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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 220 49 it is the complementary color RGB 24 35 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 220 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 220 49 shade: RGB 236 220 44, RGB 253 238 63, RGB 255 255 82, RGB 255 255 101 and RGB 255 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 220 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 220 49 shade: RGB 231 220 49, RGB 214 202 30, RGB 197 184 11, RGB 180 166 0 and RGB 163 148 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 220 49 shade: RGB 230 219 49, RGB 230 171 49, RGB 230 122 49, RGB 230 73 49 and RGB 230 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 220 49 shade: RGB 230 219 49, RGB 192 230 49, RGB 144 230 49, RGB 95 230 49 and RGB 49 230 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 220 49 shade matches the following richer shades: RGB 230 219 49 and RGB 249 236 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 220 49 shade: RGB 230 219 49, RGB 212 203 68, RGB 193 187 86, RGB 175 170 105 and RGB 156 154 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 220 49 shade: RGB 230 122 49, RGB 230 170 49, RGB 230 218 49, RGB 194 230 49 and RGB 146 230 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 220 49 shade: RGB 177 167 20, RGB 214 202 25, RGB 230 219 49, RGB 235 226 86 and RGB 239 232 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 220 49 shade: RGB 231 220 49, RGB 49 230 73 and RGB 146 49 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 220 49 shade: RGB 231 220 49, RGB 49 230 218 and RGB 218 49 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 220 49 shade: RGB 231 220 49, RGB 49 230 73, RGB 49 61 230 and RGB 230 49 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 220 49 shade: RGB 231 220 49, RGB 49 230 128, RGB 49 61 230 and RGB 230 49 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

Complementary color

CMYK 88 / 83 / 0 / 19

HEX #1823CE

RGB 24 35 206

HSL 236.37, 0.79%, 0.45%

LAB 29.04, 57.53, -85.29

 

CMYK 0 / 7 / 81 / 7

HEX #ECDC2C

RGB 236 220 44

HSL 55, 0.83%, 0.55%

LAB 86.6, -11.82, 79.59

 

CMYK 0 / 6 / 75 / 1

HEX #FDEE3F

RGB 253 238 63

HSL 55.26, 0.98%, 0.62%

LAB 92.75, -12.99, 80.2

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

CMYK 0 / 6 / 86 / 16

HEX #D6CA1E

RGB 214 202 30

HSL 56.09, 0.75%, 0.48%

LAB 79.97, -12.52, 76.54

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 8 / 100 / 29

HEX #B4A600

RGB 180 166 0

HSL 55.33, 1%, 0.35%

LAB 67.26, -9.38, 69.95

 

CMYK 0 / 9 / 100 / 36

HEX #A39400

RGB 163 148 0

HSL 54.48, 1%, 0.32%

LAB 60.75, -7.53, 64.56

 

CMYK 0 / 5 / 79 / 10

HEX #E6DB31

RGB 230 219 49

HSL 56.35, 0.78%, 0.55%

LAB 85.86, -13.69, 77.42

 

CMYK 0 / 26 / 79 / 10

HEX #E6AB31

RGB 230 171 49

HSL 40.44, 0.78%, 0.55%

LAB 73.66, 11.03, 66.5

 

CMYK 0 / 47 / 79 / 10

HEX #E67A31

RGB 230 122 49

HSL 24.2, 0.78%, 0.55%

LAB 62.48, 36.89, 56.09

 

CMYK 0 / 68 / 79 / 10

HEX #E64931

RGB 230 73 49

HSL 7.96, 0.78%, 0.55%

LAB 53.82, 59.35, 47.64

 

CMYK 0 / 79 / 79 / 10

HEX #E63131

RGB 230 49 49

HSL 0, 0.78%, 0.55%

LAB 50.97, 67.27, 44.75

 

CMYK 0 / 5 / 79 / 10

HEX #E6DB31

RGB 230 219 49

HSL 56.35, 0.78%, 0.55%

LAB 85.86, -13.69, 77.42

 

CMYK 17 / 0 / 79 / 10

HEX #C0E631

RGB 192 230 49

HSL 72.6, 0.78%, 0.55%

LAB 86.02, -34.52, 76.49

 

CMYK 37 / 0 / 79 / 10

HEX #90E631

RGB 144 230 49

HSL 88.51, 0.78%, 0.55%

LAB 83.31, -52.26, 73.02

 

CMYK 59 / 0 / 79 / 10

HEX #5FE631

RGB 95 230 49

HSL 104.75, 0.78%, 0.55%

LAB 81.43, -66.51, 70.59

 

CMYK 79 / 0 / 77 / 10

HEX #31E634

RGB 49 230 52

HSL 120.99, 0.78%, 0.55%

LAB 80.46, -74.64, 68.44

 

CMYK 0 / 5 / 79 / 10

HEX #E6DB31

RGB 230 219 49

HSL 56.35, 0.78%, 0.55%

LAB 85.86, -13.69, 77.42

 

CMYK 0 / 5 / 88 / 2

HEX #F9EC1F

RGB 249 236 31

HSL 56.42, 0.95%, 0.55%

LAB 91.79, -14.56, 87.03

 

