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Color name
RGB 233 117 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 117 167 it is the complementary color RGB 22 138 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 117 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 117 167 shade: RGB 238 117 162, RGB 255 135 181, RGB 255 153 200, RGB 255 171 219 and RGB 255 189 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 117 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 117 167 shade: RGB 233 117 167, RGB 216 99 148, RGB 199 81 129, RGB 182 63 110 and RGB 165 45 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 117 167 shade: RGB 233 118 167, RGB 233 118 136 and RGB 233 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 117 167 shade: RGB 233 118 167, RGB 233 118 199, RGB 233 118 230, RGB 205 118 233 and RGB 174 118 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 117 167 shade matches the following richer shades: RGB 233 118 167 and RGB 246 105 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 117 167 shade: RGB 233 118 167, RGB 220 131 169, RGB 208 143 171, RGB 195 156 173 and RGB 182 169 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 117 167 shade: RGB 233 118 229, RGB 233 118 199, RGB 233 118 168, RGB 233 118 137 and RGB 233 129 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 117 167 shade: RGB 222 46 122, RGB 228 82 145, RGB 233 118 167, RGB 239 153 190 and RGB 244 189 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 117 167 shade: RGB 233 117 167, RGB 233 206 118 and RGB 118 214 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 117 167 shade: RGB 233 117 167, RGB 168 233 118 and RGB 118 168 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 117 167 shade: RGB 233 117 167, RGB 233 206 118, RGB 118 233 183 and RGB 118 145 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 117 167 shade: RGB 233 117 167, RGB 225 233 118, RGB 118 233 183 and RGB 125 118 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

Complementary color

CMYK 84 / 0 / 36 / 46

HEX #168A58

RGB 22 138 88

HSL 154.14, 0.73%, 0.31%

LAB 50.75, -42.72, 18.35

 

CMYK 0 / 51 / 32 / 7

HEX #EE75A2

RGB 238 117 162

HSL 337.69, 0.78%, 0.7%

LAB 64.57, 51.28, -2.04

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 40 / 22 / 0

HEX #FF99C8

RGB 255 153 200

HSL 332.35, 1%, 0.8%

LAB 74.96, 44.02, -7.71

 

CMYK 0 / 33 / 14 / 0

HEX #FFABDB

RGB 255 171 219

HSL 325.71, 1%, 0.84%

LAB 79.33, 37.58, -11.57

 

CMYK 0 / 26 / 7 / 0

HEX #FFBDEE

RGB 255 189 238

HSL 315.45, 1%, 0.87%

LAB 83.88, 31.27, -14.98

 

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

CMYK 0 / 54 / 31 / 15

HEX #D86394

RGB 216 99 148

HSL 334.87, 0.6%, 0.62%

LAB 57.71, 51.02, -4.42

 

CMYK 0 / 59 / 35 / 22

HEX #C75181

RGB 199 81 129

HSL 335.59, 0.51%, 0.55%

LAB 51.4, 51.66, -2.82

 

CMYK 0 / 65 / 40 / 29

HEX #B63F6E

RGB 182 63 110

HSL 336.3, 0.49%, 0.48%

LAB 45.12, 52.08, -0.86

 

CMYK 0 / 73 / 45 / 35

HEX #A52D5B

RGB 165 45 91

HSL 337, 0.57%, 0.41%

LAB 38.95, 52.08, 1.65

 

CMYK 0 / 49 / 28 / 9

HEX #E976A7

RGB 233 118 167

HSL 334.43, 0.72%, 0.69%

LAB 64.22, 49.78, -5.48

 

CMYK 0 / 49 / 42 / 9

HEX #E97688

RGB 233 118 136

HSL 350.61, 0.72%, 0.69%

LAB 63.39, 46.12, 11.02

 

CMYK 0 / 49 / 49 / 9

HEX #E97676

RGB 233 118 118

HSL 0, 0.72%, 0.69%

LAB 63, 44.36, 20.74

 

CMYK 0 / 49 / 28 / 9

HEX #E976A7

RGB 233 118 167

HSL 334.43, 0.72%, 0.69%

LAB 64.22, 49.78, -5.48

 

CMYK 0 / 49 / 15 / 9

HEX #E976C7

RGB 233 118 199

HSL 317.74, 0.72%, 0.69%

LAB 65.28, 54.32, -22

 

CMYK 0 / 49 / 1 / 9

HEX #E976E6

RGB 233 118 230

HSL 301.57, 0.72%, 0.69%

LAB 66.52, 59.38, -37.41

 

CMYK 12 / 49 / 0 / 9

HEX #CD76E9

RGB 205 118 233

HSL 285.39, 0.72%, 0.69%

LAB 63.19, 52.24, -44.52

 

CMYK 25 / 49 / 0 / 9

HEX #AE76E9

RGB 174 118 233

HSL 269.22, 0.72%, 0.69%

LAB 59.74, 43.93, -50.2

 

CMYK 0 / 49 / 28 / 9

HEX #E976A7

RGB 233 118 167

HSL 334.43, 0.72%, 0.69%

LAB 64.22, 49.78, -5.48

 

