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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 135 231 it is the complementary color RGB 21 120 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 135 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 135 231 shade: RGB 239 135 226, RGB 255 153 245, RGB 255 171 255, RGB 255 189 255 and RGB 255 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 135 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 135 231 shade: RGB 234 135 231, RGB 217 117 212, RGB 200 99 193, RGB 183 81 174 and RGB 166 63 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 135 231 shade: RGB 233 133 230, RGB 233 133 203, RGB 233 133 176, RGB 233 133 149 and RGB 233 133 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 135 231 shade: RGB 233 133 230, RGB 209 133 233, RGB 182 133 233, RGB 155 133 233 and RGB 133 133 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 135 231 shade matches the following richer shades: RGB 233 133 230 and RGB 245 122 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 135 231 shade: RGB 233 133 230, RGB 222 145 219, RGB 210 156 208, RGB 198 168 197 and RGB 187 179 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 135 231 shade: RGB 181 133 233, RGB 208 133 233, RGB 233 133 231, RGB 233 133 205 and RGB 233 133 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 135 231 shade: RGB 221 63 216, RGB 227 98 223, RGB 233 133 230, RGB 239 168 237 and RGB 245 203 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 135 231 shade: RGB 234 135 231, RGB 233 155 133 and RGB 133 233 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 135 231 shade: RGB 234 135 231, RGB 231 233 133 and RGB 133 231 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 135 231 shade: RGB 234 135 231, RGB 233 155 133, RGB 133 233 135 and RGB 133 211 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 135 231 shade: RGB 234 135 231, RGB 233 185 133, RGB 133 233 135 and RGB 133 181 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

Complementary color

CMYK 83 / 0 / 80 / 53

HEX #157818

RGB 21 120 24

HSL 121.82, 0.7%, 0.28%

LAB 43.74, -46.03, 41.79

 

CMYK 0 / 44 / 5 / 6

HEX #EF87E2

RGB 239 135 226

HSL 307.5, 0.76%, 0.73%

LAB 70.29, 52.11, -29.28

 

CMYK 0 / 40 / 4 / 0

HEX #FF99F5

RGB 255 153 245

HSL 305.88, 1%, 0.8%

LAB 76.46, 51.09, -30.02

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

CMYK 0 / 46 / 2 / 15

HEX #D975D4

RGB 217 117 212

HSL 303, 0.57%, 0.65%

LAB 63.53, 52.19, -32.17

 

CMYK 0 / 51 / 4 / 22

HEX #C863C1

RGB 200 99 193

HSL 304.16, 0.48%, 0.59%

LAB 57.13, 52.84, -31.53

 

CMYK 0 / 56 / 5 / 28

HEX #B751AE

RGB 183 81 174

HSL 305.29, 0.41%, 0.52%

LAB 50.7, 53.37, -30.74

 

CMYK 0 / 62 / 7 / 35

HEX #A63F9B

RGB 166 63 155

HSL 306.41, 0.45%, 0.45%

LAB 44.27, 53.66, -29.72

 

CMYK 0 / 43 / 1 / 9

HEX #E985E6

RGB 233 133 230

HSL 301.8, 0.69%, 0.72%

LAB 69.34, 52.03, -33.03

 

CMYK 0 / 43 / 13 / 9

HEX #E985CB

RGB 233 133 203

HSL 318, 0.69%, 0.72%

LAB 68.32, 47.49, -19.61

 

CMYK 0 / 43 / 24 / 9

HEX #E985B0

RGB 233 133 176

HSL 334.2, 0.69%, 0.72%

LAB 67.45, 43.46, -5.79

 

CMYK 0 / 43 / 36 / 9

HEX #E98595

RGB 233 133 149

HSL 350.4, 0.69%, 0.72%

LAB 66.72, 39.98, 8.37

 

CMYK 0 / 43 / 43 / 9

HEX #E98585

RGB 233 133 133

HSL 0, 0.69%, 0.72%

LAB 66.36, 38.2, 16.88

 

CMYK 0 / 43 / 1 / 9

HEX #E985E6

RGB 233 133 230

HSL 301.8, 0.69%, 0.72%

LAB 69.34, 52.03, -33.03

 

CMYK 10 / 43 / 0 / 9

HEX #D185E9

RGB 209 133 233

HSL 285.6, 0.69%, 0.72%

LAB 66.68, 45.59, -39.02

 

CMYK 22 / 43 / 0 / 9

HEX #B685E9

RGB 182 133 233

HSL 269.4, 0.69%, 0.72%

LAB 63.84, 37.87, -43.68

 

CMYK 33 / 43 / 0 / 9

HEX #9B85E9

RGB 155 133 233

HSL 253.2, 0.69%, 0.72%

LAB 61.33, 30.48, -47.8

 

CMYK 43 / 43 / 0 / 9

HEX #8585E9

RGB 133 133 233

HSL 240, 0.69%, 0.72%

LAB 59.57, 24.88, -50.71

 

CMYK 0 / 43 / 1 / 9

HEX #E985E6

RGB 233 133 230

HSL 301.8, 0.69%, 0.72%

LAB 69.34, 52.03, -33.03

 

CMYK 0 / 50 / 2 / 4

HEX #F57AF1

RGB 245 122 241

HSL 301.95, 0.86%, 0.72%

LAB 69.24, 62.66, -39.11

 

