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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 115 104 it is the complementary color RGB 23 140 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 115 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 115 104 shade: RGB 237 115 99, RGB 254 133 118, RGB 255 151 137, RGB 255 169 156 and RGB 255 187 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 115 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 215 97 85, RGB 198 79 66, RGB 181 61 47 and RGB 164 43 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 115 104 shade: RGB 232 115 104 and RGB 232 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 232 149 104, RGB 232 184 104, RGB 232 218 104 and RGB 211 232 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 115 104 shade matches the following richer shades: RGB 232 115 104 and RGB 246 103 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 218 126 118, RGB 204 138 132, RGB 190 150 146 and RGB 176 161 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 115 104 shade: RGB 232 104 161, RGB 232 104 127, RGB 232 114 104, RGB 232 149 104 and RGB 232 183 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 115 104 shade: RGB 221 49 33, RGB 227 81 68, RGB 232 115 104, RGB 237 148 140 and RGB 243 181 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 196 232 104 and RGB 104 144 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 104 232 114 and RGB 114 104 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 196 232 104, RGB 104 221 232 and RGB 140 104 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 115 104 shade: RGB 232 115 104, RGB 157 232 104, RGB 104 221 232 and RGB 178 104 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

Complementary color

CMYK 85 / 7 / 0 / 41

HEX #178C97

RGB 23 140 151

HSL 185.16, 0.74%, 0.34%

LAB 53.14, -25.91, -14.54

 

CMYK 0 / 51 / 58 / 7

HEX #ED7363

RGB 237 115 99

HSL 6.96, 0.79%, 0.66%

LAB 62.65, 45.75, 31.09

 

CMYK 0 / 48 / 54 / 0

HEX #FE8576

RGB 254 133 118

HSL 6.62, 0.99%, 0.73%

LAB 68.86, 44.54, 29.08

 

CMYK 0 / 41 / 46 / 0

HEX #FF9789

RGB 255 151 137

HSL 7.12, 1%, 0.77%

LAB 73.02, 37.49, 24.22

 

CMYK 0 / 34 / 39 / 0

HEX #FFA99C

RGB 255 169 156

HSL 7.88, 1%, 0.81%

LAB 77.3, 30.13, 19.74

 

CMYK 0 / 27 / 31 / 0

HEX #FFBBAF

RGB 255 187 175

HSL 9, 1%, 0.84%

LAB 81.78, 22.96, 15.74

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 55 / 60 / 16

HEX #D76155

RGB 215 97 85

HSL 5.54, 0.62%, 0.59%

LAB 55.74, 45.51, 29.5

 

CMYK 0 / 60 / 67 / 22

HEX #C64F42

RGB 198 79 66

HSL 5.91, 0.54%, 0.52%

LAB 49.49, 46.7, 32.03

 

CMYK 0 / 66 / 74 / 29

HEX #B53D2F

RGB 181 61 47

HSL 6.27, 0.59%, 0.45%

LAB 43.31, 47.76, 34.95

 

CMYK 0 / 74 / 83 / 36

HEX #A42B1C

RGB 164 43 28

HSL 6.62, 0.71%, 0.38%

LAB 37.31, 48.5, 38.2

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 55 / 55 / 9

HEX #E86868

RGB 232 104 104

HSL 0, 0.74%, 0.66%

LAB 59.94, 49.63, 24.59

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 36 / 55 / 9

HEX #E89568

RGB 232 149 104

HSL 21.09, 0.74%, 0.66%

LAB 69.22, 26.72, 36.56

 

CMYK 0 / 21 / 55 / 9

HEX #E8B868

RGB 232 184 104

HSL 37.5, 0.74%, 0.66%

LAB 77.54, 8.14, 46.78

 

CMYK 0 / 6 / 55 / 9

HEX #E8DA68

RGB 232 218 104

HSL 53.44, 0.74%, 0.66%

LAB 86.16, -9.39, 56.89

 

CMYK 9 / 0 / 55 / 9

HEX #D3E868

RGB 211 232 104

HSL 69.84, 0.74%, 0.66%

LAB 88.24, -24.67, 58.85

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 58 / 63 / 4

HEX #F6675A

RGB 246 103 90

HSL 5, 0.9%, 0.66%

LAB 61.68, 54, 35.17

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 42 / 46 / 15

HEX #DA7E76

RGB 218 126 118

HSL 4.8, 0.57%, 0.66%

LAB 62.62, 34.69, 19.89

 

