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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 131 180 it is the complementary color RGB 24 124 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 131 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 131 180 shade: RGB 236 131 175, RGB 253 149 194, RGB 255 167 213, RGB 255 185 232 and RGB 255 203 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 131 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 131 180 shade: RGB 231 131 180, RGB 214 113 161, RGB 197 95 142, RGB 180 77 123 and RGB 163 59 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 131 180 shade: RGB 231 130 180, RGB 231 130 152 and RGB 231 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 131 180 shade: RGB 231 130 180, RGB 231 130 207, RGB 228 130 231, RGB 201 130 231 and RGB 174 130 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 131 180 shade matches the following richer shades: RGB 231 130 180 and RGB 243 118 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 131 180 shade: RGB 231 130 180, RGB 219 142 180, RGB 207 154 180, RGB 195 166 180 and RGB 183 178 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 131 180 shade: RGB 227 130 231, RGB 231 130 207, RGB 231 130 181, RGB 231 130 154 and RGB 231 134 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 131 180 shade: RGB 218 61 138, RGB 224 96 159, RGB 231 130 180, RGB 237 165 200 and RGB 244 200 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 131 180 shade: RGB 231 131 180, RGB 231 201 130 and RGB 130 221 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 131 180 shade: RGB 231 131 180, RGB 181 231 130 and RGB 130 181 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 131 180 shade: RGB 231 131 180, RGB 231 201 130, RGB 130 231 181 and RGB 130 160 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 131 180 shade: RGB 231 131 180, RGB 231 231 130, RGB 130 231 181 and RGB 130 130 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

Complementary color

CMYK 81 / 0 / 40 / 51

HEX #187C4B

RGB 24 124 75

HSL 150.6, 0.68%, 0.29%

LAB 45.79, -39.7, 19.07

 

CMYK 0 / 44 / 26 / 7

HEX #EC83AF

RGB 236 131 175

HSL 334.86, 0.73%, 0.72%

LAB 67.4, 45.35, -5.27

 

CMYK 0 / 41 / 23 / 1

HEX #FD95C2

RGB 253 149 194

HSL 334.04, 0.96%, 0.79%

LAB 73.72, 44.54, -6.27

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D5

RGB 255 167 213

HSL 328.64, 1%, 0.83%

LAB 78.29, 38.73, -9.87

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E8

RGB 255 185 232

HSL 319.71, 1%, 0.86%

LAB 82.8, 32.36, -13.39

 

CMYK 0 / 20 / 2 / 0

HEX #FFCBFB

RGB 255 203 251

HSL 304.62, 1%, 0.9%

LAB 87.45, 26.18, -16.52

 

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

CMYK 0 / 47 / 25 / 16

HEX #D671A1

RGB 214 113 161

HSL 331.49, 0.55%, 0.64%

LAB 60.5, 45.18, -7.85

 

CMYK 0 / 52 / 28 / 23

HEX #C55F8E

RGB 197 95 142

HSL 332.35, 0.47%, 0.57%

LAB 54.04, 45.96, -6.66

 

CMYK 0 / 57 / 32 / 29

HEX #B44D7B

RGB 180 77 123

HSL 333.2, 0.41%, 0.5%

LAB 47.55, 46.66, -5.23

 

CMYK 0 / 64 / 36 / 36

HEX #A33B68

RGB 163 59 104

HSL 334.04, 0.47%, 0.44%

LAB 41.08, 47.18, -3.45

 

CMYK 0 / 44 / 22 / 9

HEX #E782B4

RGB 231 130 180

HSL 330.3, 0.68%, 0.71%

LAB 66.71, 44.89, -9.17

 

CMYK 0 / 44 / 34 / 9

HEX #E78298

RGB 231 130 152

HSL 346.93, 0.68%, 0.71%

LAB 65.92, 41.17, 5.49

 

CMYK 0 / 44 / 44 / 9

HEX #E78282

RGB 231 130 130

HSL 0, 0.68%, 0.71%

LAB 65.41, 38.7, 17.21

 

CMYK 0 / 44 / 22 / 9

HEX #E782B4

RGB 231 130 180

HSL 330.3, 0.68%, 0.71%

LAB 66.71, 44.89, -9.17

 

CMYK 0 / 44 / 10 / 9

HEX #E782CF

RGB 231 130 207

HSL 314.26, 0.68%, 0.71%

LAB 67.62, 49.03, -22.93

 

CMYK 1 / 44 / 0 / 9

HEX #E482E7

RGB 228 130 231

HSL 298.22, 0.68%, 0.71%

LAB 68.19, 52.26, -35.4

 

CMYK 13 / 44 / 0 / 9

HEX #C982E7

RGB 201 130 231

HSL 282.18, 0.68%, 0.71%

LAB 65.08, 44.47, -40.48

 

CMYK 25 / 44 / 0 / 9

HEX #AE82E7

RGB 174 130 231

HSL 266.14, 0.68%, 0.71%

LAB 62.28, 36.84, -45.07

 

CMYK 0 / 44 / 22 / 9

HEX #E782B4

RGB 231 130 180

HSL 330.3, 0.68%, 0.71%

LAB 66.71, 44.89, -9.17

 

CMYK 0 / 51 / 26 / 5

HEX #F376B3

RGB 243 118 179

HSL 330.72, 0.84%, 0.71%

LAB 65.96, 54.57, -9.56

 

