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Color name
RGB 230 59 168

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 59 168 it is the complementary color RGB 25 196 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 59 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 59 168 shade: RGB 235 59 163, RGB 252 77 182, RGB 255 95 201, RGB 255 113 220 and RGB 255 131 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 59 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 59 168 shade: RGB 230 59 168, RGB 213 41 149, RGB 196 23 130, RGB 179 5 111 and RGB 162 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 59 168 shade: RGB 229 60 168, RGB 229 60 123, RGB 229 60 77 and RGB 229 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 59 168 shade: RGB 229 60 168, RGB 229 60 214, RGB 199 60 229, RGB 154 60 229 and RGB 108 60 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 59 168 shade matches the following richer shades: RGB 229 60 168 and RGB 247 43 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 59 168 shade: RGB 229 60 168, RGB 212 78 163, RGB 194 96 158, RGB 176 114 153 and RGB 158 131 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 59 168 shade: RGB 198 60 229, RGB 229 60 215, RGB 229 60 170, RGB 229 60 125 and RGB 229 60 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 59 168 shade: RGB 184 23 126, RGB 220 28 151, RGB 229 60 168, RGB 234 97 184 and RGB 239 133 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 59 168 shade: RGB 230 59 168, RGB 229 153 60 and RGB 60 229 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 59 168 shade: RGB 230 59 168, RGB 170 229 60 and RGB 60 170 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 59 168 shade: RGB 230 59 168, RGB 229 153 60, RGB 60 229 120 and RGB 60 136 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 59 168 shade: RGB 230 59 168, RGB 229 204 60, RGB 60 229 120 and RGB 60 86 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

Complementary color

CMYK 87 / 0 / 56 / 23

HEX #19C457

RGB 25 196 87

HSL 141.75, 0.77%, 0.43%

LAB 69.74, -63.2, 43.04

 

CMYK 0 / 75 / 31 / 8

HEX #EB3BA3

RGB 235 59 163

HSL 324.55, 0.81%, 0.58%

LAB 55.52, 73.89, -16.18

 

CMYK 0 / 69 / 28 / 1

HEX #FC4DB6

RGB 252 77 182

HSL 324, 0.97%, 0.65%

LAB 61.12, 74.55, -18.43

 

CMYK 0 / 63 / 21 / 0

HEX #FF5FC9

RGB 255 95 201

HSL 320.25, 1%, 0.69%

LAB 64.69, 71.04, -23.75

 

CMYK 0 / 56 / 14 / 0

HEX #FF71DC

RGB 255 113 220

HSL 314.79, 1%, 0.72%

LAB 68.2, 66.16, -29.02

 

CMYK 0 / 49 / 6 / 0

HEX #FF83EF

RGB 255 131 239

HSL 307.74, 1%, 0.76%

LAB 72.04, 60.87, -33.56

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

CMYK 0 / 81 / 30 / 16

HEX #D52995

RGB 213 41 149

HSL 322.33, 0.68%, 0.5%

LAB 49.38, 71.95, -17.59

 

CMYK 0 / 88 / 34 / 23

HEX #C41782

RGB 196 23 130

HSL 322.89, 0.79%, 0.43%

LAB 44.18, 69.71, -14.29

 

CMYK 0 / 97 / 38 / 30

HEX #B3056F

RGB 179 5 111

HSL 323.45, 0.95%, 0.36%

LAB 39.31, 66.31, -10.17

 

CMYK 0 / 100 / 43 / 36

HEX #A2005C

RGB 162 0 92

HSL 325.93, 1%, 0.32%

LAB 34.91, 61.34, -5

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA8

RGB 229 60 168

HSL 321.66, 0.76%, 0.57%

LAB 54.78, 72.7, -20.33

 

CMYK 0 / 74 / 46 / 10

HEX #E53C7B

RGB 229 60 123

HSL 337.63, 0.76%, 0.57%

LAB 53.3, 68.04, 4.15

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4D

RGB 229 60 77

HSL 353.96, 0.76%, 0.57%

LAB 52.31, 64.84, 30.33

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA8

RGB 229 60 168

HSL 321.66, 0.76%, 0.57%

LAB 54.78, 72.7, -20.33

 

CMYK 0 / 74 / 7 / 10

HEX #E53CD6

RGB 229 60 214

HSL 305.33, 0.76%, 0.57%

LAB 56.83, 78.85, -43.67

 

CMYK 13 / 74 / 0 / 10

HEX #C73CE5

RGB 199 60 229

HSL 289.35, 0.76%, 0.57%

LAB 52.98, 75.19, -58.56

 

CMYK 33 / 74 / 0 / 10

HEX #9A3CE5

RGB 154 60 229

HSL 273.37, 0.76%, 0.57%

LAB 46.66, 66.86, -69.1

 

CMYK 53 / 74 / 0 / 10

HEX #6C3CE5

RGB 108 60 229

HSL 257.04, 0.76%, 0.57%

LAB 41.34, 59.58, -78.01

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA8

RGB 229 60 168

HSL 321.66, 0.76%, 0.57%

LAB 54.78, 72.7, -20.33

 

