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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 33 220 it is the complementary color RGB 24 222 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 33 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 33 220 shade: RGB 236 33 215, RGB 253 51 234, RGB 255 69 253, RGB 255 87 255 and RGB 255 105 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 33 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 33 220 shade: RGB 231 33 220, RGB 214 15 201, RGB 197 0 182, RGB 180 0 163 and RGB 163 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 33 220 shade: RGB 230 34 219, RGB 230 34 166, RGB 230 34 114, RGB 230 34 61 and RGB 230 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 33 220 shade: RGB 230 34 219, RGB 188 34 230, RGB 135 34 230, RGB 82 34 230 and RGB 34 34 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 33 220 shade matches the following richer shades: RGB 230 34 219 and RGB 250 14 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 33 220 shade: RGB 230 34 219, RGB 210 54 202, RGB 190 74 184, RGB 171 94 166 and RGB 151 113 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 33 220 shade: RGB 135 34 230, RGB 188 34 230, RGB 230 34 220, RGB 230 34 168 and RGB 230 34 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 33 220 shade: RGB 164 18 156, RGB 201 22 191, RGB 230 34 219, RGB 234 71 225 and RGB 238 108 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 33 220 shade: RGB 231 33 220, RGB 230 83 34 and RGB 34 230 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 33 220 shade: RGB 231 33 220, RGB 220 230 34 and RGB 34 220 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 33 220 shade: RGB 231 33 220, RGB 230 83 34, RGB 34 230 44 and RGB 34 181 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 33 220 shade: RGB 231 33 220, RGB 230 142 34, RGB 34 230 44 and RGB 34 122 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

Complementary color

CMYK 89 / 0 / 84 / 13

HEX #18DE23

RGB 24 222 35

HSL 123.33, 0.8%, 0.48%

LAB 77.61, -75.63, 70.21

 

CMYK 0 / 86 / 9 / 7

HEX #EC21D7

RGB 236 33 215

HSL 306.21, 0.84%, 0.53%

LAB 55.91, 86.54, -45.6

 

CMYK 0 / 80 / 8 / 1

HEX #FD33EA

RGB 253 51 234

HSL 305.64, 0.98%, 0.6%

LAB 60.95, 88.84, -48.17

 

CMYK 0 / 73 / 1 / 0

HEX #FF45FD

RGB 255 69 253

HSL 300.65, 1%, 0.64%

LAB 63.84, 87.37, -54.12

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

CMYK 0 / 93 / 6 / 16

HEX #D60FC9

RGB 214 15 201

HSL 303.92, 0.87%, 0.45%

LAB 50.52, 83.06, -46.38

 

CMYK 0 / 100 / 8 / 23

HEX #C500B6

RGB 197 0 182

HSL 304.57, 1%, 0.39%

LAB 45.97, 78.78, -42.72

 

CMYK 0 / 100 / 9 / 29

HEX #B400A3

RGB 180 0 163

HSL 305.67, 1%, 0.35%

LAB 41.76, 73.22, -38.31

 

CMYK 0 / 100 / 12 / 36

HEX #A30090

RGB 163 0 144

HSL 306.99, 1%, 0.32%

LAB 37.48, 67.56, -33.78

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 85 / 50 / 10

HEX #E62272

RGB 230 34 114

HSL 335.51, 0.8%, 0.52%

LAB 50.9, 74.21, 6.17

 

CMYK 0 / 85 / 73 / 10

HEX #E6223D

RGB 230 34 61

HSL 351.73, 0.8%, 0.52%

LAB 49.86, 71.21, 36.81

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 18 / 85 / 0 / 10

HEX #BC22E6

RGB 188 34 230

HSL 287.14, 0.8%, 0.52%

LAB 48.94, 80.47, -65.73

 

CMYK 41 / 85 / 0 / 10

HEX #8722E6

RGB 135 34 230

HSL 270.92, 0.8%, 0.52%

LAB 41.23, 73.03, -78.64

 

CMYK 64 / 85 / 0 / 10

HEX #5222E6

RGB 82 34 230

HSL 254.69, 0.8%, 0.52%

LAB 35.3, 67.76, -88.62

 

CMYK 85 / 85 / 0 / 10

HEX #2222E6

RGB 34 34 230

HSL 240, 0.8%, 0.52%

LAB 32.25, 65.27, -93.78

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EED

RGB 250 14 237

HSL 303.31, 0.96%, 0.52%

LAB 58.74, 94.15, -53.38

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 0 / 74 / 4 / 18

HEX #D236CA

RGB 210 54 202

HSL 303.08, 0.63%, 0.52%

LAB 52.51, 74.82, -43.83

 