CMYK 0 / 43 / 1 / 9

HEX #E985E6

RGB 233 133 230

HSL 301.8, 0.69%, 0.72%

LAB 69.34, 52.03, -33.03

 

CMYK 0 / 35 / 1 / 13

HEX #DE91DB

RGB 222 145 219

HSL 302.34, 0.54%, 0.72%

LAB 70.1, 40.51, -25.88

 

CMYK 0 / 26 / 1 / 18

HEX #D29CD0

RGB 210 156 208

HSL 302.22, 0.38%, 0.72%

LAB 70.89, 28.69, -18.72

 

CMYK 0 / 15 / 1 / 22

HEX #C6A8C5

RGB 198 168 197

HSL 302, 0.21%, 0.72%

LAB 72.26, 16, -10.73

 

CMYK 0 / 4 / 0 / 27

HEX #BBB3BB

RGB 187 179 187

HSL 300, 0.06%, 0.72%

LAB 73.8, 4.31, -3.06

 

CMYK 22 / 43 / 0 / 9

HEX #B585E9

RGB 181 133 233

HSL 268.8, 0.69%, 0.72%

LAB 63.74, 37.59, -43.84

 

CMYK 11 / 43 / 0 / 9

HEX #D085E9

RGB 208 133 233

HSL 285, 0.69%, 0.72%

LAB 66.57, 45.3, -39.2

 

CMYK 0 / 43 / 1 / 9

HEX #E985E7

RGB 233 133 231

HSL 301.2, 0.69%, 0.72%

LAB 69.38, 52.2, -33.51

 

CMYK 0 / 43 / 12 / 9

HEX #E985CD

RGB 233 133 205

HSL 316.8, 0.69%, 0.72%

LAB 68.39, 47.81, -20.62

 

CMYK 0 / 43 / 24 / 9

HEX #E985B2

RGB 233 133 178

HSL 333, 0.69%, 0.72%

LAB 67.51, 43.74, -6.83

 

CMYK 0 / 71 / 2 / 13

HEX #DD3FD8

RGB 221 63 216

HSL 301.9, 0.7%, 0.56%

LAB 55.97, 76.54, -46.24

 

CMYK 0 / 57 / 2 / 11

HEX #E362DF

RGB 227 98 223

HSL 301.86, 0.7%, 0.64%

LAB 61.99, 65.74, -40.64

 

CMYK 0 / 43 / 1 / 9

HEX #E985E6

RGB 233 133 230

HSL 301.8, 0.69%, 0.72%

LAB 69.34, 52.03, -33.03

 

CMYK 0 / 30 / 1 / 6

HEX #EFA8ED

RGB 239 168 237

HSL 301.69, 0.69%, 0.8%

LAB 77.56, 36.98, -24.15

 

CMYK 0 / 17 / 0 / 4

HEX #F5CBF4

RGB 245 203 244

HSL 301.43, 0.68%, 0.88%

LAB 86.33, 21.65, -14.59

 

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

CMYK 0 / 33 / 43 / 9

HEX #E99B85

RGB 233 155 133

HSL 13.2, 0.69%, 0.72%

LAB 71.19, 26.63, 23.48

 

CMYK 43 / 0 / 16 / 9

HEX #85E9C3

RGB 133 233 195

HSL 157.2, 0.69%, 0.72%

LAB 85.61, -37.97, 9.38

 

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

CMYK 1 / 0 / 43 / 9

HEX #E7E985

RGB 231 233 133

HSL 61.2, 0.69%, 0.72%

LAB 90.3, -14.71, 48.2

 

CMYK 43 / 1 / 0 / 9

HEX #85E7E9

RGB 133 231 233

HSL 181.2, 0.69%, 0.72%

LAB 86.02, -28.3, -10

 

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

CMYK 0 / 33 / 43 / 9

HEX #E99B85

RGB 233 155 133

HSL 13.2, 0.69%, 0.72%

LAB 71.19, 26.63, 23.48

 

CMYK 43 / 0 / 42 / 9

HEX #85E987

RGB 133 233 135

HSL 121.2, 0.69%, 0.72%

LAB 84.49, -48.76, 38.65

 

CMYK 43 / 9 / 0 / 9

HEX #85D3E9

RGB 133 211 233

HSL 193.2, 0.69%, 0.72%

LAB 80.44, -18.4, -18.37

 

CMYK 0 / 42 / 1 / 8

HEX #EA87E7

RGB 234 135 231

HSL 301.82, 0.7%, 0.72%

LAB 69.89, 51.49, -32.71

 

CMYK 0 / 21 / 43 / 9

HEX #E9B985

RGB 233 185 133

HSL 31.2, 0.69%, 0.72%

LAB 78.3, 10.68, 32.94

 

CMYK 43 / 0 / 42 / 9

HEX #85E987

RGB 133 233 135

HSL 121.2, 0.69%, 0.72%

LAB 84.49, -48.76, 38.65

 

CMYK 43 / 22 / 0 / 9

HEX #85B5E9

RGB 133 181 233

HSL 211.2, 0.69%, 0.72%

LAB 72.17, -2.56, -30.98

 

Description

Color code: RGB 234 135 231 | qconv.com Color code: RGB 234 135 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 135 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 135 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 1 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 1% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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