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Color name
RGB 230 55 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 55 144 it is the complementary color RGB 25 200 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 55 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 55 144 shade: RGB 235 55 139, RGB 252 73 158, RGB 255 91 177, RGB 255 109 196 and RGB 255 127 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 55 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 213 37 125, RGB 196 19 106, RGB 179 1 87 and RGB 162 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 230 55 97 and RGB 230 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 230 55 191, RGB 221 55 230, RGB 174 55 230 and RGB 127 55 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 55 144 shade matches the following richer shades: RGB 230 55 144 and RGB 248 37 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 212 73 143, RGB 194 91 143, RGB 175 109 143 and RGB 157 127 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 55 144 shade: RGB 221 55 230, RGB 230 55 192, RGB 230 55 145, RGB 230 55 99 and RGB 230 58 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 55 144 shade: RGB 180 22 102, RGB 217 26 123, RGB 230 55 144, RGB 234 92 164 and RGB 239 128 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 230 174 55 and RGB 55 215 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 145 230 55 and RGB 55 145 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 230 174 55, RGB 55 230 139 and RGB 55 110 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 55 144 shade: RGB 230 55 144, RGB 230 227 55, RGB 55 230 139 and RGB 55 58 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

Complementary color

CMYK 88 / 0 / 45 / 22

HEX #19C86F

RGB 25 200 111

HSL 149.49, 0.78%, 0.44%

LAB 71.33, -60.71, 33.18

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 71 / 37 / 1

HEX #FC499E

RGB 252 73 158

HSL 331.51, 0.97%, 0.64%

LAB 59.82, 73.27, -6.5

 

CMYK 0 / 64 / 31 / 0

HEX #FF5BB1

RGB 255 91 177

HSL 328.54, 1%, 0.68%

LAB 63.27, 69.63, -12.26

 

CMYK 0 / 57 / 23 / 0

HEX #FF6DC4

RGB 255 109 196

HSL 324.25, 1%, 0.71%

LAB 66.66, 64.55, -17.94

 

CMYK 0 / 50 / 16 / 0

HEX #FF7FD7

RGB 255 127 215

HSL 318.75, 1%, 0.75%

LAB 70.42, 59.02, -22.83

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 83 / 41 / 16

HEX #D5257D

RGB 213 37 125

HSL 330, 0.7%, 0.49%

LAB 48.2, 70.41, -4.86

 

CMYK 0 / 90 / 46 / 23

HEX #C4136A

RGB 196 19 106

HSL 330.51, 0.82%, 0.42%

LAB 43.13, 68.05, -0.99

 

CMYK 0 / 99 / 51 / 30

HEX #B30157

RGB 179 1 87

HSL 331.01, 0.99%, 0.35%

LAB 38.36, 64.65, 3.7

 

CMYK 0 / 100 / 58 / 36

HEX #A20044

RGB 162 0 68

HSL 334.81, 1%, 0.32%

LAB 34.19, 59.43, 9.62

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 76 / 58 / 10

HEX #E63761

RGB 230 55 97

HSL 345.6, 0.78%, 0.56%

LAB 52.31, 67.86, 18.43

 

CMYK 0 / 76 / 76 / 10

HEX #E63737

RGB 230 55 55

HSL 0, 0.78%, 0.56%

LAB 51.65, 65.74, 42.19

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 76 / 17 / 10

HEX #E637BF

RGB 230 55 191

HSL 313.37, 0.78%, 0.56%

LAB 55.4, 77.29, -32.73

 

CMYK 4 / 76 / 0 / 10

HEX #DD37E6

RGB 221 55 230

HSL 296.91, 0.78%, 0.56%

LAB 55.9, 81.11, -54.26

 

CMYK 24 / 76 / 0 / 10

HEX #AE37E6

RGB 174 55 230

HSL 280.8, 0.78%, 0.56%

LAB 48.81, 72.42, -66.04

 

CMYK 45 / 76 / 0 / 10

HEX #7F37E6

RGB 127 55 230

HSL 264.69, 0.78%, 0.56%

LAB 42.7, 64.77, -76.27

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 85 / 42 / 3

HEX #F82590

RGB 248 37 144

HSL 329.57, 0.94%, 0.56%

LAB 55.37, 80.34, -4.94

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 66 / 33 / 17

HEX #D4498F

RGB 212 73 143

HSL 329.78, 0.62%, 0.56%

LAB 52.67, 60.65, -9.05

 

