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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 83 18 it is the complementary color RGB 25 172 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 83 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 83 18 shade: RGB 235 83 13, RGB 252 101 32, RGB 255 119 51, RGB 255 137 70 and RGB 255 155 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 83 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 83 18 shade: RGB 230 83 18, RGB 213 65 0, RGB 196 47 0, RGB 179 29 0 and RGB 162 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 83 18 shade: RGB 231 83 18, RGB 231 26 18 and RGB 231 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 83 18 shade: RGB 231 83 18, RGB 231 141 18, RGB 231 198 18, RGB 206 231 18 and RGB 149 231 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 83 18 shade matches the following richer shades: RGB 231 83 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 83 18 shade: RGB 231 83 18, RGB 210 91 38, RGB 190 99 59, RGB 170 107 79 and RGB 150 115 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 83 18 shade: RGB 231 18 68, RGB 231 25 18, RGB 231 82 18, RGB 231 139 18 and RGB 231 195 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 83 18 shade: RGB 154 56 12, RGB 192 70 15, RGB 231 83 18, RGB 238 109 52 and RGB 241 137 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 83 18 shade: RGB 230 83 18, RGB 124 231 18 and RGB 18 39 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 83 18 shade: RGB 230 83 18, RGB 18 231 82 and RGB 82 18 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 83 18 shade: RGB 230 83 18, RGB 124 231 18, RGB 18 167 231 and RGB 124 18 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 83 18 shade: RGB 230 83 18, RGB 61 231 18, RGB 18 167 231 and RGB 188 18 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

Complementary color

CMYK 89 / 27 / 0 / 7

HEX #19ACED

RGB 25 172 237

HSL 198.4, 0.85%, 0.51%

LAB 66.39, -13.03, -42.42

 

CMYK 0 / 65 / 94 / 8

HEX #EB530D

RGB 235 83 13

HSL 18.92, 0.9%, 0.49%

LAB 55.97, 56.29, 63.56

 

CMYK 0 / 60 / 87 / 1

HEX #FC6520

RGB 252 101 32

HSL 18.82, 0.97%, 0.56%

LAB 61.75, 54.75, 63.38

 

CMYK 0 / 53 / 80 / 0

HEX #FF7733

RGB 255 119 51

HSL 20, 1%, 0.6%

LAB 65.51, 48.04, 59.37

 

CMYK 0 / 46 / 73 / 0

HEX #FF8946

RGB 255 137 70

HSL 21.73, 1%, 0.64%

LAB 69.18, 39.92, 54.47

 

CMYK 0 / 39 / 65 / 0

HEX #FF9B59

RGB 255 155 89

HSL 23.86, 1%, 0.67%

LAB 73.17, 31.71, 49.69

 

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

CMYK 0 / 69 / 100 / 16

HEX #D54100

RGB 213 65 0

HSL 18.31, 1%, 0.42%

LAB 49.41, 55.96, 60.77

 

CMYK 0 / 76 / 100 / 23

HEX #C42F00

RGB 196 47 0

HSL 14.39, 1%, 0.38%

LAB 43.9, 56.88, 56.37

 

CMYK 0 / 84 / 100 / 30

HEX #B31D00

RGB 179 29 0

HSL 9.72, 1%, 0.35%

LAB 38.66, 56.9, 52.13

 

CMYK 0 / 93 / 100 / 36

HEX #A20B00

RGB 162 11 0

HSL 4.07, 1%, 0.32%

LAB 33.82, 55.59, 47.76

 

CMYK 0 / 64 / 92 / 9

HEX #E75312

RGB 231 83 18

HSL 18.31, 0.86%, 0.49%

LAB 55.3, 54.97, 61.54

 

CMYK 0 / 89 / 92 / 9

HEX #E71A12

RGB 231 26 18

HSL 2.25, 0.86%, 0.49%

LAB 49.22, 71.84, 57.64

 

CMYK 0 / 92 / 92 / 9

HEX #E71212

RGB 231 18 18

HSL 0, 0.86%, 0.49%

LAB 48.84, 72.93, 57.41

 

CMYK 0 / 64 / 92 / 9

HEX #E75312

RGB 231 83 18

HSL 18.31, 0.86%, 0.49%

LAB 55.3, 54.97, 61.54

 

CMYK 0 / 39 / 92 / 9

HEX #E78D12

RGB 231 141 18

HSL 34.65, 0.86%, 0.49%

LAB 66.58, 26.65, 69.4

 

CMYK 0 / 14 / 92 / 9

HEX #E7C612

RGB 231 198 18

HSL 50.7, 0.86%, 0.49%

LAB 80.42, -3.37, 79.6

 

CMYK 11 / 0 / 92 / 9

HEX #CEE712

RGB 206 231 18

HSL 67.04, 0.86%, 0.49%

LAB 87.15, -30.15, 83.89

 

CMYK 35 / 0 / 92 / 9

HEX #95E712

RGB 149 231 18

HSL 83.1, 0.86%, 0.49%

LAB 83.75, -51.92, 79.74

 

CMYK 0 / 64 / 92 / 9

HEX #E75312

RGB 231 83 18

HSL 18.31, 0.86%, 0.49%

LAB 55.3, 54.97, 61.54

 

