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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 123 119 it is the complementary color RGB 24 132 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 123 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 123 119 shade: RGB 236 123 114, RGB 253 141 133, RGB 255 159 152, RGB 255 177 171 and RGB 255 195 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 123 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 123 119 shade: RGB 231 123 119, RGB 214 105 100, RGB 197 87 81, RGB 180 69 62 and RGB 163 51 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 123 119 shade: RGB 231 124 120 and RGB 231 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 123 119 shade: RGB 231 124 120, RGB 231 154 120, RGB 231 184 120, RGB 231 214 120 and RGB 218 231 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 123 119 shade matches the following richer shades: RGB 231 124 120 and RGB 244 112 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 123 119 shade: RGB 231 124 120, RGB 218 136 133, RGB 205 148 146, RGB 192 160 158 and RGB 180 172 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 123 119 shade: RGB 231 120 175, RGB 231 120 146, RGB 231 124 120, RGB 231 153 120 and RGB 231 183 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 123 119 shade: RGB 218 56 50, RGB 225 90 85, RGB 231 124 120, RGB 237 158 155 and RGB 243 192 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 123 119 shade: RGB 231 123 119, RGB 205 231 120 and RGB 120 161 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 123 119 shade: RGB 231 123 119, RGB 120 231 124 and RGB 124 120 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 123 119 shade: RGB 231 123 119, RGB 205 231 120, RGB 120 227 231 and RGB 146 120 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 123 119 shade: RGB 231 123 119, RGB 172 231 120, RGB 120 227 231 and RGB 179 120 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

Complementary color

CMYK 82 / 3 / 0 / 47

HEX #188488

RGB 24 132 136

HSL 182.14, 0.7%, 0.31%

LAB 50.07, -26.68, -10.44

 

CMYK 0 / 48 / 52 / 7

HEX #EC7B72

RGB 236 123 114

HSL 4.43, 0.76%, 0.69%

LAB 64.33, 42.6, 24.87

 

CMYK 0 / 44 / 47 / 1

HEX #FD8D85

RGB 253 141 133

HSL 4, 0.97%, 0.76%

LAB 70.61, 41.47, 23.12

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F98

RGB 255 159 152

HSL 4.08, 1%, 0.8%

LAB 75.03, 34.89, 18.77

 

CMYK 0 / 31 / 33 / 0

HEX #FFB1AB

RGB 255 177 171

HSL 4.29, 1%, 0.84%

LAB 79.41, 27.7, 14.56

 

CMYK 0 / 24 / 25 / 0

HEX #FFC3BE

RGB 255 195 190

HSL 4.62, 1%, 0.87%

LAB 83.97, 20.73, 10.82

 

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

CMYK 0 / 51 / 53 / 16

HEX #D66964

RGB 214 105 100

HSL 2.63, 0.58%, 0.62%

LAB 57.39, 42.35, 23.02

 

CMYK 0 / 56 / 59 / 23

HEX #C55751

RGB 197 87 81

HSL 3.1, 0.5%, 0.55%

LAB 51.01, 43.52, 25.2

 

CMYK 0 / 62 / 66 / 29

HEX #B4453E

RGB 180 69 62

HSL 3.56, 0.49%, 0.47%

LAB 44.67, 44.64, 27.79

 

CMYK 0 / 69 / 74 / 36

HEX #A3332B

RGB 163 51 43

HSL 4, 0.58%, 0.4%

LAB 38.43, 45.59, 30.87

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 48 / 48 / 9

HEX #E77878

RGB 231 120 120

HSL 0, 0.7%, 0.69%

LAB 63.16, 42.82, 19.78

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 33 / 48 / 9

HEX #E79A78

RGB 231 154 120

HSL 18.38, 0.7%, 0.69%

LAB 70.49, 25.08, 29.59

 

CMYK 0 / 20 / 48 / 9

HEX #E7B878

RGB 231 184 120

HSL 34.59, 0.7%, 0.69%

LAB 77.65, 9.12, 38.83

 

CMYK 0 / 7 / 48 / 9

HEX #E7D678

RGB 231 214 120

HSL 50.81, 0.7%, 0.69%

LAB 85.22, -6.44, 48.23

 

CMYK 6 / 0 / 48 / 9

HEX #DAE778

RGB 218 231 120

HSL 67.03, 0.7%, 0.69%

LAB 88.64, -20.05, 52.14

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 54 / 56 / 4

HEX #F4706B

RGB 244 112 107

HSL 2.19, 0.86%, 0.69%

LAB 63.25, 50.29, 27.58

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 38 / 39 / 15

HEX #DA8885

RGB 218 136 133

HSL 2.12, 0.53%, 0.69%

LAB 65.13, 31.01, 14.88

 

