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Color name
RGB 232 111 240

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 111 240 it is the complementary color RGB 23 144 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 111 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 111 240 shade: RGB 237 111 235, RGB 254 129 254, RGB 255 147 255, RGB 255 165 255 and RGB 255 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 111 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 111 240 shade: RGB 232 111 240, RGB 215 93 221, RGB 198 75 202, RGB 181 57 183 and RGB 164 39 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 111 240 shade: RGB 232 111 239, RGB 239 111 213, RGB 239 111 178, RGB 239 111 144 and RGB 239 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 111 240 shade: RGB 232 111 239, RGB 197 111 239, RGB 162 111 239, RGB 128 111 239 and RGB 111 111 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 111 240 shade matches the following richer shades: RGB 232 111 239 and RGB 243 99 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 111 240 shade: RGB 232 111 239, RGB 220 124 227, RGB 209 137 214, RGB 198 150 201 and RGB 187 163 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 111 240 shade: RGB 163 111 239, RGB 197 111 239, RGB 231 111 239, RGB 239 111 214 and RGB 239 111 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 111 240 shade: RGB 220 37 232, RGB 226 74 236, RGB 232 111 239, RGB 238 149 243 and RGB 244 186 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 111 240 shade: RGB 232 111 240, RGB 239 128 111 and RGB 111 239 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 111 240 shade: RGB 232 111 240, RGB 239 231 111 and RGB 111 239 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 111 240 shade: RGB 232 111 240, RGB 239 128 111, RGB 120 239 111 and RGB 111 222 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 111 240 shade: RGB 232 111 240, RGB 239 167 111, RGB 120 239 111 and RGB 111 184 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

Complementary color

CMYK 84 / 0 / 90 / 44

HEX #17900F

RGB 23 144 15

HSL 116.28, 0.81%, 0.31%

LAB 52.02, -53.95, 51.95

 

CMYK 0 / 53 / 1 / 7

HEX #ED6FEB

RGB 237 111 235

HSL 300.95, 0.78%, 0.68%

LAB 66.04, 64.57, -40.88

 

CMYK 0 / 49 / 0 / 0

HEX #FE81FE

RGB 254 129 254

HSL 300, 0.98%, 0.75%

LAB 72.18, 64.04, -41.55

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

CMYK 3 / 58 / 0 / 13

HEX #D75DDD

RGB 215 93 221

HSL 297.19, 0.65%, 0.62%

LAB 59.43, 64.54, -43.66

 

CMYK 2 / 63 / 0 / 21

HEX #C64BCA

RGB 198 75 202

HSL 298.11, 0.55%, 0.54%

LAB 53.28, 64.7, -42.74

 

CMYK 1 / 69 / 0 / 28

HEX #B539B7

RGB 181 57 183

HSL 299.05, 0.53%, 0.47%

LAB 47.2, 64.47, -41.53

 

CMYK 0 / 76 / 0 / 36

HEX #A427A4

RGB 164 39 164

HSL 300, 0.62%, 0.4%

LAB 41.25, 63.6, -39.89

 

CMYK 3 / 54 / 0 / 6

HEX #E86FEF

RGB 232 111 239

HSL 296.72, 0.8%, 0.69%

LAB 65.56, 63.95, -43.89

 

CMYK 0 / 54 / 11 / 6

HEX #EF6FD5

RGB 239 111 213

HSL 312.19, 0.8%, 0.69%

LAB 65.38, 61.54, -29.64

 

CMYK 0 / 54 / 26 / 6

HEX #EF6FB2

RGB 239 111 178

HSL 328.59, 0.8%, 0.69%

LAB 64.11, 56.49, -11.82

 

CMYK 0 / 54 / 40 / 6

HEX #EF6F90

RGB 239 111 144

HSL 344.53, 0.8%, 0.69%

LAB 63.12, 52.42, 6.17

 

CMYK 0 / 54 / 54 / 6

HEX #EF6F6F

RGB 239 111 111

HSL 0, 0.8%, 0.69%

LAB 62.4, 49.32, 24.05

 

CMYK 3 / 54 / 0 / 6

HEX #E86FEF

RGB 232 111 239

HSL 296.72, 0.8%, 0.69%

LAB 65.56, 63.95, -43.89

 

CMYK 18 / 54 / 0 / 6

HEX #C56FEF

RGB 197 111 239

HSL 280.31, 0.8%, 0.69%

LAB 61.2, 54.9, -51.07

 

CMYK 32 / 54 / 0 / 6

HEX #A26FEF

RGB 162 111 239

HSL 263.91, 0.8%, 0.69%

LAB 57.35, 46.15, -57.43

 

CMYK 46 / 54 / 0 / 6

HEX #806FEF

RGB 128 111 239

HSL 247.97, 0.8%, 0.69%

LAB 54.23, 38.35, -62.6

 

CMYK 54 / 54 / 0 / 6

HEX #6F6FEF

RGB 111 111 239

HSL 240, 0.8%, 0.69%

LAB 52.93, 34.87, -64.77

 

CMYK 3 / 54 / 0 / 6

HEX #E86FEF

RGB 232 111 239

HSL 296.72, 0.8%, 0.69%

LAB 65.56, 63.95, -43.89

 

CMYK 4 / 61 / 0 / 1

HEX #F363FC

RGB 243 99 252

HSL 296.47, 0.96%, 0.69%

LAB 65.75, 74.12, -50.65

 

