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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 122 88 it is the complementary color RGB 23 133 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 122 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 122 88 shade: RGB 237 122 83, RGB 254 140 102, RGB 255 158 121, RGB 255 176 140 and RGB 255 194 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 122 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 215 104 69, RGB 198 86 50, RGB 181 68 31 and RGB 164 50 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 122 88 shade: RGB 232 122 88 and RGB 232 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 232 161 88, RGB 232 200 88, RGB 225 232 88 and RGB 187 232 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 122 88 shade matches the following richer shades: RGB 232 122 88 and RGB 247 114 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 217 130 104, RGB 201 138 119, RGB 186 146 134 and RGB 171 155 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 122 88 shade: RGB 232 88 131, RGB 232 88 93, RGB 232 122 88, RGB 232 160 88 and RGB 232 198 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 122 88 shade: RGB 210 71 28, RGB 227 93 52, RGB 232 122 88, RGB 237 151 125 and RGB 242 180 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 170 232 88 and RGB 88 112 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 88 232 122 and RGB 122 88 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 170 232 88, RGB 88 198 232 and RGB 151 88 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 122 88 shade: RGB 232 122 88, RGB 127 232 88, RGB 88 198 232 and RGB 194 88 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

Complementary color

CMYK 86 / 20 / 0 / 35

HEX #1785A7

RGB 23 133 167

HSL 194.17, 0.76%, 0.37%

LAB 51.55, -16.73, -26.23

 

CMYK 0 / 49 / 65 / 7

HEX #ED7A53

RGB 237 122 83

HSL 15.19, 0.81%, 0.63%

LAB 63.79, 41.22, 41.22

 

CMYK 0 / 45 / 60 / 0

HEX #FE8C66

RGB 254 140 102

HSL 15, 0.99%, 0.7%

LAB 70.03, 39.83, 39.23

 

CMYK 0 / 38 / 53 / 0

HEX #FF9E79

RGB 255 158 121

HSL 16.57, 1%, 0.74%

LAB 74.25, 32.44, 34.49

 

CMYK 0 / 31 / 45 / 0

HEX #FFB08C

RGB 255 176 140

HSL 18.78, 1%, 0.77%

LAB 78.58, 24.79, 30.05

 

CMYK 0 / 24 / 38 / 0

HEX #FFC29F

RGB 255 194 159

HSL 21.88, 1%, 0.81%

LAB 83.1, 17.38, 26.07

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 52 / 68 / 16

HEX #D76845

RGB 215 104 69

HSL 14.38, 0.65%, 0.56%

LAB 56.86, 41.06, 39.75

 

CMYK 0 / 57 / 75 / 22

HEX #C65632

RGB 198 86 50

HSL 14.59, 0.6%, 0.49%

LAB 50.56, 42.56, 42.05

 

CMYK 0 / 62 / 83 / 29

HEX #B5441F

RGB 181 68 31

HSL 14.8, 0.71%, 0.42%

LAB 44.31, 44.06, 44.38

 

CMYK 0 / 70 / 93 / 36

HEX #A4320C

RGB 164 50 12

HSL 15, 0.86%, 0.35%

LAB 38.2, 45.4, 46.08

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 62 / 62 / 9

HEX #E85858

RGB 232 88 88

HSL 0, 0.76%, 0.63%

LAB 56.92, 55.74, 29.84

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 31 / 62 / 9

HEX #E8A158

RGB 232 161 88

HSL 30.42, 0.76%, 0.63%

LAB 71.79, 19.16, 47.89

 

CMYK 0 / 14 / 62 / 9

HEX #E8C858

RGB 232 200 88

HSL 46.67, 0.76%, 0.63%

LAB 81.38, -1.36, 58.71

 

CMYK 3 / 0 / 62 / 9

HEX #E1E858

RGB 225 232 88

HSL 62.92, 0.76%, 0.63%

LAB 89.12, -20.26, 66.9

 

CMYK 19 / 0 / 62 / 9

HEX #BBE858

RGB 187 232 88

HSL 78.75, 0.76%, 0.63%

LAB 86.5, -35.19, 63.3

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 54 / 70 / 3

HEX #F77249

RGB 247 114 73

HSL 14.14, 0.92%, 0.63%

LAB 63.58, 48.33, 46.57

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 40 / 52 / 15

HEX #D98268

RGB 217 130 104

HSL 13.81, 0.6%, 0.63%

LAB 63.11, 30.87, 28.37

 

