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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 186 115 it is the complementary color RGB 24 69 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 186 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 186 115 shade: RGB 236 186 110, RGB 253 204 129, RGB 255 222 148, RGB 255 240 167 and RGB 255 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 186 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 214 168 96, RGB 197 150 77, RGB 180 132 58 and RGB 163 114 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 231 155 115, RGB 231 123 115 and RGB 231 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 231 217 115, RGB 213 231 115, RGB 182 231 115 and RGB 151 231 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 186 115 shade matches the following richer shades: RGB 231 186 115 and RGB 244 189 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 218 183 128, RGB 204 180 141, RGB 191 177 155 and RGB 178 174 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 186 115 shade: RGB 231 123 115, RGB 231 154 115, RGB 231 184 115, RGB 231 215 115 and RGB 215 231 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 186 115 shade: RGB 219 151 44, RGB 225 169 80, RGB 231 186 115, RGB 237 203 150 and RGB 243 221 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 138 231 115 and RGB 138 115 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 115 231 184 and RGB 184 115 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 138 231 115, RGB 115 161 231 and RGB 208 115 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 186 115 shade: RGB 231 186 115, RGB 115 231 127, RGB 115 161 231 and RGB 231 115 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

Complementary color

CMYK 83 / 51 / 0 / 45

HEX #18458C

RGB 24 69 140

HSL 216.72, 0.71%, 0.32%

LAB 30.26, 12.52, -43.76

 

CMYK 0 / 21 / 53 / 7

HEX #ECBA6E

RGB 236 186 110

HSL 36.19, 0.77%, 0.68%

LAB 78.51, 9.21, 45.06

 

CMYK 0 / 19 / 49 / 1

HEX #FDCC81

RGB 253 204 129

HSL 36.29, 0.97%, 0.75%

LAB 84.82, 8.34, 43.74

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE94

RGB 255 222 148

HSL 41.5, 1%, 0.79%

LAB 89.69, 1.71, 40.45

 

CMYK 0 / 6 / 35 / 0

HEX #FFF0A7

RGB 255 240 167

HSL 49.77, 1%, 0.83%

LAB 94.47, -5.31, 37.15

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 21 / 55 / 16

HEX #D6A860

RGB 214 168 96

HSL 36.61, 0.59%, 0.61%

LAB 71.65, 8.52, 43.26

 

CMYK 0 / 24 / 61 / 23

HEX #C5964D

RGB 197 150 77

HSL 36.5, 0.51%, 0.54%

LAB 65.14, 9.58, 44.62

 

CMYK 0 / 27 / 68 / 29

HEX #B4843A

RGB 180 132 58

HSL 36.39, 0.51%, 0.47%

LAB 58.52, 10.84, 45.94

 

CMYK 0 / 30 / 76 / 36

HEX #A37227

RGB 163 114 39

HSL 36.29, 0.61%, 0.4%

LAB 51.8, 12.35, 47.03

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 33 / 50 / 9

HEX #E79B73

RGB 231 155 115

HSL 20.69, 0.71%, 0.68%

LAB 70.64, 24.08, 32.48

 

CMYK 0 / 47 / 50 / 9

HEX #E77B73

RGB 231 123 115

HSL 4.14, 0.71%, 0.68%

LAB 63.67, 40.84, 23.29

 

CMYK 0 / 50 / 50 / 9

HEX #E77373

RGB 231 115 115

HSL 0, 0.71%, 0.68%

LAB 62.07, 44.86, 21.14

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 6 / 50 / 9

HEX #E7D973

RGB 231 217 115

HSL 52.76, 0.71%, 0.68%

LAB 85.93, -8.4, 51.49

 

CMYK 8 / 0 / 50 / 9

HEX #D5E773

RGB 213 231 115

HSL 69.31, 0.71%, 0.68%

LAB 88.23, -22.46, 53.89

 

CMYK 21 / 0 / 50 / 9

HEX #B6E773

RGB 182 231 115

HSL 85.34, 0.71%, 0.68%

LAB 86.17, -34.2, 50.94

 

CMYK 35 / 0 / 50 / 9

HEX #97E773

RGB 151 231 115

HSL 101.38, 0.71%, 0.68%

LAB 84.47, -45, 48.48

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 23 / 58 / 4

HEX #F4BD66

RGB 244 189 102

HSL 36.76, 0.87%, 0.68%

LAB 79.95, 10.3, 50.91

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 16 / 41 / 15

HEX #DAB780

RGB 218 183 128

HSL 36.67, 0.55%, 0.68%

LAB 76.27, 5.21, 32.64

 