CMYK 0 / 5 / 79 / 10

HEX #E6DB31

RGB 230 219 49

HSL 56.35, 0.78%, 0.55%

LAB 85.86, -13.69, 77.42

 

CMYK 0 / 4 / 68 / 17

HEX #D4CB44

RGB 212 203 68

HSL 56.25, 0.63%, 0.55%

LAB 80.25, -12.46, 65.28

 

CMYK 0 / 3 / 55 / 24

HEX #C1BB56

RGB 193 187 86

HSL 56.64, 0.46%, 0.55%

LAB 74.54, -11.11, 51.01

 

CMYK 0 / 3 / 40 / 31

HEX #AFAA69

RGB 175 170 105

HSL 55.71, 0.3%, 0.55%

LAB 68.67, -7.92, 34.12

 

CMYK 0 / 1 / 21 / 39

HEX #9C9A7B

RGB 156 154 123

HSL 56.36, 0.14%, 0.55%

LAB 63.02, -4.61, 16.58

 

CMYK 0 / 47 / 79 / 10

HEX #E67A31

RGB 230 122 49

HSL 24.2, 0.78%, 0.55%

LAB 62.48, 36.89, 56.09

 

CMYK 0 / 26 / 79 / 10

HEX #E6AA31

RGB 230 170 49

HSL 40.11, 0.78%, 0.55%

LAB 73.41, 11.56, 66.28

 

CMYK 0 / 5 / 79 / 10

HEX #E6DA31

RGB 230 218 49

HSL 56.02, 0.78%, 0.55%

LAB 85.6, -13.2, 77.19

 

CMYK 16 / 0 / 79 / 10

HEX #C2E631

RGB 194 230 49

HSL 71.93, 0.78%, 0.55%

LAB 86.15, -33.73, 76.65

 

CMYK 37 / 0 / 79 / 10

HEX #92E631

RGB 146 230 49

HSL 87.85, 0.78%, 0.55%

LAB 83.4, -51.58, 73.14

 

CMYK 0 / 6 / 89 / 31

HEX #B1A714

RGB 177 167 20

HSL 56.18, 0.8%, 0.39%

LAB 67.3, -10.95, 67.02

 

CMYK 0 / 6 / 88 / 16

HEX #D6CA19

RGB 214 202 25

HSL 56.19, 0.79%, 0.47%

LAB 79.96, -12.62, 77.49

 

CMYK 0 / 5 / 79 / 10

HEX #E6DB31

RGB 230 219 49

HSL 56.35, 0.78%, 0.55%

LAB 85.86, -13.69, 77.42

 

CMYK 0 / 4 / 63 / 8

HEX #EBE256

RGB 235 226 86

HSL 56.38, 0.79%, 0.63%

LAB 88.32, -13.38, 67.1

 

CMYK 0 / 3 / 49 / 6

HEX #EFE87B

RGB 239 232 123

HSL 56.38, 0.78%, 0.71%

LAB 90.55, -12.01, 53.4

 

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

CMYK 79 / 0 / 68 / 10

HEX #31E649

RGB 49 230 73

HSL 127.96, 0.78%, 0.55%

LAB 80.59, -73.02, 61.38

 

CMYK 37 / 79 / 0 / 10

HEX #9231E6

RGB 146 49 230

HSL 272.15, 0.78%, 0.55%

LAB 44.26, 69.88, -73.61

 

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

CMYK 79 / 0 / 5 / 10

HEX #31E6DA

RGB 49 230 218

HSL 176.02, 0.78%, 0.55%

LAB 83.08, -45.56, -6.69

 

CMYK 5 / 79 / 0 / 10

HEX #DA31E6

RGB 218 49 230

HSL 296.02, 0.78%, 0.55%

LAB 54.88, 82.13, -55.92

 

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

CMYK 79 / 0 / 68 / 10

HEX #31E649

RGB 49 230 73

HSL 127.96, 0.78%, 0.55%

LAB 80.59, -73.02, 61.38

 

CMYK 79 / 73 / 0 / 10

HEX #313DE6

RGB 49 61 230

HSL 236.02, 0.78%, 0.55%

LAB 37.31, 53.15, -85.37

 

CMYK 0 / 79 / 10 / 10

HEX #E631CE

RGB 230 49 206

HSL 307.96, 0.78%, 0.55%

LAB 55.56, 80.88, -41.1

 

CMYK 0 / 5 / 79 / 9

HEX #E7DC31

RGB 231 220 49

HSL 56.37, 0.79%, 0.55%

LAB 86.2, -13.77, 77.75

 

CMYK 79 / 0 / 44 / 10

HEX #31E680

RGB 49 230 128

HSL 146.19, 0.78%, 0.55%

LAB 81.18, -65.85, 37.4

 

CMYK 79 / 73 / 0 / 10

HEX #313DE6

RGB 49 61 230

HSL 236.02, 0.78%, 0.55%

LAB 37.31, 53.15, -85.37

 

CMYK 0 / 79 / 34 / 10

HEX #E63198

RGB 230 49 152

HSL 325.86, 0.78%, 0.55%

LAB 53.26, 74.27, -13.19

 

Description

Color code: RGB 231 220 49 | qconv.com Color code: RGB 231 220 49 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 220 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 220 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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