CMYK 0 / 31 / 41 / 21

HEX #C98A77

RGB 201 138 119

HSL 13.9, 0.43%, 0.63%

LAB 63.28, 21.72, 19.89

 

CMYK 0 / 22 / 28 / 27

HEX #BA9286

RGB 186 146 134

HSL 13.85, 0.27%, 0.63%

LAB 63.93, 13.27, 12.11

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 62 / 44 / 9

HEX #E85883

RGB 232 88 131

HSL 342.08, 0.76%, 0.63%

LAB 57.82, 59.18, 5.98

 

CMYK 0 / 62 / 60 / 9

HEX #E8585D

RGB 232 88 93

HSL 357.92, 0.76%, 0.63%

LAB 57, 56.06, 27.07

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 31 / 62 / 9

HEX #E8A058

RGB 232 160 88

HSL 30, 0.76%, 0.63%

LAB 71.56, 19.7, 47.61

 

CMYK 0 / 15 / 62 / 9

HEX #E8C658

RGB 232 198 88

HSL 45.83, 0.76%, 0.63%

LAB 80.88, -0.33, 58.16

 

CMYK 0 / 66 / 87 / 18

HEX #D2471C

RGB 210 71 28

HSL 14.18, 0.76%, 0.47%

LAB 49.85, 52.94, 52.47

 

CMYK 0 / 59 / 77 / 11

HEX #E35D34

RGB 227 93 52

HSL 14.06, 0.76%, 0.55%

LAB 56.49, 50, 48.67

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 0 / 36 / 47 / 7

HEX #ED977D

RGB 237 151 125

HSL 13.93, 0.76%, 0.71%

LAB 70.61, 29.49, 27.16

 

CMYK 0 / 26 / 33 / 5

HEX #F2B4A1

RGB 242 180 161

HSL 14.07, 0.76%, 0.79%

LAB 78.52, 20.02, 18.5

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 27 / 0 / 62 / 9

HEX #AAE858

RGB 170 232 88

HSL 85.83, 0.76%, 0.63%

LAB 85.49, -41.5, 61.91

 

CMYK 62 / 52 / 0 / 9

HEX #5870E8

RGB 88 112 232

HSL 230, 0.76%, 0.63%

LAB 51.25, 27.82, -63.62

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 62 / 0 / 47 / 9

HEX #58E87A

RGB 88 232 122

HSL 134.17, 0.76%, 0.63%

LAB 82.48, -61.41, 42.15

 

CMYK 47 / 62 / 0 / 9

HEX #7A58E8

RGB 122 88 232

HSL 254.17, 0.76%, 0.63%

LAB 48.19, 48.24, -68.47

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 27 / 0 / 62 / 9

HEX #AAE858

RGB 170 232 88

HSL 85.83, 0.76%, 0.63%

LAB 85.49, -41.5, 61.91

 

CMYK 62 / 15 / 0 / 9

HEX #58C6E8

RGB 88 198 232

HSL 194.17, 0.76%, 0.63%

LAB 75.01, -21.41, -26.24

 

CMYK 35 / 62 / 0 / 9

HEX #9758E8

RGB 151 88 232

HSL 266.25, 0.76%, 0.63%

LAB 51.13, 54.12, -63.56

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 45 / 0 / 62 / 9

HEX #7FE858

RGB 127 232 88

HSL 103.75, 0.76%, 0.63%

LAB 83.41, -55.75, 59.03

 

CMYK 62 / 15 / 0 / 9

HEX #58C6E8

RGB 88 198 232

HSL 194.17, 0.76%, 0.63%

LAB 75.01, -21.41, -26.24

 

CMYK 16 / 62 / 0 / 9

HEX #C258E8

RGB 194 88 232

HSL 284.17, 0.76%, 0.63%

LAB 56.36, 63.73, -54.88

 

Description

Color code: RGB 232 122 88 | qconv.com Color code: RGB 232 122 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 122 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 122 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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