CMYK 0 / 53 / 26 / 24

HEX #C25B8F

RGB 194 91 143

HSL 329.71, 0.46%, 0.56%

LAB 52.88, 47.09, -9.03

 

CMYK 0 / 38 / 18 / 31

HEX #AF6D8F

RGB 175 109 143

HSL 329.09, 0.29%, 0.56%

LAB 54.06, 31.11, -7.52

 

CMYK 0 / 19 / 9 / 38

HEX #9D7F8F

RGB 157 127 143

HSL 328, 0.13%, 0.56%

LAB 56.42, 14.3, -4.25

 

CMYK 4 / 76 / 0 / 10

HEX #DD37E6

RGB 221 55 230

HSL 296.91, 0.78%, 0.56%

LAB 55.9, 81.11, -54.26

 

CMYK 0 / 76 / 17 / 10

HEX #E637C0

RGB 230 55 192

HSL 313.03, 0.78%, 0.56%

LAB 55.44, 77.42, -33.24

 

CMYK 0 / 76 / 37 / 10

HEX #E63791

RGB 230 55 145

HSL 329.14, 0.78%, 0.56%

LAB 53.6, 71.9, -8.53

 

CMYK 0 / 76 / 57 / 10

HEX #E63763

RGB 230 55 99

HSL 344.91, 0.78%, 0.56%

LAB 52.35, 68, 17.28

 

CMYK 0 / 75 / 76 / 10

HEX #E63A37

RGB 230 58 55

HSL 1.03, 0.78%, 0.56%

LAB 51.98, 64.81, 42.55

 

CMYK 0 / 88 / 43 / 29

HEX #B41666

RGB 180 22 102

HSL 329.62, 0.78%, 0.4%

LAB 39.98, 63.41, -3.48

 

CMYK 0 / 88 / 43 / 15

HEX #D91A7B

RGB 217 26 123

HSL 329.53, 0.79%, 0.48%

LAB 48.16, 73.3, -3.61

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 61 / 30 / 8

HEX #EA5CA4

RGB 234 92 164

HSL 329.58, 0.77%, 0.64%

LAB 59.73, 61.7, -10.42

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B8

RGB 239 128 184

HSL 329.73, 0.78%, 0.72%

LAB 67.46, 49.1, -10.19

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 24 / 76 / 10

HEX #E6AE37

RGB 230 174 55

HSL 40.8, 0.78%, 0.56%

LAB 74.43, 9.67, 65.06

 

CMYK 76 / 7 / 0 / 10

HEX #37D7E6

RGB 55 215 230

HSL 185.14, 0.78%, 0.56%

LAB 79.11, -34.78, -18.99

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 76 / 37 / 0 / 10

HEX #3791E6

RGB 55 145 230

HSL 209.14, 0.78%, 0.56%

LAB 58.77, 2.24, -50.55

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 24 / 76 / 10

HEX #E6AE37

RGB 230 174 55

HSL 40.8, 0.78%, 0.56%

LAB 74.43, 9.67, 65.06

 

CMYK 76 / 0 / 40 / 10

HEX #37E68B

RGB 55 230 139

HSL 148.8, 0.78%, 0.56%

LAB 81.44, -63.22, 32.25

 

CMYK 76 / 52 / 0 / 10

HEX #376EE6

RGB 55 110 230

HSL 221.14, 0.78%, 0.56%

LAB 49.1, 23.73, -66.05

 

CMYK 0 / 76 / 37 / 10

HEX #E63790

RGB 230 55 144

HSL 329.49, 0.78%, 0.56%

LAB 53.57, 71.8, -7.98

 

CMYK 0 / 1 / 76 / 10

HEX #E6E337

RGB 230 227 55

HSL 58.97, 0.78%, 0.56%

LAB 87.99, -17.42, 77.59

 

CMYK 76 / 0 / 40 / 10

HEX #37E68B

RGB 55 230 139

HSL 148.8, 0.78%, 0.56%

LAB 81.44, -63.22, 32.25

 

CMYK 76 / 75 / 0 / 10

HEX #373AE6

RGB 55 58 230

HSL 238.97, 0.78%, 0.56%

LAB 37.03, 55.19, -85.83

 

Description

Color code: RGB 230 55 144 | qconv.com Color code: RGB 230 55 144 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 55 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 55 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 37% 10% C M Y K

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Provide designers and agencies with accurate color values.

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