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Color name
RGB 231 64 161

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 64 161 it is the complementary color RGB 24 191 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 64 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 64 161 shade: RGB 236 64 156, RGB 253 82 175, RGB 255 100 194, RGB 255 118 213 and RGB 255 136 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 64 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 214 46 142, RGB 197 28 123, RGB 180 10 104 and RGB 163 0 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 231 64 116, RGB 231 64 71 and RGB 231 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 231 64 206, RGB 211 64 231, RGB 166 64 231 and RGB 121 64 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 64 161 shade matches the following richer shades: RGB 231 64 161 and RGB 248 47 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 214 81 158, RGB 196 99 155, RGB 179 116 153 and RGB 162 133 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 64 161 shade: RGB 211 64 231, RGB 231 64 206, RGB 231 64 161, RGB 231 64 117 and RGB 231 64 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 64 161 shade: RGB 189 23 120, RGB 226 27 143, RGB 231 64 161, RGB 235 101 179 and RGB 240 137 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 231 167 64 and RGB 64 228 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 161 231 64 and RGB 64 161 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 231 167 64, RGB 64 231 133 and RGB 64 128 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 64 161 shade: RGB 231 64 161, RGB 231 217 64, RGB 64 231 133 and RGB 64 78 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

Complementary color

CMYK 87 / 0 / 51 / 25

HEX #18BF5E

RGB 24 191 94

HSL 145.15, 0.78%, 0.42%

LAB 68.21, -60.59, 37.78

 

CMYK 0 / 73 / 34 / 7

HEX #EC409C

RGB 236 64 156

HSL 327.91, 0.82%, 0.59%

LAB 55.99, 71.83, -11.34

 

CMYK 0 / 68 / 31 / 1

HEX #FD52AF

RGB 253 82 175

HSL 327.37, 0.98%, 0.66%

LAB 61.66, 72.24, -13.56

 

CMYK 0 / 61 / 24 / 0

HEX #FF64C2

RGB 255 100 194

HSL 323.61, 1%, 0.7%

LAB 65.18, 68.11, -19.06

 

CMYK 0 / 54 / 16 / 0

HEX #FF76D5

RGB 255 118 213

HSL 318.39, 1%, 0.73%

LAB 68.77, 62.9, -24.25

 

CMYK 0 / 47 / 9 / 0

HEX #FF88E8

RGB 255 136 232

HSL 311.6, 1%, 0.77%

LAB 72.69, 57.35, -28.73

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 79 / 34 / 16

HEX #D62E8E

RGB 214 46 142

HSL 325.71, 0.67%, 0.51%

LAB 49.74, 70.14, -12.82

 

CMYK 0 / 86 / 38 / 23

HEX #C51C7B

RGB 197 28 123

HSL 326.27, 0.75%, 0.44%

LAB 44.42, 68.32, -9.6

 

CMYK 0 / 94 / 42 / 29

HEX #B40A68

RGB 180 10 104

HSL 326.82, 0.89%, 0.37%

LAB 39.45, 65.33, -5.53

 

CMYK 0 / 100 / 48 / 36

HEX #A30055

RGB 163 0 85

HSL 328.71, 1%, 0.32%

LAB 34.89, 60.95, -0.47

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 72 / 50 / 9

HEX #E74074

RGB 231 64 116

HSL 341.32, 0.78%, 0.58%

LAB 53.94, 66.69, 9.31

 

CMYK 0 / 72 / 69 / 9

HEX #E74047

RGB 231 64 71

HSL 357.49, 0.78%, 0.58%

LAB 53.07, 63.8, 34.83

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 72 / 11 / 9

HEX #E740CE

RGB 231 64 206

HSL 308.98, 0.78%, 0.58%

LAB 57.18, 76.91, -38.53

 

CMYK 9 / 72 / 0 / 9

HEX #D340E7

RGB 211 64 231

HSL 292.81, 0.78%, 0.58%

LAB 55.36, 76.59, -55.78

 

CMYK 28 / 72 / 0 / 9

HEX #A640E7

RGB 166 64 231

HSL 276.65, 0.78%, 0.58%

LAB 48.94, 67.87, -66.46

 

CMYK 48 / 72 / 0 / 9

HEX #7940E7

RGB 121 64 231

HSL 260.48, 0.78%, 0.58%

LAB 43.51, 60.15, -75.53

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 81 / 34 / 3

HEX #F82FA4

RGB 248 47 164

HSL 325.07, 0.93%, 0.58%

LAB 56.75, 80.19, -14.68

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 62 / 26 / 16

HEX #D6519E

RGB 214 81 158

HSL 325.26, 0.62%, 0.58%

LAB 54.71, 59.79, -14.8

 