CMYK 0 / 12 / 31 / 20

HEX #CCB48D

RGB 204 180 141

HSL 37.14, 0.38%, 0.68%

LAB 74.45, 2.79, 23.08

 

CMYK 0 / 7 / 19 / 25

HEX #BFB19B

RGB 191 177 155

HSL 36.67, 0.22%, 0.68%

LAB 72.82, 1.37, 13.07

 

CMYK 0 / 2 / 6 / 30

HEX #B2AEA8

RGB 178 174 168

HSL 36, 0.06%, 0.68%

LAB 71.26, 0.33, 3.57

 

CMYK 0 / 47 / 50 / 9

HEX #E77B73

RGB 231 123 115

HSL 4.14, 0.71%, 0.68%

LAB 63.67, 40.84, 23.29

 

CMYK 0 / 33 / 50 / 9

HEX #E79A73

RGB 231 154 115

HSL 20.17, 0.71%, 0.68%

LAB 70.41, 24.61, 32.18

 

CMYK 0 / 20 / 50 / 9

HEX #E7B873

RGB 231 184 115

HSL 35.69, 0.71%, 0.68%

LAB 77.58, 8.66, 41.3

 

CMYK 0 / 7 / 50 / 9

HEX #E7D773

RGB 231 215 115

HSL 51.72, 0.71%, 0.68%

LAB 85.42, -7.39, 50.88

 

CMYK 7 / 0 / 50 / 9

HEX #D7E773

RGB 215 231 115

HSL 68.28, 0.71%, 0.68%

LAB 88.37, -21.68, 54.09

 

CMYK 0 / 31 / 80 / 14

HEX #DB972C

RGB 219 151 44

HSL 36.69, 0.71%, 0.52%

LAB 67.56, 16.81, 62.26

 

CMYK 0 / 25 / 64 / 12

HEX #E1A950

RGB 225 169 80

HSL 36.83, 0.71%, 0.6%

LAB 72.87, 11.46, 52.74

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 0 / 14 / 37 / 7

HEX #EDCB96

RGB 237 203 150

HSL 36.55, 0.71%, 0.76%

LAB 83.4, 4.69, 30.89

 

CMYK 0 / 9 / 23 / 5

HEX #F3DDBA

RGB 243 221 186

HSL 36.84, 0.7%, 0.84%

LAB 89.07, 2.23, 19.95

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 40 / 0 / 50 / 9

HEX #8AE773

RGB 138 231 115

HSL 108.1, 0.71%, 0.68%

LAB 83.86, -49.13, 47.6

 

CMYK 40 / 50 / 0 / 9

HEX #8A73E7

RGB 138 115 231

HSL 251.9, 0.71%, 0.68%

LAB 55.52, 36.04, -56.02

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 50 / 0 / 20 / 9

HEX #73E7B8

RGB 115 231 184

HSL 155.69, 0.71%, 0.68%

LAB 84.1, -43.8, 12.9

 

CMYK 20 / 50 / 0 / 9

HEX #B873E7

RGB 184 115 231

HSL 275.69, 0.71%, 0.68%

LAB 60.09, 47.73, -48.47

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 40 / 0 / 50 / 9

HEX #8AE773

RGB 138 231 115

HSL 108.1, 0.71%, 0.68%

LAB 83.86, -49.13, 47.6

 

CMYK 50 / 30 / 0 / 9

HEX #73A1E7

RGB 115 161 231

HSL 216.21, 0.71%, 0.68%

LAB 65.67, 3.72, -40.05

 

CMYK 10 / 50 / 0 / 9

HEX #D073E7

RGB 208 115 231

HSL 288.1, 0.71%, 0.68%

LAB 62.88, 54.18, -43.88

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 50 / 0 / 45 / 9

HEX #73E77F

RGB 115 231 127

HSL 126.21, 0.71%, 0.68%

LAB 83.09, -54.05, 40.66

 

CMYK 50 / 30 / 0 / 9

HEX #73A1E7

RGB 115 161 231

HSL 216.21, 0.71%, 0.68%

LAB 65.67, 3.72, -40.05

 

CMYK 0 / 50 / 5 / 9

HEX #E773DB

RGB 231 115 219

HSL 306.21, 0.71%, 0.68%

LAB 65.25, 58.38, -33.28

 

Description

Color code: RGB 231 186 115 | qconv.com Color code: RGB 231 186 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 186 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 186 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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