CMYK 0 / 32 / 35 / 20

HEX #CC8A84

RGB 204 138 132

HSL 5, 0.41%, 0.66%

LAB 63.9, 24.44, 13.48

 

CMYK 0 / 21 / 23 / 25

HEX #BE9692

RGB 190 150 146

HSL 5.45, 0.25%, 0.66%

LAB 65.62, 14.35, 7.82

 

CMYK 0 / 9 / 9 / 31

HEX #B0A1A0

RGB 176 161 160

HSL 3.75, 0.09%, 0.66%

LAB 67.47, 5.28, 2.49

 

CMYK 0 / 55 / 31 / 9

HEX #E868A1

RGB 232 104 161

HSL 333.28, 0.74%, 0.66%

LAB 61.33, 55.39, -6.34

 

CMYK 0 / 55 / 45 / 9

HEX #E8687F

RGB 232 104 127

HSL 349.22, 0.74%, 0.66%

LAB 60.42, 51.64, 11.99

 

CMYK 0 / 51 / 55 / 9

HEX #E87268

RGB 232 114 104

HSL 4.69, 0.74%, 0.66%

LAB 61.82, 44.8, 27.07

 

CMYK 0 / 36 / 55 / 9

HEX #E89568

RGB 232 149 104

HSL 21.09, 0.74%, 0.66%

LAB 69.22, 26.72, 36.56

 

CMYK 0 / 21 / 55 / 9

HEX #E8B768

RGB 232 183 104

HSL 37.03, 0.74%, 0.66%

LAB 77.29, 8.66, 46.48

 

CMYK 0 / 78 / 85 / 13

HEX #DD3121

RGB 221 49 33

HSL 5.11, 0.74%, 0.5%

LAB 49.1, 64.26, 50.48

 

CMYK 0 / 64 / 70 / 11

HEX #E35144

RGB 227 81 68

HSL 4.91, 0.74%, 0.58%

LAB 54.69, 55.93, 38.26

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 38 / 41 / 7

HEX #ED948C

RGB 237 148 140

HSL 4.95, 0.73%, 0.74%

LAB 70.23, 32.61, 18.4

 

CMYK 0 / 26 / 28 / 5

HEX #F3B5AF

RGB 243 181 175

HSL 5.29, 0.74%, 0.82%

LAB 79.15, 21.66, 11.86

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 16 / 0 / 55 / 9

HEX #C4E868

RGB 196 232 104

HSL 76.88, 0.74%, 0.66%

LAB 87.22, -30.48, 57.41

 

CMYK 55 / 38 / 0 / 9

HEX #6890E8

RGB 104 144 232

HSL 221.25, 0.74%, 0.66%

LAB 60.53, 11.5, -48.74

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 55 / 0 / 51 / 9

HEX #68E872

RGB 104 232 114

HSL 124.69, 0.74%, 0.66%

LAB 82.84, -59, 46.53

 

CMYK 51 / 55 / 0 / 9

HEX #7268E8

RGB 114 104 232

HSL 244.69, 0.74%, 0.66%

LAB 51.04, 37.49, -63.88

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 16 / 0 / 55 / 9

HEX #C4E868

RGB 196 232 104

HSL 76.88, 0.74%, 0.66%

LAB 87.22, -30.48, 57.41

 

CMYK 55 / 5 / 0 / 9

HEX #68DDE8

RGB 104 221 232

HSL 185.16, 0.74%, 0.66%

LAB 82.1, -29.91, -15.44

 

CMYK 40 / 55 / 0 / 9

HEX #8C68E8

RGB 140 104 232

HSL 256.88, 0.74%, 0.66%

LAB 53.28, 43.06, -60.16

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 32 / 0 / 55 / 9

HEX #9DE868

RGB 157 232 104

HSL 95.16, 0.74%, 0.66%

LAB 84.94, -44.62, 54.18

 

CMYK 55 / 5 / 0 / 9

HEX #68DDE8

RGB 104 221 232

HSL 185.16, 0.74%, 0.66%

LAB 82.1, -29.91, -15.44

 

CMYK 23 / 55 / 0 / 9

HEX #B268E8

RGB 178 104 232

HSL 274.69, 0.74%, 0.66%

LAB 57.26, 52.16, -53.56

 

Description

Color code: RGB 232 115 104 | qconv.com Color code: RGB 232 115 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 115 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 115 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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