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Color name
RGB 231 119 53

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 119 53 it is the complementary color RGB 24 136 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 119 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 119 53 shade: RGB 236 119 48, RGB 253 137 67, RGB 255 155 86, RGB 255 173 105 and RGB 255 191 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 119 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 119 53 shade: RGB 231 119 53, RGB 214 101 34, RGB 197 83 15, RGB 180 65 0 and RGB 163 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 119 53 shade: RGB 231 119 54, RGB 231 72 54 and RGB 231 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 119 53 shade: RGB 231 119 54, RGB 231 167 54, RGB 231 215 54, RGB 199 231 54 and RGB 151 231 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 119 53 shade matches the following richer shades: RGB 231 119 54 and RGB 249 115 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 119 53 shade: RGB 231 119 54, RGB 213 124 72, RGB 195 129 90, RGB 176 133 108 and RGB 158 138 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 119 53 shade: RGB 231 54 83, RGB 231 71 54, RGB 231 119 54, RGB 231 166 54 and RGB 231 213 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 119 53 shade: RGB 181 80 21, RGB 218 97 25, RGB 231 119 54, RGB 235 144 91 and RGB 240 169 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 119 53 shade: RGB 231 119 53, RGB 130 231 54 and RGB 54 60 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 119 53 shade: RGB 231 119 53, RGB 54 231 119 and RGB 119 54 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 119 53 shade: RGB 231 119 53, RGB 130 231 54, RGB 54 166 231 and RGB 154 54 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 119 53 shade: RGB 231 119 53, RGB 77 231 54, RGB 54 166 231 and RGB 207 54 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

Complementary color

CMYK 88 / 33 / 0 / 21

HEX #1888CA

RGB 24 136 202

HSL 202.25, 0.79%, 0.44%

LAB 54.1, -5.54, -42.28

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 0 / 46 / 74 / 1

HEX #FD8943

RGB 253 137 67

HSL 22.58, 0.98%, 0.63%

LAB 68.88, 39.01, 55.48

 

CMYK 0 / 39 / 66 / 0

HEX #FF9B56

RGB 255 155 86

HSL 24.5, 1%, 0.67%

LAB 73.14, 31.53, 51.13

 

CMYK 0 / 32 / 59 / 0

HEX #FFAD69

RGB 255 173 105

HSL 27.2, 1%, 0.71%

LAB 77.38, 23.38, 46.67

 

CMYK 0 / 25 / 51 / 0

HEX #FFBF7C

RGB 255 191 124

HSL 30.69, 1%, 0.74%

LAB 81.83, 15.46, 42.55

 

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

CMYK 0 / 53 / 84 / 16

HEX #D66522

RGB 214 101 34

HSL 22.33, 0.73%, 0.49%

LAB 55.81, 40.75, 55.33

 

CMYK 0 / 58 / 92 / 23

HEX #C5530F

RGB 197 83 15

HSL 22.42, 0.86%, 0.42%

LAB 49.61, 42.64, 55.8

 

CMYK 0 / 64 / 100 / 29

HEX #B44100

RGB 180 65 0

HSL 21.67, 1%, 0.35%

LAB 43.48, 44.49, 54.5

 

CMYK 0 / 71 / 100 / 36

HEX #A32F00

RGB 163 47 0

HSL 17.3, 1%, 0.32%

LAB 37.52, 46.1, 49.76

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 69 / 77 / 9

HEX #E74836

RGB 231 72 54

HSL 6.1, 0.79%, 0.56%

LAB 53.91, 60.22, 45.19

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 28 / 77 / 9

HEX #E7A736

RGB 231 167 54

HSL 38.31, 0.79%, 0.56%

LAB 72.82, 13.77, 63.95

 

CMYK 0 / 7 / 77 / 9

HEX #E7D736

RGB 231 215 54

HSL 54.58, 0.79%, 0.56%

LAB 84.92, -11.11, 75.15

 

CMYK 14 / 0 / 77 / 9

HEX #C7E736

RGB 199 231 54

HSL 70.85, 0.79%, 0.56%

LAB 86.78, -32.01, 75.94

 

CMYK 35 / 0 / 77 / 9

HEX #97E736

RGB 151 231 54

HSL 87.12, 0.79%, 0.56%

LAB 83.96, -50.03, 72.31

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 54 / 86 / 2

HEX #F97324

RGB 249 115 36

HSL 22.25, 0.95%, 0.56%

LAB 63.78, 47.31, 63.4

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 42 / 66 / 16

HEX #D57C48

RGB 213 124 72

HSL 22.13, 0.63%, 0.56%

LAB 60.81, 30.09, 42.66

 