CMYK 3 / 54 / 0 / 6

HEX #E86FEF

RGB 232 111 239

HSL 296.72, 0.8%, 0.69%

LAB 65.56, 63.95, -43.89

 

CMYK 3 / 45 / 0 / 11

HEX #DC7CE3

RGB 220 124 227

HSL 295.92, 0.65%, 0.69%

LAB 65.89, 52.25, -36.85

 

CMYK 2 / 36 / 0 / 16

HEX #D189D6

RGB 209 137 214

HSL 296.1, 0.48%, 0.69%

LAB 66.75, 39.76, -28.39

 

CMYK 1 / 25 / 0 / 21

HEX #C696C9

RGB 198 150 201

HSL 296.47, 0.32%, 0.69%

LAB 68.05, 26.67, -19.28

 

CMYK 1 / 13 / 0 / 26

HEX #BBA3BC

RGB 187 163 188

HSL 297.6, 0.16%, 0.69%

LAB 69.75, 13.25, -9.61

 

CMYK 32 / 54 / 0 / 6

HEX #A36FEF

RGB 163 111 239

HSL 264.38, 0.8%, 0.69%

LAB 57.45, 46.4, -57.26

 

CMYK 18 / 54 / 0 / 6

HEX #C56FEF

RGB 197 111 239

HSL 280.31, 0.8%, 0.69%

LAB 61.2, 54.9, -51.07

 

CMYK 3 / 54 / 0 / 6

HEX #E76FEF

RGB 231 111 239

HSL 296.25, 0.8%, 0.69%

LAB 65.43, 63.69, -44.11

 

CMYK 0 / 54 / 10 / 6

HEX #EF6FD6

RGB 239 111 214

HSL 311.72, 0.8%, 0.69%

LAB 65.42, 61.69, -30.14

 

CMYK 0 / 54 / 25 / 6

HEX #EF6FB4

RGB 239 111 180

HSL 327.66, 0.8%, 0.69%

LAB 64.17, 56.76, -12.86

 

CMYK 5 / 84 / 0 / 9

HEX #DC25E8

RGB 220 37 232

HSL 296.31, 0.81%, 0.53%

LAB 54.41, 85.45, -57.78

 

CMYK 4 / 69 / 0 / 7

HEX #E24AEC

RGB 226 74 236

HSL 296.3, 0.81%, 0.61%

LAB 59.09, 77.14, -52.51

 

CMYK 3 / 54 / 0 / 6

HEX #E86FEF

RGB 232 111 239

HSL 296.72, 0.8%, 0.69%

LAB 65.56, 63.95, -43.89

 

CMYK 2 / 39 / 0 / 5

HEX #EE95F3

RGB 238 149 243

HSL 296.81, 0.8%, 0.77%

LAB 73.64, 47.69, -33.44

 

CMYK 1 / 25 / 0 / 3

HEX #F4BAF7

RGB 244 186 247

HSL 297.05, 0.79%, 0.85%

LAB 82.41, 30.87, -22.1

 

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

CMYK 0 / 46 / 54 / 6

HEX #EF806F

RGB 239 128 111

HSL 7.97, 0.8%, 0.69%

LAB 65.7, 40.94, 28.42

 

CMYK 54 / 0 / 25 / 6

HEX #6FEFB4

RGB 111 239 180

HSL 152.34, 0.8%, 0.69%

LAB 86.21, -48.97, 17.94

 

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

CMYK 0 / 3 / 54 / 6

HEX #EFE76F

RGB 239 231 111

HSL 56.25, 0.8%, 0.69%

LAB 90.16, -12.51, 58.48

 

CMYK 54 / 0 / 3 / 6

HEX #6FEFE7

RGB 111 239 231

HSL 176.25, 0.8%, 0.69%

LAB 87.43, -37.27, -6.94

 

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

CMYK 0 / 46 / 54 / 6

HEX #EF806F

RGB 239 128 111

HSL 7.97, 0.8%, 0.69%

LAB 65.7, 40.94, 28.42

 

CMYK 50 / 0 / 54 / 6

HEX #78EF6F

RGB 120 239 111

HSL 115.78, 0.8%, 0.69%

LAB 85.44, -57.98, 51.2

 

CMYK 54 / 7 / 0 / 6

HEX #6FDEEF

RGB 111 222 239

HSL 187.97, 0.8%, 0.69%

LAB 82.84, -27.14, -18.02

 

CMYK 3 / 54 / 0 / 6

HEX #E86FF0

RGB 232 111 240

HSL 296.28, 0.81%, 0.69%

LAB 65.61, 64.13, -44.37

 

CMYK 0 / 30 / 54 / 6

HEX #EFA76F

RGB 239 167 111

HSL 26.25, 0.8%, 0.69%

LAB 74.28, 20.56, 39.4

 

CMYK 50 / 0 / 54 / 6

HEX #78EF6F

RGB 120 239 111

HSL 115.78, 0.8%, 0.69%

LAB 85.44, -57.98, 51.2

 

CMYK 54 / 23 / 0 / 6

HEX #6FB8EF

RGB 111 184 239

HSL 205.78, 0.8%, 0.69%

LAB 72.16, -7.57, -34.35

 

Description

Color code: RGB 232 111 240 | qconv.com Color code: RGB 232 111 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 111 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 111 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 54 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 54% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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