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Color name
RGB 230 80 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 80 105 it is the complementary color RGB 25 175 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 80 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 80 105 shade: RGB 235 80 100, RGB 252 98 119, RGB 255 116 138, RGB 255 134 157 and RGB 255 152 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 80 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 213 62 86, RGB 196 44 67, RGB 179 26 48 and RGB 162 8 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 80 105 shade: RGB 230 80 105 and RGB 230 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 230 80 146, RGB 230 80 186, RGB 230 80 226 and RGB 193 80 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 80 105 shade matches the following richer shades: RGB 230 80 105 and RGB 246 64 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 214 97 116, RGB 197 113 127, RGB 181 129 138 and RGB 165 145 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 80 105 shade: RGB 230 80 185, RGB 230 80 145, RGB 230 80 105, RGB 230 95 80 and RGB 230 135 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 80 105 shade: RGB 200 28 57, RGB 224 44 74, RGB 230 80 105, RGB 235 117 136 and RGB 240 153 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 225 230 80 and RGB 80 165 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 105 230 80 and RGB 80 105 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 225 230 80, RGB 80 230 205 and RGB 85 80 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 80 105 shade: RGB 230 80 105, RGB 180 230 80, RGB 80 230 205 and RGB 130 80 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

Complementary color

CMYK 86 / 0 / 14 / 31

HEX #19AF96

RGB 25 175 150

HSL 170, 0.75%, 0.39%

LAB 64.22, -42.36, 2.46

 

CMYK 0 / 66 / 57 / 8

HEX #EB5064

RGB 235 80 100

HSL 352.26, 0.79%, 0.62%

LAB 56.41, 60.81, 22.3

 

CMYK 0 / 61 / 53 / 1

HEX #FC6277

RGB 252 98 119

HSL 351.82, 0.96%, 0.69%

LAB 62.31, 60.21, 19.7

 

CMYK 0 / 55 / 46 / 0

HEX #FF748A

RGB 255 116 138

HSL 350.5, 1%, 0.73%

LAB 66.2, 54.81, 14.29

 

CMYK 0 / 47 / 38 / 0

HEX #FF869D

RGB 255 134 157

HSL 348.6, 1%, 0.76%

LAB 70, 48.12, 8.93

 

CMYK 0 / 40 / 31 / 0

HEX #FF98B0

RGB 255 152 176

HSL 346.02, 1%, 0.8%

LAB 74.09, 41.3, 4.25

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 71 / 60 / 16

HEX #D53E56

RGB 213 62 86

HSL 350.46, 0.64%, 0.54%

LAB 49.81, 59.91, 21.17

 

CMYK 0 / 78 / 66 / 23

HEX #C42C43

RGB 196 44 67

HSL 350.92, 0.63%, 0.47%

LAB 44.15, 59.71, 24.75

 

CMYK 0 / 85 / 73 / 30

HEX #B31A30

RGB 179 26 48

HSL 351.37, 0.75%, 0.4%

LAB 38.79, 58.71, 29.09

 

CMYK 0 / 95 / 82 / 36

HEX #A2081D

RGB 162 8 29

HSL 351.82, 0.91%, 0.33%

LAB 33.87, 56.51, 34.15

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 65 / 65 / 10

HEX #E65050

RGB 230 80 80

HSL 0, 0.75%, 0.61%

LAB 55.22, 57.95, 32.23

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 65 / 37 / 10

HEX #E65092

RGB 230 80 146

HSL 333.6, 0.75%, 0.61%

LAB 56.72, 63.39, -4.48

 

CMYK 0 / 65 / 19 / 10

HEX #E650BA

RGB 230 80 186

HSL 317.6, 0.75%, 0.61%

LAB 58.14, 68.3, -25.6

 

CMYK 0 / 65 / 2 / 10

HEX #E650E2

RGB 230 80 226

HSL 301.6, 0.75%, 0.61%

LAB 59.94, 74.24, -45.53

 

CMYK 16 / 65 / 0 / 10

HEX #C150E6

RGB 193 80 230

HSL 285.2, 0.75%, 0.61%

LAB 54.85, 66.6, -56.18

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 74 / 61 / 4

HEX #F6405F

RGB 246 64 95

HSL 349.78, 0.91%, 0.61%

LAB 56.17, 69.46, 25.29

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 55 / 46 / 16

HEX #D66174

RGB 214 97 116

HSL 350.26, 0.59%, 0.61%

LAB 56.19, 47.74, 12.08

 