CMYK 0 / 44 / 22 / 9

HEX #E782B4

RGB 231 130 180

HSL 330.3, 0.68%, 0.71%

LAB 66.71, 44.89, -9.17

 

CMYK 0 / 35 / 18 / 14

HEX #DB8EB4

RGB 219 142 180

HSL 330.39, 0.52%, 0.71%

LAB 67.8, 34.53, -7.7

 

CMYK 0 / 26 / 13 / 19

HEX #CF9AB4

RGB 207 154 180

HSL 330.57, 0.36%, 0.71%

LAB 69.24, 23.82, -5.72

 

CMYK 0 / 15 / 8 / 24

HEX #C3A6B4

RGB 195 166 180

HSL 331.03, 0.19%, 0.71%

LAB 70.99, 12.95, -3.27

 

CMYK 0 / 3 / 1 / 28

HEX #B7B2B5

RGB 183 178 181

HSL 324, 0.03%, 0.71%

LAB 73.05, 2.32, -0.91

 

CMYK 2 / 44 / 0 / 9

HEX #E382E7

RGB 227 130 231

HSL 297.62, 0.68%, 0.71%

LAB 68.07, 51.97, -35.6

 

CMYK 0 / 44 / 10 / 9

HEX #E782CF

RGB 231 130 207

HSL 314.26, 0.68%, 0.71%

LAB 67.62, 49.03, -22.93

 

CMYK 0 / 44 / 22 / 9

HEX #E782B5

RGB 231 130 181

HSL 329.7, 0.68%, 0.71%

LAB 66.74, 45.03, -9.69

 

CMYK 0 / 44 / 33 / 9

HEX #E7829A

RGB 231 130 154

HSL 345.74, 0.68%, 0.71%

LAB 65.97, 41.42, 4.43

 

CMYK 0 / 42 / 44 / 9

HEX #E78682

RGB 231 134 130

HSL 2.38, 0.68%, 0.71%

LAB 66.25, 36.63, 18.37

 

CMYK 0 / 72 / 37 / 15

HEX #DA3D8A

RGB 218 61 138

HSL 330.57, 0.68%, 0.55%

LAB 51.93, 66.18, -7.07

 

CMYK 0 / 57 / 29 / 12

HEX #E0609F

RGB 224 96 159

HSL 330.47, 0.67%, 0.63%

LAB 58.71, 56.32, -9.21

 

CMYK 0 / 44 / 22 / 9

HEX #E782B4

RGB 231 130 180

HSL 330.3, 0.68%, 0.71%

LAB 66.71, 44.89, -9.17

 

CMYK 0 / 30 / 16 / 7

HEX #EDA5C8

RGB 237 165 200

HSL 330.83, 0.67%, 0.79%

LAB 75.5, 31.64, -7.13

 

CMYK 0 / 18 / 9 / 4

HEX #F4C8DD

RGB 244 200 221

HSL 331.36, 0.67%, 0.87%

LAB 84.87, 18.9, -4.54

 

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

CMYK 0 / 13 / 44 / 9

HEX #E7C982

RGB 231 201 130

HSL 42.18, 0.68%, 0.71%

LAB 82.04, 1.19, 39.3

 

CMYK 44 / 4 / 0 / 9

HEX #82DDE7

RGB 130 221 231

HSL 185.94, 0.68%, 0.71%

LAB 83.03, -24.63, -13.41

 

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

CMYK 22 / 0 / 44 / 9

HEX #B5E782

RGB 181 231 130

HSL 89.7, 0.68%, 0.71%

LAB 86.3, -32.9, 43.91

 

CMYK 44 / 22 / 0 / 9

HEX #82B5E7

RGB 130 181 231

HSL 209.7, 0.68%, 0.71%

LAB 71.94, -3.86, -30.27

 

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

CMYK 0 / 13 / 44 / 9

HEX #E7C982

RGB 231 201 130

HSL 42.18, 0.68%, 0.71%

LAB 82.04, 1.19, 39.3

 

CMYK 44 / 0 / 22 / 9

HEX #82E7B5

RGB 130 231 181

HSL 150.3, 0.68%, 0.71%

LAB 84.6, -40.73, 15.27

 

CMYK 44 / 31 / 0 / 9

HEX #82A0E7

RGB 130 160 231

HSL 222.18, 0.68%, 0.71%

LAB 66.26, 7.88, -39.08

 

CMYK 0 / 43 / 22 / 9

HEX #E783B4

RGB 231 131 180

HSL 330.6, 0.68%, 0.71%

LAB 66.91, 44.38, -8.87

 

CMYK 0 / 0 / 44 / 9

HEX #E7E782

RGB 231 231 130

HSL 60, 0.68%, 0.71%

LAB 89.74, -14.02, 48.95

 

CMYK 44 / 0 / 22 / 9

HEX #82E7B5

RGB 130 231 181

HSL 150.3, 0.68%, 0.71%

LAB 84.6, -40.73, 15.27

 

CMYK 44 / 44 / 0 / 9

HEX #8282E7

RGB 130 130 231

HSL 240, 0.68%, 0.71%

LAB 58.49, 25.35, -51.32

 

Description

Color code: RGB 231 131 180 | qconv.com Color code: RGB 231 131 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 131 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 131 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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