CMYK 0 / 64 / 92 / 9

HEX #E75312

RGB 231 83 18

HSL 18.31, 0.86%, 0.49%

LAB 55.3, 54.97, 61.54

 

CMYK 0 / 57 / 82 / 18

HEX #D25B26

RGB 210 91 38

HSL 18.49, 0.69%, 0.49%

LAB 53.3, 44.23, 51.2

 

CMYK 0 / 48 / 69 / 25

HEX #BE633B

RGB 190 99 59

HSL 18.32, 0.53%, 0.49%

LAB 52.05, 33.28, 38.61

 

CMYK 0 / 37 / 54 / 33

HEX #AA6B4F

RGB 170 107 79

HSL 18.46, 0.37%, 0.49%

LAB 51.41, 22.12, 26.11

 

CMYK 0 / 23 / 34 / 41

HEX #967363

RGB 150 115 99

HSL 18.82, 0.2%, 0.49%

LAB 51.43, 11.41, 14.15

 

CMYK 0 / 92 / 71 / 9

HEX #E71244

RGB 231 18 68

HSL 345.92, 0.86%, 0.49%

LAB 49.3, 74.22, 32.05

 

CMYK 0 / 89 / 92 / 9

HEX #E71912

RGB 231 25 18

HSL 1.97, 0.86%, 0.49%

LAB 49.16, 72, 57.61

 

CMYK 0 / 65 / 92 / 9

HEX #E75212

RGB 231 82 18

HSL 18.03, 0.86%, 0.49%

LAB 55.14, 55.39, 61.44

 

CMYK 0 / 40 / 92 / 9

HEX #E78B12

RGB 231 139 18

HSL 34.08, 0.86%, 0.49%

LAB 66.13, 27.71, 69.07

 

CMYK 0 / 16 / 92 / 9

HEX #E7C312

RGB 231 195 18

HSL 49.86, 0.86%, 0.49%

LAB 79.65, -1.83, 79.03

 

CMYK 0 / 64 / 92 / 40

HEX #9A380C

RGB 154 56 12

HSL 18.59, 0.86%, 0.33%

LAB 37.34, 39.11, 44.63

 

CMYK 0 / 64 / 92 / 25

HEX #C0460F

RGB 192 70 15

HSL 18.64, 0.86%, 0.41%

LAB 46.47, 46.81, 53.23

 

CMYK 0 / 64 / 92 / 9

HEX #E75312

RGB 231 83 18

HSL 18.31, 0.86%, 0.49%

LAB 55.3, 54.97, 61.54

 

CMYK 0 / 54 / 78 / 7

HEX #EE6D34

RGB 238 109 52

HSL 18.39, 0.85%, 0.57%

LAB 61.1, 46.53, 53.83

 

CMYK 0 / 43 / 63 / 5

HEX #F1895A

RGB 241 137 90

HSL 18.68, 0.84%, 0.65%

LAB 67.52, 35.56, 42.11

 

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

CMYK 46 / 0 / 92 / 9

HEX #7CE712

RGB 124 231 18

HSL 90.14, 0.86%, 0.49%

LAB 82.64, -60.08, 78.38

 

CMYK 92 / 83 / 0 / 9

HEX #1227E7

RGB 18 39 231

HSL 234.08, 0.86%, 0.49%

LAB 32.59, 63.14, -93.8

 

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

CMYK 92 / 0 / 65 / 9

HEX #12E752

RGB 18 231 82

HSL 138.03, 0.86%, 0.49%

LAB 80.68, -74.97, 57.83

 

CMYK 65 / 92 / 0 / 9

HEX #5212E7

RGB 82 18 231

HSL 258.03, 0.86%, 0.49%

LAB 33.97, 72.36, -91.4

 

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

CMYK 46 / 0 / 92 / 9

HEX #7CE712

RGB 124 231 18

HSL 90.14, 0.86%, 0.49%

LAB 82.64, -60.08, 78.38

 

CMYK 92 / 28 / 0 / 9

HEX #12A7E7

RGB 18 167 231

HSL 198.03, 0.86%, 0.49%

LAB 64.59, -12.75, -41.95

 

CMYK 46 / 92 / 0 / 9

HEX #7C12E7

RGB 124 18 231

HSL 269.86, 0.86%, 0.49%

LAB 38.7, 75.57, -83.42

 

CMYK 0 / 64 / 92 / 10

HEX #E65312

RGB 230 83 18

HSL 18.4, 0.85%, 0.49%

LAB 55.13, 54.63, 61.35

 

CMYK 74 / 0 / 92 / 9

HEX #3DE712

RGB 61 231 18

HSL 107.89, 0.86%, 0.49%

LAB 80.84, -74.7, 76.17

 

CMYK 92 / 28 / 0 / 9

HEX #12A7E7

RGB 18 167 231

HSL 198.03, 0.86%, 0.49%

LAB 64.59, -12.75, -41.95

 

CMYK 19 / 92 / 0 / 9

HEX #BC12E7

RGB 188 18 231

HSL 287.89, 0.86%, 0.49%

LAB 48.13, 83.27, -67.62

 

Description

Color code: RGB 230 83 18 | qconv.com Color code: RGB 230 83 18 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 83 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 83 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 92 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 92% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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