 119

HSL 344.35, 1%, 0.64%

LAB 59.07, 71.33, 15.33

 

CMYK 0 / 65 / 46 / 0

HEX #FF598A

RGB 255 89 138

HSL 342.29, 1%, 0.67%

LAB 61.86, 66.4, 8.16

 

CMYK 0 / 58 / 38 / 0

HEX #FF6B9D

RGB 255 107 157

HSL 339.73, 1%, 0.71%

LAB 65.13, 60.77, 1.93

 

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

CMYK 0 / 92 / 69 / 16

HEX #D51143

RGB 213 17 67

HSL 344.69, 0.85%, 0.45%

LAB 45.57, 69.88, 27.25

 

CMYK 0 / 100 / 76 / 23

HEX #C40030

RGB 196 0 48

HSL 345.31, 1%, 0.38%

LAB 41.14, 66.65, 32.72

 

CMYK 0 / 100 / 84 / 30

HEX #B3001D

RGB 179 0 29

HSL 350.28, 1%, 0.35%

LAB 37.25, 61.87, 38.71

 

CMYK 0 / 100 / 94 / 36

HEX #A2000A

RGB 162 0 10

HSL 356.3, 1%, 0.32%

LAB 33.36, 57.19, 43.41

 

CMYK 0 / 85 / 63 / 10

HEX #E62255

RGB 230 34 85

HSL 344.39, 0.8%, 0.52%

LAB 50.24, 72.32, 22.93

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 63 / 10

HEX #E62255

RGB 230 34 85

HSL 344.39, 0.8%, 0.52%

LAB 50.24, 72.32, 22.93

 

CMYK 0 / 85 / 40 / 10

HEX #E6228A

RGB 230 34 138

HSL 328.16, 0.8%, 0.52%

LAB 51.61, 76.24, -7.31

 

CMYK 0 / 85 / 17 / 10

HEX #E622BF

RGB 230 34 191

HSL 311.94, 0.8%, 0.52%

LAB 53.74, 82.08, -35.33

 

CMYK 6 / 85 / 0 / 10

HEX #D822E6

RGB 216 34 230

HSL 295.71, 0.8%, 0.52%

LAB 53.45, 85.02, -58.24

 

CMYK 29 / 85 / 0 / 10

HEX #A322E6

RGB 163 34 230

HSL 279.49, 0.8%, 0.52%

LAB 45.14, 76.73, -72.08

 

CMYK 0 / 85 / 63 / 10

HEX #E62255

RGB 230 34 85

HSL 344.39, 0.8%, 0.52%

LAB 50.24, 72.32, 22.93

 

CMYK 0 / 94 / 70 / 2

HEX #FA0E4C

RGB 250 14 76

HSL 344.24, 0.96%, 0.52%

LAB 53.12, 79.49, 32.82

 

CMYK 0 / 85 / 63 / 10

HEX #E62255

RGB 230 34 85

HSL 344.39, 0.8%, 0.52%

LAB 50.24, 72.32, 22.93

 

CMYK 0 / 74 / 55 / 18

HEX #D2365F

RGB 210 54 95

HSL 344.23, 0.63%, 0.52%

LAB 48.47, 62.41, 13.79

 

CMYK 0 / 61 / 45 / 25

HEX #BE4A68

RGB 190 74 104

HSL 344.48, 0.47%, 0.52%

LAB 48.06, 49.2, 7.23

 

CMYK 0 / 45 / 33 / 33

HEX #AB5E72

RGB 171 94 114

HSL 344.42, 0.31%, 0.52%

LAB 49.35, 33.63, 2.67

 

CMYK 0 / 25 / 19 / 41

HEX #97717B

RGB 151 113 123

HSL 344.21, 0.15%, 0.52%

LAB 51.63, 16.6, 0.34

 

CMYK 0 / 85 / 17 / 10

HEX #E622BF

RGB 230 34 191

HSL 311.94, 0.8%, 0.52%

LAB 53.74, 82.08, -35.33

 