CMYK 0 / 43 / 36 / 23

HEX #C5717F

RGB 197 113 127

HSL 350, 0.42%, 0.61%

LAB 57.28, 34.7, 6.86

 

CMYK 0 / 29 / 24 / 29

HEX #B5818A

RGB 181 129 138

HSL 349.62, 0.26%, 0.61%

LAB 59.31, 21.4, 3.16

 

CMYK 0 / 12 / 10 / 35

HEX #A59194

RGB 165 145 148

HSL 351, 0.1%, 0.61%

LAB 61.99, 7.97, 1.15

 

CMYK 0 / 65 / 20 / 10

HEX #E650B9

RGB 230 80 185

HSL 318, 0.75%, 0.61%

LAB 58.1, 68.16, -25.09

 

CMYK 0 / 65 / 37 / 10

HEX #E65091

RGB 230 80 145

HSL 334, 0.75%, 0.61%

LAB 56.69, 63.29, -3.94

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 59 / 65 / 10

HEX #E65F50

RGB 230 95 80

HSL 6, 0.75%, 0.61%

LAB 57.64, 51.48, 35.21

 

CMYK 0 / 41 / 65 / 10

HEX #E68750

RGB 230 135 80

HSL 22, 0.75%, 0.61%

LAB 65.54, 31.62, 44.59

 

CMYK 0 / 86 / 72 / 22

HEX #C81C39

RGB 200 28 57

HSL 349.88, 0.75%, 0.45%

LAB 43.37, 64.35, 30.07

 

CMYK 0 / 80 / 67 / 12

HEX #E02C4A

RGB 224 44 74

HSL 350, 0.74%, 0.53%

LAB 49.67, 67.93, 28.6

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 0 / 50 / 42 / 8

HEX #EB7588

RGB 235 117 136

HSL 350.34, 0.75%, 0.69%

LAB 63.48, 47.32, 11.18

 

CMYK 0 / 36 / 30 / 6

HEX #F099A7

RGB 240 153 167

HSL 350.34, 0.74%, 0.77%

LAB 72.29, 34.31, 6.4

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 2 / 0 / 65 / 10

HEX #E1E650

RGB 225 230 80

HSL 62, 0.75%, 0.61%

LAB 88.53, -19.77, 69.44

 

CMYK 65 / 28 / 0 / 10

HEX #50A5E6

RGB 80 165 230

HSL 206, 0.75%, 0.61%

LAB 65.22, -5.75, -40.32

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 54 / 0 / 65 / 10

HEX #69E650

RGB 105 230 80

HSL 110, 0.75%, 0.61%

LAB 81.93, -61.81, 60.47

 

CMYK 65 / 54 / 0 / 10

HEX #5069E6

RGB 80 105 230

HSL 230, 0.75%, 0.61%

LAB 48.91, 30.17, -66.31

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 2 / 0 / 65 / 10

HEX #E1E650

RGB 225 230 80

HSL 62, 0.75%, 0.61%

LAB 88.53, -19.77, 69.44

 

CMYK 65 / 0 / 11 / 10

HEX #50E6CD

RGB 80 230 205

HSL 170, 0.75%, 0.61%

LAB 83.29, -45.25, 0.56

 

CMYK 63 / 65 / 0 / 10

HEX #5550E6

RGB 85 80 230

HSL 242, 0.75%, 0.61%

LAB 43.33, 46.04, -75.38

 

CMYK 0 / 65 / 54 / 10

HEX #E65069

RGB 230 80 105

HSL 350, 0.75%, 0.61%

LAB 55.67, 59.61, 18.22

 

CMYK 22 / 0 / 65 / 10

HEX #B4E650

RGB 180 230 80

HSL 80, 0.75%, 0.61%

LAB 85.44, -37.51, 65.26

 

CMYK 65 / 0 / 11 / 10

HEX #50E6CD

RGB 80 230 205

HSL 170, 0.75%, 0.61%

LAB 83.29, -45.25, 0.56

 

CMYK 43 / 65 / 0 / 10

HEX #8250E6

RGB 130 80 230

HSL 260, 0.75%, 0.61%

LAB 47.23, 53.51, -68.86

 

Description

Color code: RGB 230 80 105 | qconv.com Color code: RGB 230 80 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 80 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 80 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 54% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - Folkin - Creative, S...
Link: http://html.iwthemes.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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