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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 77 151 it is the complementary color RGB 22 178 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 77 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 77 151 shade: RGB 238 77 146, RGB 255 95 165, RGB 255 113 184, RGB 255 131 203 and RGB 255 149 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 77 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 216 59 132, RGB 199 41 113, RGB 182 23 94 and RGB 165 5 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 233 77 109 and RGB 233 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 233 77 193, RGB 231 77 233, RGB 189 77 233 and RGB 147 77 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 77 151 shade matches the following richer shades: RGB 233 77 151 and RGB 249 61 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 217 94 152, RGB 200 110 153, RGB 184 126 154 and RGB 168 142 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 77 151 shade: RGB 230 77 233, RGB 233 77 194, RGB 233 77 152, RGB 233 77 111 and RGB 233 85 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 77 151 shade: RGB 203 25 109, RGB 228 41 130, RGB 233 77 151, RGB 237 114 173 and RGB 242 151 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 233 189 77 and RGB 77 215 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 152 233 77 and RGB 77 152 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 233 189 77, RGB 77 233 158 and RGB 77 121 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 77 151 shade: RGB 233 77 151, RGB 230 233 77, RGB 77 233 158 and RGB 80 77 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

Complementary color

CMYK 88 / 0 / 42 / 30

HEX #16B268

RGB 22 178 104

HSL 151.54, 0.78%, 0.39%

LAB 64.17, -54.49, 27.49

 

CMYK 0 / 68 / 39 / 7

HEX #EE4D92

RGB 238 77 146

HSL 334.29, 0.83%, 0.62%

LAB 57.62, 66.82, -3.01

 

CMYK 0 / 63 / 35 / 0

HEX #FF5FA5

RGB 255 95 165

HSL 333.75, 1%, 0.69%

LAB 63.48, 66.7, -5.08

 

CMYK 0 / 56 / 28 / 0

HEX #FF71B8

RGB 255 113 184

HSL 330, 1%, 0.72%

LAB 66.92, 61.23, -10.77

 

CMYK 0 / 49 / 20 / 0

HEX #FF83CB

RGB 255 131 203

HSL 325.16, 1%, 0.76%

LAB 70.74, 55.38, -15.69

 

CMYK 0 / 42 / 13 / 0

HEX #FF95DE

RGB 255 149 222

HSL 318.68, 1%, 0.79%

LAB 74.84, 49.34, -19.96

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 73 / 39 / 15

HEX #D83B84

RGB 216 59 132

HSL 332.1, 0.67%, 0.54%

LAB 51.14, 65.69, -4.68

 

CMYK 0 / 79 / 43 / 22

HEX #C72971

RGB 199 41 113

HSL 332.66, 0.66%, 0.47%

LAB 45.52, 64.81, -1.75

 

CMYK 0 / 87 / 48 / 29

HEX #B6175E

RGB 182 23 94

HSL 333.21, 0.78%, 0.4%

LAB 40.19, 63.01, 1.95

 

CMYK 0 / 97 / 55 / 35

HEX #A5054B

RGB 165 5 75

HSL 333.75, 0.94%, 0.33%

LAB 35.23, 60, 6.6

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 67 / 53 / 9

HEX #E94D6D

RGB 233 77 109

HSL 347.69, 0.78%, 0.61%

LAB 55.82, 62.03, 16.15

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 67 / 17 / 9

HEX #E94DC1

RGB 233 77 193

HSL 315.38, 0.78%, 0.61%

LAB 58.49, 71.15, -29.04

 

CMYK 1 / 67 / 0 / 9

HEX #E74DE9

RGB 231 77 233

HSL 299.23, 0.78%, 0.61%

LAB 60.05, 76.67, -49.26

 

CMYK 19 / 67 / 0 / 9

HEX #BD4DE9

RGB 189 77 233

HSL 283.08, 0.78%, 0.61%

LAB 54.04, 67.58, -59.2

 

CMYK 37 / 67 / 0 / 9

HEX #934DE9

RGB 147 77 233

HSL 266.92, 0.78%, 0.61%

LAB 48.75, 59.02, -68

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 76 / 40 / 2

HEX #F93D96

RGB 249 61 150

HSL 331.6, 0.94%, 0.61%

LAB 57.73, 75.44, -4.98

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 57 / 30 / 15

HEX #D95E98

RGB 217 94 152

HSL 331.71, 0.62%, 0.61%

LAB 57.1, 54.18, -7.65

 

CMYK 0 / 45 / 24 / 22

HEX #C86E99

RGB 200 110 153

HSL 331.33, 0.45%, 0.61%

LAB 57.78, 40.86, -7.47

 