CMYK 0 / 83 / 30 / 3

HEX #F72BAD

RGB 247 43 173

HSL 321.76, 0.93%, 0.57%

LAB 56.6, 81.78, -20.18

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA8

RGB 229 60 168

HSL 321.66, 0.76%, 0.57%

LAB 54.78, 72.7, -20.33

 

CMYK 0 / 63 / 23 / 17

HEX #D44EA3

RGB 212 78 163

HSL 321.94, 0.61%, 0.57%

LAB 54.12, 61.13, -18.65

 

CMYK 0 / 51 / 19 / 24

HEX #C2609E

RGB 194 96 158

HSL 322.04, 0.45%, 0.57%

LAB 54.35, 46.78, -15.63

 

CMYK 0 / 35 / 13 / 31

HEX #B07299

RGB 176 114 153

HSL 322.26, 0.28%, 0.57%

LAB 55.65, 30.35, -10.97

 

CMYK 0 / 17 / 6 / 38

HEX #9E8395

RGB 158 131 149

HSL 320, 0.12%, 0.57%

LAB 57.72, 13.49, -5.77

 

CMYK 14 / 74 / 0 / 10

HEX #C63CE5

RGB 198 60 229

HSL 288.99, 0.76%, 0.57%

LAB 52.83, 75, -58.81

 

CMYK 0 / 74 / 6 / 10

HEX #E53CD7

RGB 229 60 215

HSL 304.97, 0.76%, 0.57%

LAB 56.88, 79, -44.16

 

CMYK 0 / 74 / 26 / 10

HEX #E53CAA

RGB 229 60 170

HSL 320.95, 0.76%, 0.57%

LAB 54.86, 72.94, -21.38

 

CMYK 0 / 74 / 45 / 10

HEX #E53C7D

RGB 229 60 125

HSL 336.92, 0.76%, 0.57%

LAB 53.35, 68.21, 3.03

 

CMYK 0 / 74 / 65 / 10

HEX #E53C50

RGB 229 60 80

HSL 352.9, 0.76%, 0.57%

LAB 52.36, 64.99, 28.62

 

CMYK 0 / 88 / 32 / 28

HEX #B8177E

RGB 184 23 126

HSL 321.61, 0.78%, 0.41%

LAB 41.7, 66.6, -15.8

 

CMYK 0 / 87 / 31 / 14

HEX #DC1C97

RGB 220 28 151

HSL 321.56, 0.77%, 0.49%

LAB 49.83, 76.37, -17.97

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA8

RGB 229 60 168

HSL 321.66, 0.76%, 0.57%

LAB 54.78, 72.7, -20.33

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B8

RGB 234 97 184

HSL 321.9, 0.77%, 0.65%

LAB 61.22, 62.13, -19.68

 

CMYK 0 / 44 / 16 / 6

HEX #EF85C9

RGB 239 133 201

HSL 321.51, 0.77%, 0.73%

LAB 69, 49.08, -17.4

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

CMYK 0 / 33 / 74 / 10

HEX #E5993C

RGB 229 153 60

HSL 33.02, 0.76%, 0.57%

LAB 69.3, 20.62, 58.05

 

CMYK 74 / 0 / 3 / 10

HEX #3CE5DD

RGB 60 229 221

HSL 177.16, 0.76%, 0.57%

LAB 83.03, -43.21, -8.33

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

CMYK 26 / 0 / 74 / 10

HEX #AAE53C

RGB 170 229 60

HSL 80.95, 0.76%, 0.57%

LAB 84.44, -42.04, 71.25

 

CMYK 74 / 26 / 0 / 10

HEX #3CAAE5

RGB 60 170 229

HSL 200.95, 0.76%, 0.57%

LAB 66.03, -11.73, -38.55

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

CMYK 0 / 33 / 74 / 10

HEX #E5993C

RGB 229 153 60

HSL 33.02, 0.76%, 0.57%

LAB 69.3, 20.62, 58.05

 

CMYK 74 / 0 / 48 / 10

HEX #3CE578

RGB 60 229 120

HSL 141.3, 0.76%, 0.57%

LAB 80.94, -65.44, 41.05

 

CMYK 74 / 41 / 0 / 10

HEX #3C88E5

RGB 60 136 229

HSL 213.02, 0.76%, 0.57%

LAB 56.31, 7.85, -53.89

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA8

RGB 230 59 168

HSL 321.75, 0.77%, 0.57%

LAB 54.84, 73.25, -20.22

 

CMYK 0 / 11 / 74 / 10

HEX #E5CC3C

RGB 229 204 60

HSL 51.12, 0.76%, 0.57%

LAB 81.93, -6.16, 70.35

 

CMYK 74 / 0 / 48 / 10

HEX #3CE578

RGB 60 229 120

HSL 141.3, 0.76%, 0.57%

LAB 80.94, -65.44, 41.05

 

CMYK 74 / 62 / 0 / 10

HEX #3C56E5

RGB 60 86 229

HSL 230.77, 0.76%, 0.57%

LAB 43.17, 39, -75.13

 

Description

Color code: RGB 230 59 168 | qconv.com Color code: RGB 230 59 168 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 59 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 59 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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