CMYK 0 / 85 / 40 / 10

HEX #E6228B

RGB 230 34 139

HSL 327.86, 0.8%, 0.52%

LAB 51.65, 76.33, -7.86

 

CMYK 0 / 85 / 63 / 10

HEX #E62256

RGB 230 34 86

HSL 344.08, 0.8%, 0.52%

LAB 50.26, 72.38, 22.35

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 63 / 85 / 10

HEX #E65622

RGB 230 86 34

HSL 15.92, 0.8%, 0.52%

LAB 55.68, 53.64, 56.24

 

CMYK 0 / 89 / 66 / 36

HEX #A41238

RGB 164 18 56

HSL 344.38, 0.8%, 0.36%

LAB 35.22, 56.66, 18.93

 

CMYK 0 / 89 / 66 / 21

HEX #C91645

RGB 201 22 69

HSL 344.25, 0.8%, 0.44%

LAB 43.39, 66.27, 22.74

 

CMYK 0 / 85 / 63 / 10

HEX #E62255

RGB 230 34 85

HSL 344.39, 0.8%, 0.52%

LAB 50.24, 72.32, 22.93

 

CMYK 0 / 70 / 51 / 8

HEX #EA4772

RGB 234 71 114

HSL 344.17, 0.8%, 0.6%

LAB 55.29, 64.96, 12.48

 

CMYK 0 / 55 / 40 / 7

HEX #EE6C8E

RGB 238 108 142

HSL 344.31, 0.79%, 0.68%

LAB 62.39, 53.28, 6.25

 

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

CMYK 0 / 6 / 85 / 10

HEX #E6D922

RGB 230 217 34

HSL 56.02, 0.8%, 0.52%

LAB 85.28, -13.12, 80.59

 

CMYK 85 / 28 / 0 / 10

HEX #22A5E6

RGB 34 165 230

HSL 199.9, 0.8%, 0.52%

LAB 64.13, -11.13, -42.11

 

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

CMYK 63 / 0 / 85 / 10

HEX #56E622

RGB 86 230 34

HSL 104.08, 0.8%, 0.52%

LAB 81.12, -69.26, 73.93

 

CMYK 85 / 63 / 0 / 10

HEX #2256E6

RGB 34 86 230

HSL 224.08, 0.8%, 0.52%

LAB 42.32, 37.18, -77.13

 

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

CMYK 0 / 6 / 85 / 10

HEX #E6D922

RGB 230 217 34

HSL 56.02, 0.8%, 0.52%

LAB 85.28, -13.12, 80.59

 

CMYK 85 / 0 / 23 / 10

HEX #22E6B2

RGB 34 230 178

HSL 164.08, 0.8%, 0.52%

LAB 81.92, -57.01, 12.72

 

CMYK 85 / 80 / 0 / 10

HEX #222FE6

RGB 34 47 230

HSL 236.02, 0.8%, 0.52%

LAB 34.16, 59.63, -90.6

 

CMYK 0 / 85 / 63 / 10

HEX #E62356

RGB 230 35 86

HSL 344.31, 0.8%, 0.52%

LAB 50.33, 72.18, 22.44

 

CMYK 20 / 0 / 85 / 10

HEX #B8E622

RGB 184 230 34

HSL 74.08, 0.8%, 0.52%

LAB 85.45, -38.15, 79.36

 

CMYK 85 / 0 / 23 / 10

HEX #22E6B2

RGB 34 230 178

HSL 164.08, 0.8%, 0.52%

LAB 81.92, -57.01, 12.72

 

CMYK 65 / 85 / 0 / 10

HEX #5022E6

RGB 80 34 230

HSL 254.08, 0.8%, 0.52%

LAB 35.13, 67.62, -88.91

 

Description

Color code: RGB 230 35 86 | qconv.com Color code: RGB 230 35 86 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 35 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 35 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 63 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 63% 10% C M Y K

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