CMYK 0 / 57 / 33 / 4

HEX #F669A6

RGB 246 105 166

HSL 334.04, 0.89%, 0.69%

LAB 63.71, 59.88, -5.45

 

CMYK 0 / 49 / 28 / 9

HEX #E976A7

RGB 233 118 167

HSL 334.43, 0.72%, 0.69%

LAB 64.22, 49.78, -5.48

 

CMYK 0 / 40 / 23 / 14

HEX #DC83A9

RGB 220 131 169

HSL 334.38, 0.56%, 0.69%

LAB 65.21, 39.06, -5.34

 

CMYK 0 / 31 / 18 / 18

HEX #D08FAB

RGB 208 143 171

HSL 334.15, 0.41%, 0.69%

LAB 66.52, 28.72, -4.69

 

CMYK 0 / 20 / 11 / 24

HEX #C39CAD

RGB 195 156 173

HSL 333.85, 0.25%, 0.69%

LAB 68.31, 17.24, -3.32

 

CMYK 0 / 7 / 4 / 29

HEX #B6A9AF

RGB 182 169 175

HSL 332.31, 0.08%, 0.69%

LAB 70.47, 5.76, -1.4

 

CMYK 0 / 49 / 2 / 9

HEX #E976E5

RGB 233 118 229

HSL 302.09, 0.72%, 0.69%

LAB 66.47, 59.21, -36.92

 

CMYK 0 / 49 / 15 / 9

HEX #E976C7

RGB 233 118 199

HSL 317.74, 0.72%, 0.69%

LAB 65.28, 54.32, -22

 

CMYK 0 / 49 / 28 / 9

HEX #E976A8

RGB 233 118 168

HSL 333.91, 0.72%, 0.69%

LAB 64.25, 49.91, -6.01

 

CMYK 0 / 49 / 41 / 9

HEX #E97689

RGB 233 118 137

HSL 350.09, 0.72%, 0.69%

LAB 63.41, 46.23, 10.49

 

CMYK 0 / 45 / 49 / 9

HEX #E98176

RGB 233 129 118

HSL 5.74, 0.72%, 0.69%

LAB 65.23, 38.79, 23.74

 

CMYK 0 / 79 / 45 / 13

HEX #DE2E7A

RGB 222 46 122

HSL 334.09, 0.73%, 0.53%

LAB 50.56, 70.18, 0.62

 

CMYK 0 / 64 / 36 / 11

HEX #E45291

RGB 228 82 145

HSL 334.11, 0.73%, 0.61%

LAB 56.66, 61.9, -4.02

 

CMYK 0 / 49 / 28 / 9

HEX #E976A7

RGB 233 118 167

HSL 334.43, 0.72%, 0.69%

LAB 64.22, 49.78, -5.48

 

CMYK 0 / 36 / 21 / 6

HEX #EF99BE

RGB 239 153 190

HSL 334.19, 0.73%, 0.77%

LAB 72.79, 37.14, -5.61

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

CMYK 0 / 12 / 49 / 9

HEX #E9CE76

RGB 233 206 118

HSL 45.91, 0.72%, 0.69%

LAB 83.32, -1.73, 46.93

 

CMYK 49 / 8 / 0 / 9

HEX #76D6E9

RGB 118 214 233

HSL 189.91, 0.72%, 0.69%

LAB 80.64, -23.36, -18.12

 

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

CMYK 28 / 0 / 49 / 9

HEX #A8E976

RGB 168 233 118

HSL 93.91, 0.72%, 0.69%

LAB 85.96, -39.78, 49.09

 

CMYK 49 / 28 / 0 / 9

HEX #76A8E9

RGB 118 168 233

HSL 213.91, 0.72%, 0.69%

LAB 67.83, 1.04, -37.78

 

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

CMYK 0 / 12 / 49 / 9

HEX #E9CE76

RGB 233 206 118

HSL 45.91, 0.72%, 0.69%

LAB 83.32, -1.73, 46.93

 

CMYK 49 / 0 / 21 / 9

HEX #76E9B7

RGB 118 233 183

HSL 153.91, 0.72%, 0.69%

LAB 84.77, -44.18, 14.38

 

CMYK 49 / 38 / 0 / 9

HEX #7691E9

RGB 118 145 233

HSL 225.91, 0.72%, 0.69%

LAB 61.64, 14.27, -47.49

 

CMYK 0 / 50 / 28 / 9

HEX #E975A7

RGB 233 117 167

HSL 334.14, 0.73%, 0.69%

LAB 64.03, 50.27, -5.76

 

CMYK 3 / 0 / 49 / 9

HEX #E1E976

RGB 225 233 118

HSL 64.17, 0.72%, 0.69%

LAB 89.67, -18.47, 54.43

 

CMYK 49 / 0 / 21 / 9

HEX #76E9B7

RGB 118 233 183

HSL 153.91, 0.72%, 0.69%

LAB 84.77, -44.18, 14.38

 

CMYK 46 / 49 / 0 / 9

HEX #7D76E9

RGB 125 118 233

HSL 243.65, 0.72%, 0.69%

LAB 55.28, 31.85, -57.58

 

Description

Color code: RGB 233 117 167 | qconv.com Color code: RGB 233 117 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 117 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 117 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 28 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 28% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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