CMYK 0 / 28 / 29 / 20

HEX #CD9492

RGB 205 148 146

HSL 2.03, 0.37%, 0.69%

LAB 66.7, 21.19, 9.57

 

CMYK 0 / 17 / 18 / 25

HEX #C0A09E

RGB 192 160 158

HSL 3.53, 0.21%, 0.69%

LAB 68.62, 11.46, 5.45

 

CMYK 0 / 4 / 5 / 29

HEX #B4ACAB

RGB 180 172 171

HSL 6.67, 0.06%, 0.69%

LAB 70.97, 2.68, 1.53

 

CMYK 0 / 48 / 24 / 9

HEX #E778AF

RGB 231 120 175

HSL 330.27, 0.7%, 0.69%

LAB 64.58, 49.22, -9.53

 

CMYK 0 / 48 / 37 / 9

HEX #E77892

RGB 231 120 146

HSL 345.95, 0.7%, 0.69%

LAB 63.75, 45.54, 5.79

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 34 / 48 / 9

HEX #E79978

RGB 231 153 120

HSL 17.84, 0.7%, 0.69%

LAB 70.27, 25.61, 29.29

 

CMYK 0 / 21 / 48 / 9

HEX #E7B778

RGB 231 183 120

HSL 34.05, 0.7%, 0.69%

LAB 77.41, 9.65, 38.52

 

CMYK 0 / 74 / 77 / 15

HEX #DA3832

RGB 218 56 50

HSL 2.14, 0.69%, 0.53%

LAB 49.45, 61.69, 41.92

 

CMYK 0 / 60 / 62 / 12

HEX #E15A55

RGB 225 90 85

HSL 2.14, 0.7%, 0.61%

LAB 56.06, 52.3, 30.24

 

CMYK 0 / 46 / 48 / 9

HEX #E77C78

RGB 231 124 120

HSL 2.16, 0.7%, 0.69%

LAB 63.97, 40.79, 20.88

 

CMYK 0 / 33 / 35 / 7

HEX #ED9E9B

RGB 237 158 155

HSL 2.2, 0.69%, 0.77%

LAB 72.78, 29.06, 13.67

 

CMYK 0 / 21 / 22 / 5

HEX #F3C0BE

RGB 243 192 190

HSL 2.26, 0.69%, 0.85%

LAB 82.09, 17.94, 7.98

 

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

CMYK 11 / 0 / 48 / 9

HEX #CDE778

RGB 205 231 120

HSL 74.05, 0.7%, 0.69%

LAB 87.72, -25.07, 50.81

 

CMYK 48 / 30 / 0 / 9

HEX #78A1E7

RGB 120 161 231

HSL 217.84, 0.7%, 0.69%

LAB 65.94, 4.88, -39.61

 

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

CMYK 48 / 0 / 46 / 9

HEX #78E77C

RGB 120 231 124

HSL 122.16, 0.7%, 0.69%

LAB 83.23, -53.15, 42.34

 

CMYK 46 / 48 / 0 / 9

HEX #7C78E7

RGB 124 120 231

HSL 242.16, 0.7%, 0.69%

LAB 55.57, 29.85, -56

 

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

CMYK 11 / 0 / 48 / 9

HEX #CDE778

RGB 205 231 120

HSL 74.05, 0.7%, 0.69%

LAB 87.72, -25.07, 50.81

 

CMYK 48 / 2 / 0 / 9

HEX #78E3E7

RGB 120 227 231

HSL 182.16, 0.7%, 0.69%

LAB 84.33, -29.8, -11.51

 

CMYK 37 / 48 / 0 / 9

HEX #9278E7

RGB 146 120 231

HSL 254.05, 0.7%, 0.69%

LAB 57.38, 35.11, -53.01

 

CMYK 0 / 47 / 48 / 9

HEX #E77B77

RGB 231 123 119

HSL 2.14, 0.7%, 0.69%

LAB 63.74, 41.21, 21.14

 

CMYK 26 / 0 / 48 / 9

HEX #ACE778

RGB 172 231 120

HSL 91.89, 0.7%, 0.69%

LAB 85.64, -37.26, 47.8

 

CMYK 48 / 2 / 0 / 9

HEX #78E3E7

RGB 120 227 231

HSL 182.16, 0.7%, 0.69%

LAB 84.33, -29.8, -11.51

 

CMYK 23 / 48 / 0 / 9

HEX #B378E7

RGB 179 120 231

HSL 271.89, 0.7%, 0.69%

LAB 60.59, 43.71, -47.71

 

Description

Color code: RGB 231 123 119 | qconv.com Color code: RGB 231 123 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 123 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 123 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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