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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 163 197 it is the complementary color RGB 21 92 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 163 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 163 197 shade: RGB 239 163 192, RGB 255 181 211, RGB 255 199 230, RGB 255 217 249 and RGB 255 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 163 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 217 145 178, RGB 200 127 159, RGB 183 109 140 and RGB 166 91 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 234 163 178 and RGB 234 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 234 163 216, RGB 232 163 234, RGB 213 163 234 and RGB 194 163 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 163 197 shade matches the following richer shades: RGB 234 163 197, RGB 243 154 197 and RGB 252 145 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 225 172 197, RGB 216 181 198, RGB 207 190 198 and RGB 197 199 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 163 197 shade: RGB 233 163 234, RGB 234 163 216, RGB 234 163 197, RGB 234 163 178 and RGB 234 167 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 163 197 shade: RGB 218 96 155, RGB 226 129 176, RGB 234 163 197, RGB 241 197 218 and RGB 249 230 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 234 214 163 and RGB 163 225 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 197 234 163 and RGB 163 197 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 234 214 163, RGB 163 234 200 and RGB 163 183 234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 163 197 shade: RGB 234 163 197, RGB 233 234 163, RGB 163 234 200 and RGB 164 163 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

Complementary color

CMYK 77 / 0 / 37 / 64

HEX #155C3A

RGB 21 92 58

HSL 151.27, 0.63%, 0.22%

LAB 34.23, -30.42, 13.52

 

CMYK 0 / 32 / 20 / 6

HEX #EFA3C0

RGB 239 163 192

HSL 337.11, 0.7%, 0.79%

LAB 75.05, 32.17, -3.39

 

CMYK 0 / 29 / 17 / 0

HEX #FFB5D3

RGB 255 181 211

HSL 335.68, 1%, 0.85%

LAB 81.3, 31.12, -4.33

 

CMYK 0 / 22 / 10 / 0

HEX #FFC7E6

RGB 255 199 230

HSL 326.79, 1%, 0.89%

LAB 85.92, 24.68, -7.68

 

CMYK 0 / 15 / 2 / 0

HEX #FFD9F9

RGB 255 217 249

HSL 309.47, 1%, 0.93%

LAB 90.65, 18.49, -10.68

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 33 / 18 / 15

HEX #D991B2

RGB 217 145 178

HSL 332.5, 0.49%, 0.71%

LAB 68.18, 31.91, -6.05

 

CMYK 0 / 37 / 21 / 22

HEX #C87F9F

RGB 200 127 159

HSL 333.7, 0.4%, 0.64%

LAB 61.62, 32.69, -5.23

 

CMYK 0 / 40 / 23 / 28

HEX #B76D8C

RGB 183 109 140

HSL 334.86, 0.34%, 0.57%

LAB 54.97, 33.52, -4.31

 

CMYK 0 / 45 / 27 / 35

HEX #A65B79

RGB 166 91 121

HSL 336, 0.3%, 0.5%

LAB 48.22, 34.39, -3.26

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 30 / 24 / 8

HEX #EAA3B2

RGB 234 163 178

HSL 347.32, 0.63%, 0.78%

LAB 74.13, 28.34, 2.89

 

CMYK 0 / 30 / 30 / 8

HEX #EAA3A3

RGB 234 163 163

HSL 0, 0.63%, 0.78%

LAB 73.76, 26.3, 10.61

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 30 / 8 / 8

HEX #EAA3D8

RGB 234 163 216

HSL 315.21, 0.63%, 0.78%

LAB 75.23, 34.31, -16.32

 

CMYK 1 / 30 / 0 / 8

HEX #E8A3EA

RGB 232 163 234

HSL 298.31, 0.63%, 0.78%

LAB 75.63, 36.86, -25.54

 

CMYK 9 / 30 / 0 / 8

HEX #D5A3EA

RGB 213 163 234

HSL 282.25, 0.63%, 0.78%

LAB 73.73, 30.88, -28.62

 

CMYK 17 / 30 / 0 / 8

HEX #C2A3EA

RGB 194 163 234

HSL 266.2, 0.63%, 0.78%

LAB 71.96, 25, -31.49

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 37 / 19 / 5

HEX #F39AC5

RGB 243 154 197

HSL 331.01, 0.79%, 0.78%

LAB 73.67, 39.02, -8.12

 