CMYK 0 / 34 / 54 / 24

HEX #C3815A

RGB 195 129 90

HSL 22.29, 0.47%, 0.56%

LAB 59.93, 21.3, 31.45

 

CMYK 0 / 24 / 39 / 31

HEX #B0856C

RGB 176 133 108

HSL 22.06, 0.3%, 0.56%

LAB 59.06, 13.09, 19.87

 

CMYK 0 / 13 / 20 / 38

HEX #9E8A7E

RGB 158 138 126

HSL 22.5, 0.14%, 0.56%

LAB 58.93, 5.53, 9.19

 

CMYK 0 / 77 / 64 / 9

HEX #E73653

RGB 231 54 83

HSL 350.17, 0.79%, 0.56%

LAB 52.12, 67.59, 26.61

 

CMYK 0 / 69 / 77 / 9

HEX #E74736

RGB 231 71 54

HSL 5.76, 0.79%, 0.56%

LAB 53.77, 60.59, 45.05

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 28 / 77 / 9

HEX #E7A636

RGB 231 166 54

HSL 37.97, 0.79%, 0.56%

LAB 72.58, 14.3, 63.73

 

CMYK 0 / 8 / 77 / 9

HEX #E7D536

RGB 231 213 54

HSL 53.9, 0.79%, 0.56%

LAB 84.4, -10.1, 74.68

 

CMYK 0 / 56 / 88 / 29

HEX #B55015

RGB 181 80 21

HSL 22.13, 0.79%, 0.4%

LAB 46.47, 38.03, 50.4

 

CMYK 0 / 56 / 89 / 15

HEX #DA6119

RGB 218 97 25

HSL 22.38, 0.79%, 0.48%

LAB 55.61, 44.05, 58.67

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 39 / 61 / 8

HEX #EB905B

RGB 235 144 91

HSL 22.08, 0.78%, 0.64%

LAB 68.29, 29.6, 42.33

 

CMYK 0 / 30 / 47 / 6

HEX #F0A980

RGB 240 169 128

HSL 21.96, 0.79%, 0.72%

LAB 75.11, 21.43, 31.55

 

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

CMYK 44 / 0 / 77 / 9

HEX #82E736

RGB 130 231 54

HSL 94.24, 0.79%, 0.56%

LAB 83, -56.94, 71.05

 

CMYK 77 / 74 / 0 / 9

HEX #363CE7

RGB 54 60 231

HSL 237.97, 0.79%, 0.56%

LAB 37.45, 54.37, -85.69

 

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

CMYK 77 / 0 / 48 / 9

HEX #36E777

RGB 54 231 119

HSL 142.03, 0.79%, 0.56%

LAB 81.44, -67.06, 42.14

 

CMYK 48 / 77 / 0 / 9

HEX #7736E7

RGB 119 54 231

HSL 262.03, 0.79%, 0.56%

LAB 41.74, 64.29, -78.45

 

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

CMYK 44 / 0 / 77 / 9

HEX #82E736

RGB 130 231 54

HSL 94.24, 0.79%, 0.56%

LAB 83, -56.94, 71.05

 

CMYK 77 / 28 / 0 / 9

HEX #36A6E7

RGB 54 166 231

HSL 202.03, 0.79%, 0.56%

LAB 64.82, -9.54, -41.55

 

CMYK 33 / 77 / 0 / 9

HEX #9A36E7

RGB 154 54 231

HSL 273.9, 0.79%, 0.56%

LAB 46.01, 69.58, -71.28

 

CMYK 0 / 48 / 77 / 9

HEX #E77735

RGB 231 119 53

HSL 22.25, 0.79%, 0.56%

LAB 62.03, 38.96, 53.94

 

CMYK 67 / 0 / 77 / 9

HEX #4DE736

RGB 77 231 54

HSL 112.2, 0.79%, 0.56%

LAB 81.29, -70.42, 68.82

 

CMYK 77 / 28 / 0 / 9

HEX #36A6E7

RGB 54 166 231

HSL 202.03, 0.79%, 0.56%

LAB 64.82, -9.54, -41.55

 

CMYK 10 / 77 / 0 / 9

HEX #CF36E7

RGB 207 54 231

HSL 291.86, 0.79%, 0.56%

LAB 53.68, 78.91, -58.51

 

Description

Color code: RGB 231 119 53 | qconv.com Color code: RGB 231 119 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 119 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 119 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 77% 9% C M Y K

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Provide designers and agencies with accurate color values.

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