CMYK 0 / 32 / 16 / 28

HEX #B87E9A

RGB 184 126 154

HSL 331.03, 0.29%, 0.61%

LAB 59.38, 26.71, -5.88

 

CMYK 0 / 15 / 8 / 34

HEX #A88E9A

RGB 168 142 154

HSL 332.31, 0.13%, 0.61%

LAB 61.66, 11.85, -2.71

 

CMYK 1 / 67 / 0 / 9

HEX #E64DE9

RGB 230 77 233

HSL 298.85, 0.78%, 0.61%

LAB 59.9, 76.45, -49.5

 

CMYK 0 / 67 / 17 / 9

HEX #E94DC2

RGB 233 77 194

HSL 315, 0.78%, 0.61%

LAB 58.53, 71.29, -29.54

 

CMYK 0 / 67 / 35 / 9

HEX #E94D98

RGB 233 77 152

HSL 331.15, 0.78%, 0.61%

LAB 56.98, 66.06, -7.57

 

CMYK 0 / 67 / 52 / 9

HEX #E94D6F

RGB 233 77 111

HSL 346.92, 0.78%, 0.61%

LAB 55.87, 62.18, 15.03

 

CMYK 0 / 64 / 67 / 9

HEX #E9554D

RGB 233 85 77

HSL 3.08, 0.78%, 0.61%

LAB 56.44, 56.71, 35.55

 

CMYK 0 / 88 / 46 / 20

HEX #CB196D

RGB 203 25 109

HSL 331.69, 0.78%, 0.45%

LAB 44.94, 68.99, -0.05

 

CMYK 0 / 82 / 43 / 11

HEX #E42982

RGB 228 41 130

HSL 331.44, 0.78%, 0.53%

LAB 51.49, 73.59, -2.72

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 52 / 27 / 7

HEX #ED72AD

RGB 237 114 173

HSL 331.22, 0.77%, 0.69%

LAB 64.21, 53.79, -8.86

 

CMYK 0 / 38 / 20 / 5

HEX #F297C2

RGB 242 151 194

HSL 331.65, 0.78%, 0.77%

LAB 72.83, 39.8, -7.73

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 19 / 67 / 9

HEX #E9BD4D

RGB 233 189 77

HSL 43.08, 0.78%, 0.61%

LAB 78.61, 4.11, 60.54

 

CMYK 67 / 8 / 0 / 9

HEX #4DD7E9

RGB 77 215 233

HSL 186.92, 0.78%, 0.61%

LAB 79.65, -31.23, -19.74

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 35 / 0 / 67 / 9

HEX #98E94D

RGB 152 233 77

HSL 91.15, 0.78%, 0.61%

LAB 84.74, -49.1, 65.2

 

CMYK 67 / 35 / 0 / 9

HEX #4D98E9

RGB 77 152 233

HSL 211.15, 0.78%, 0.61%

LAB 61.58, 2.19, -47.71

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 0 / 19 / 67 / 9

HEX #E9BD4D

RGB 233 189 77

HSL 43.08, 0.78%, 0.61%

LAB 78.61, 4.11, 60.54

 

CMYK 67 / 0 / 32 / 9

HEX #4DE99E

RGB 77 233 158

HSL 151.15, 0.78%, 0.61%

LAB 83.09, -57.56, 24.84

 

CMYK 67 / 48 / 0 / 9

HEX #4D79E9

RGB 77 121 233

HSL 223.08, 0.78%, 0.61%

LAB 53.1, 20.83, -61.24

 

CMYK 0 / 67 / 35 / 9

HEX #E94D97

RGB 233 77 151

HSL 331.54, 0.78%, 0.61%

LAB 56.94, 65.95, -7.03

 

CMYK 1 / 0 / 67 / 9

HEX #E6E94D

RGB 230 233 77

HSL 61.15, 0.78%, 0.61%

LAB 89.69, -19.35, 71.86

 

CMYK 67 / 0 / 32 / 9

HEX #4DE99E

RGB 77 233 158

HSL 151.15, 0.78%, 0.61%

LAB 83.09, -57.56, 24.84

 

CMYK 66 / 67 / 0 / 9

HEX #504DE9

RGB 80 77 233

HSL 241.15, 0.78%, 0.61%

LAB 42.61, 48.06, -78.28

 

Description

Color code: RGB 233 77 151 | qconv.com Color code: RGB 233 77 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 77 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 77 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 35% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - 花王 ソフィーナ プリマヴィスタ ディア...
Link: http://www.sofina.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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