CMYK 0 / 42 / 22 / 1

HEX #FC91C4

RGB 252 145 196

HSL 331.4, 0.95%, 0.78%

LAB 72.85, 46.51, -8.68

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC5

RGB 225 172 197

HSL 331.7, 0.47%, 0.78%

LAB 75.79, 23.23, -5.2

 

CMYK 0 / 16 / 8 / 15

HEX #D8B5C6

RGB 216 181 198

HSL 330.86, 0.31%, 0.78%

LAB 77.12, 15.39, -3.89

 

CMYK 0 / 8 / 4 / 19

HEX #CFBEC6

RGB 207 190 198

HSL 331.76, 0.15%, 0.78%

LAB 78.56, 7.39, -1.86

 

CMYK 1 / 0 / 1 / 22

HEX #C5C7C6

RGB 197 199 198

HSL 150, 0.02%, 0.78%

LAB 80.06, -0.87, 0.25

 

CMYK 0 / 30 / 0 / 8

HEX #E9A3EA

RGB 233 163 234

HSL 299.15, 0.63%, 0.78%

LAB 75.74, 37.17, -25.37

 

CMYK 0 / 30 / 8 / 8

HEX #EAA3D8

RGB 234 163 216

HSL 315.21, 0.63%, 0.78%

LAB 75.23, 34.31, -16.32

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 30 / 24 / 8

HEX #EAA3B2

RGB 234 163 178

HSL 347.32, 0.63%, 0.78%

LAB 74.13, 28.34, 2.89

 

CMYK 0 / 29 / 30 / 8

HEX #EAA7A3

RGB 234 167 163

HSL 3.38, 0.63%, 0.78%

LAB 74.68, 24.17, 11.92

 

CMYK 0 / 56 / 29 / 15

HEX #DA609B

RGB 218 96 155

HSL 330.98, 0.62%, 0.62%

LAB 57.69, 53.95, -8.5

 

CMYK 0 / 43 / 22 / 11

HEX #E281B0

RGB 226 129 176

HSL 330.93, 0.63%, 0.7%

LAB 65.75, 43.15, -8.41

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 18 / 10 / 5

HEX #F1C5DA

RGB 241 197 218

HSL 331.36, 0.61%, 0.86%

LAB 83.81, 18.95, -4.54

 

CMYK 0 / 8 / 4 / 2

HEX #F9E6EF

RGB 249 230 239

HSL 331.58, 0.61%, 0.94%

LAB 93, 7.98, -2.04

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 9 / 30 / 8

HEX #EAD6A3

RGB 234 214 163

HSL 43.1, 0.63%, 0.78%

LAB 86.12, -0.59, 27.74

 

CMYK 30 / 4 / 0 / 8

HEX #A3E1EA

RGB 163 225 234

HSL 187.61, 0.63%, 0.78%

LAB 85.79, -17.42, -10.71

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 30 / 16 / 0 / 8

HEX #A3C5EA

RGB 163 197 234

HSL 211.27, 0.63%, 0.78%

LAB 78.26, -2.89, -22.04

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 9 / 30 / 8

HEX #EAD6A3

RGB 234 214 163

HSL 43.1, 0.63%, 0.78%

LAB 86.12, -0.59, 27.74

 

CMYK 30 / 0 / 15 / 8

HEX #A3EAC8

RGB 163 234 200

HSL 151.27, 0.63%, 0.78%

LAB 87.39, -29.11, 9.5

 

CMYK 30 / 22 / 0 / 8

HEX #A3B7EA

RGB 163 183 234

HSL 223.1, 0.63%, 0.78%

LAB 74.57, 4.7, -27.68

 

CMYK 0 / 30 / 16 / 8

HEX #EAA3C5

RGB 234 163 197

HSL 331.27, 0.63%, 0.78%

LAB 74.65, 31.19, -6.79

 

CMYK 0 / 0 / 30 / 8

HEX #E9EAA3

RGB 233 234 163

HSL 60.85, 0.63%, 0.78%

LAB 91.15, -11.1, 34.46

 

CMYK 30 / 0 / 15 / 8

HEX #A3EAC8

RGB 163 234 200

HSL 151.27, 0.63%, 0.78%

LAB 87.39, -29.11, 9.5

 

CMYK 30 / 30 / 0 / 8

HEX #A4A3EA

RGB 164 163 234

HSL 240.85, 0.63%, 0.78%

LAB 69.49, 16.12, -35.52

 

Description

Color code: RGB 234 163 197 | qconv.com Color code: RGB 234 163 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 163 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 163 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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