CMYK 0 / 49 / 21 / 23

HEX #C4639B

RGB 196 99 155

HSL 325.36, 0.45%, 0.58%

LAB 55.1, 45.47, -12.71

 

CMYK 0 / 35 / 15 / 30

HEX #B37499

RGB 179 116 153

HSL 324.76, 0.29%, 0.58%

LAB 56.46, 30.3, -9.72

 

CMYK 0 / 18 / 7 / 36

HEX #A28596

RGB 162 133 150

HSL 324.83, 0.13%, 0.58%

LAB 58.66, 14.01, -4.92

 

CMYK 9 / 72 / 0 / 9

HEX #D340E7

RGB 211 64 231

HSL 292.81, 0.78%, 0.58%

LAB 55.36, 76.59, -55.78

 

CMYK 0 / 72 / 11 / 9

HEX #E740CE

RGB 231 64 206

HSL 308.98, 0.78%, 0.58%

LAB 57.18, 76.91, -38.53

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 72 / 49 / 9

HEX #E74075

RGB 231 64 117

HSL 340.96, 0.78%, 0.58%

LAB 53.96, 66.77, 8.74

 

CMYK 0 / 72 / 69 / 9

HEX #E74048

RGB 231 64 72

HSL 357.13, 0.78%, 0.58%

LAB 53.08, 63.85, 34.27

 

CMYK 0 / 88 / 37 / 26

HEX #BD1778

RGB 189 23 120

HSL 324.94, 0.78%, 0.42%

LAB 42.44, 67.1, -10.88

 

CMYK 0 / 88 / 37 / 11

HEX #E21B8F

RGB 226 27 143

HSL 325.03, 0.79%, 0.5%

LAB 50.61, 77.02, -11.89

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 57 / 24 / 8

HEX #EB65B3

RGB 235 101 179

HSL 325.07, 0.77%, 0.66%

LAB 61.85, 59.98, -15.85

 

CMYK 0 / 43 / 18 / 6

HEX #F089C5

RGB 240 137 197

HSL 325.05, 0.77%, 0.74%

LAB 69.79, 46.78, -13.97

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 28 / 72 / 9

HEX #E7A740

RGB 231 167 64

HSL 37.01, 0.78%, 0.58%

LAB 72.89, 14.19, 60.05

 

CMYK 72 / 1 / 0 / 9

HEX #40E4E7

RGB 64 228 231

HSL 181.08, 0.78%, 0.58%

LAB 83.1, -39.53, -13.51

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 30 / 0 / 72 / 9

HEX #A1E740

RGB 161 231 64

HSL 85.15, 0.78%, 0.58%

LAB 84.53, -45.97, 69.84

 

CMYK 72 / 30 / 0 / 9

HEX #40A1E7

RGB 64 161 231

HSL 205.15, 0.78%, 0.58%

LAB 63.63, -5.54, -43.4

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 28 / 72 / 9

HEX #E7A740

RGB 231 167 64

HSL 37.01, 0.78%, 0.58%

LAB 72.89, 14.19, 60.05

 

CMYK 72 / 0 / 42 / 9

HEX #40E785

RGB 64 231 133

HSL 144.79, 0.78%, 0.58%

LAB 81.8, -63.44, 35.77

 

CMYK 72 / 45 / 0 / 9

HEX #4080E7

RGB 64 128 231

HSL 217.01, 0.78%, 0.58%

LAB 54.34, 13.96, -58.15

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 0 / 6 / 72 / 9

HEX #E7D940

RGB 231 217 64

HSL 54.97, 0.78%, 0.58%

LAB 85.5, -11.7, 72.42

 

CMYK 72 / 0 / 42 / 9

HEX #40E785

RGB 64 231 133

HSL 144.79, 0.78%, 0.58%

LAB 81.8, -63.44, 35.77

 

CMYK 72 / 66 / 0 / 9

HEX #404EE7

RGB 64 78 231

HSL 234.97, 0.78%, 0.58%

LAB 41.7, 44.98, -78.67

 

Description

Color code: RGB 231 64 161 | qconv.com Color code: RGB 231 64 161 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 64 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 64 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 9% C M Y K

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Provide designers and agencies with accurate color values.

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