CMYK 0 / 61 / 3 / 25

HEX #BE4AB8

RGB 190 74 184

HSL 303.1, 0.47%, 0.52%

LAB 51.04, 60.07, -35.95

 

CMYK 0 / 45 / 3 / 33

HEX #AB5EA6

RGB 171 94 166

HSL 303.9, 0.31%, 0.52%

LAB 51.17, 41.89, -25.45

 

CMYK 0 / 25 / 1 / 41

HEX #977195

RGB 151 113 149

HSL 303.16, 0.15%, 0.52%

LAB 52.46, 21.33, -13.72

 

CMYK 41 / 85 / 0 / 10

HEX #8722E6

RGB 135 34 230

HSL 270.92, 0.8%, 0.52%

LAB 41.23, 73.03, -78.64

 

CMYK 18 / 85 / 0 / 10

HEX #BC22E6

RGB 188 34 230

HSL 287.14, 0.8%, 0.52%

LAB 48.94, 80.47, -65.73

 

CMYK 0 / 85 / 4 / 10

HEX #E622DC

RGB 230 34 220

HSL 303.06, 0.8%, 0.52%

LAB 55.21, 85.97, -49.63

 

CMYK 0 / 85 / 27 / 10

HEX #E622A8

RGB 230 34 168

HSL 318.98, 0.8%, 0.52%

LAB 52.72, 79.32, -23.47

 

CMYK 0 / 85 / 50 / 10

HEX #E62274

RGB 230 34 116

HSL 334.9, 0.8%, 0.52%

LAB 50.95, 74.37, 5.03

 

CMYK 0 / 89 / 5 / 36

HEX #A4129C

RGB 164 18 156

HSL 303.29, 0.8%, 0.36%

LAB 39.11, 67.22, -38.48

 

CMYK 0 / 89 / 5 / 21

HEX #C916BF

RGB 201 22 191

HSL 303.35, 0.8%, 0.44%

LAB 47.95, 78.53, -44.81

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 0 / 70 / 4 / 8

HEX #EA47E1

RGB 234 71 225

HSL 303.31, 0.8%, 0.6%

LAB 59.37, 78.13, -45.81

 

CMYK 0 / 55 / 3 / 7

HEX #EE6CE7

RGB 238 108 231

HSL 303.23, 0.79%, 0.68%

LAB 65.49, 65.51, -39.51

 

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

CMYK 0 / 64 / 85 / 10

HEX #E65322

RGB 230 83 34

HSL 15, 0.8%, 0.52%

LAB 55.2, 54.91, 55.84

 

CMYK 85 / 0 / 30 / 10

HEX #22E6A1

RGB 34 230 161

HSL 158.88, 0.8%, 0.52%

LAB 81.57, -60.85, 21.1

 

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

CMYK 4 / 0 / 85 / 10

HEX #DCE622

RGB 220 230 34

HSL 63.06, 0.8%, 0.52%

LAB 87.93, -23.64, 82.42

 

CMYK 85 / 4 / 0 / 10

HEX #22DCE6

RGB 34 220 230

HSL 183.06, 0.8%, 0.52%

LAB 80.31, -38.79, -17.21

 

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

CMYK 0 / 64 / 85 / 10

HEX #E65322

RGB 230 83 34

HSL 15, 0.8%, 0.52%

LAB 55.2, 54.91, 55.84

 

CMYK 85 / 0 / 81 / 10

HEX #22E62C

RGB 34 230 44

HSL 123.06, 0.8%, 0.52%

LAB 80.24, -76.66, 70.43

 

CMYK 85 / 21 / 0 / 10

HEX #22B5E6

RGB 34 181 230

HSL 195, 0.8%, 0.52%

LAB 68.82, -19.73, -34.79

 

CMYK 0 / 86 / 5 / 9

HEX #E721DC

RGB 231 33 220

HSL 303.33, 0.8%, 0.52%

LAB 55.32, 86.32, -49.44

 

CMYK 0 / 38 / 85 / 10

HEX #E68E22

RGB 230 142 34

HSL 33.06, 0.8%, 0.52%

LAB 66.74, 26, 65.41

 

CMYK 85 / 0 / 81 / 10

HEX #22E62C

RGB 34 230 44

HSL 123.06, 0.8%, 0.52%

LAB 80.24, -76.66, 70.43

 

CMYK 85 / 47 / 0 / 10

HEX #227AE6

RGB 34 122 230

HSL 213.06, 0.8%, 0.52%

LAB 51.81, 14.27, -61.71

 

Description

Color code: RGB 231 33 220 | qconv.com Color code: RGB 231 33 220 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 33 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 33 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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