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Color name
RGB 234 241 23

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 241 23 it is the complementary color RGB 21 14 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 241 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 241 23 shade: RGB 239 241 18, RGB 255 255 37, RGB 255 255 56, RGB 255 255 75 and RGB 255 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 241 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 217 223 4, RGB 200 205 0, RGB 183 187 0 and RGB 166 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 241 189 23, RGB 241 131 23, RGB 241 72 23 and RGB 241 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 175 241 23, RGB 117 241 23, RGB 58 241 23 and RGB 23 241 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 241 23 shade matches the following richer shades: RGB 234 241 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 215 221 43, RGB 197 201 63, RGB 178 182 83 and RGB 160 162 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 241 23 shade: RGB 241 128 23, RGB 241 187 23, RGB 237 241 23, RGB 179 241 23 and RGB 121 241 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 241 23 shade: RGB 167 172 10, RGB 205 211 12, RGB 234 241 23, RGB 237 243 62 and RGB 241 246 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 23 241 70 and RGB 158 23 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 23 237 241 and RGB 241 23 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 23 241 70, RGB 27 23 241 and RGB 241 23 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 241 23 shade: RGB 234 241 23, RGB 23 241 136, RGB 27 23 241 and RGB 241 23 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

Complementary color

CMYK 91 / 94 / 0 / 9

HEX #150EE8

RGB 21 14 232

HSL 241.93, 0.89%, 0.48%

LAB 30.16, 71.44, -98.43

 

CMYK 1 / 0 / 93 / 5

HEX #EFF112

RGB 239 241 18

HSL 60.54, 0.89%, 0.51%

LAB 92.27, -21.32, 88.88

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 3 / 0 / 98 / 13

HEX #D9DF04

RGB 217 223 4

HSL 61.64, 0.96%, 0.45%

LAB 85.77, -21.96, 84.49

 

CMYK 2 / 0 / 100 / 20

HEX #C8CD00

RGB 200 205 0

HSL 61.46, 1%, 0.4%

LAB 79.58, -20.42, 79.68

 

CMYK 2 / 0 / 100 / 27

HEX #B7BB00

RGB 183 187 0

HSL 61.28, 1%, 0.37%

LAB 73.29, -18.81, 74.45

 

CMYK 2 / 0 / 100 / 34

HEX #A6A900

RGB 166 169 0

HSL 61.07, 1%, 0.33%

LAB 66.89, -17.17, 69.13

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 0 / 22 / 90 / 5

HEX #F1BD17

RGB 241 189 23

HSL 45.69, 0.89%, 0.52%

LAB 79.13, 5.66, 78.28

 

CMYK 0 / 46 / 90 / 5

HEX #F18317

RGB 241 131 23

HSL 29.72, 0.89%, 0.52%

LAB 65.74, 36.04, 68.3

 

CMYK 0 / 70 / 90 / 5

HEX #F14817

RGB 241 72 23

HSL 13.49, 0.89%, 0.52%

LAB 55.48, 62.64, 60.98

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 27 / 0 / 90 / 5

HEX #AFF117

RGB 175 241 23

HSL 78.17, 0.89%, 0.52%

LAB 88.01, -46.61, 83.1

 

CMYK 51 / 0 / 90 / 5

HEX #75F117

RGB 117 241 23

HSL 94.13, 0.89%, 0.52%

LAB 85.38, -65.61, 79.86

 

CMYK 76 / 0 / 90 / 5

HEX #3AF117

RGB 58 241 23

HSL 110.37, 0.89%, 0.52%

LAB 83.9, -77.92, 78.03

 

CMYK 90 / 0 / 80 / 5

HEX #17F12F

RGB 23 241 47

HSL 126.61, 0.89%, 0.52%

LAB 83.6, -80.31, 72.73

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 3 / 0 / 81 / 13

HEX #D7DD2B

RGB 215 221 43

HSL 62.02, 0.72%, 0.52%

LAB 85.17, -21.14, 77.94

 

CMYK 2 / 0 / 69 / 21

HEX #C5C93F

RGB 197 201 63

HSL 61.74, 0.56%, 0.52%

LAB 78.46, -18.02, 64.98

 

CMYK 2 / 0 / 54 / 29

HEX #B2B653

RGB 178 182 83

HSL 62.42, 0.4%, 0.52%

LAB 71.92, -15.06, 49.09

 

CMYK 1 / 0 / 37 / 36

HEX #A0A266

RGB 160 162 102

HSL 62, 0.24%, 0.52%

LAB 65.18, -10.18, 30.99

 

CMYK 0 / 47 / 90 / 5

HEX #F18017

RGB 241 128 23

HSL 28.9, 0.89%, 0.52%

LAB 65.12, 37.56, 67.84

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 2 / 0 / 90 / 5

HEX #EDF117

RGB 237 241 23

HSL 61.1, 0.89%, 0.52%

LAB 92.12, -22.08, 88.1

 

CMYK 26 / 0 / 90 / 5

HEX #B3F117

RGB 179 241 23

HSL 77.06, 0.89%, 0.52%

LAB 88.24, -45.13, 83.38

 

CMYK 50 / 0 / 90 / 5

HEX #79F117

RGB 121 241 23

HSL 93.03, 0.89%, 0.52%

LAB 85.52, -64.49, 80.04

 

CMYK 3 / 0 / 94 / 33

HEX #A7AC0A

RGB 167 172 10

HSL 61.85, 0.89%, 0.36%

LAB 67.83, -18.12, 68.63

 

CMYK 3 / 0 / 94 / 17

HEX #CDD30C

RGB 205 211 12

HSL 61.81, 0.89%, 0.44%

LAB 81.62, -21.11, 80.25

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 2 / 0 / 74 / 5

HEX #EDF33E

RGB 237 243 62

HSL 61.99, 0.88%, 0.6%

LAB 92.77, -22, 80.07

 

CMYK 2 / 0 / 59 / 4

HEX #F1F665

RGB 241 246 101

HSL 62.07, 0.89%, 0.68%

LAB 94.12, -19.75, 67.31

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 90 / 0 / 71 / 5

HEX #17F146

RGB 23 241 70

HSL 132.94, 0.89%, 0.52%

LAB 83.72, -78.72, 65.69

 

CMYK 34 / 90 / 0 / 5

HEX #9E17F1

RGB 158 23 241

HSL 277.16, 0.89%, 0.52%

LAB 44.56, 80.45, -79.28

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 90 / 2 / 0 / 5

HEX #17EDF1

RGB 23 237 241

HSL 181.1, 0.89%, 0.52%

LAB 85.56, -43.72, -15.15

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 90 / 0 / 71 / 5

HEX #17F146

RGB 23 241 70

HSL 132.94, 0.89%, 0.52%

LAB 83.72, -78.72, 65.69

 

CMYK 89 / 90 / 0 / 5

HEX #1B17F1

RGB 27 23 241

HSL 241.1, 0.89%, 0.52%

LAB 32.25, 71.71, -100.04

 

CMYK 0 / 90 / 20 / 5

HEX #F117C2

RGB 241 23 194

HSL 312.94, 0.89%, 0.52%

LAB 55.29, 86.2, -34.5

 

CMYK 3 / 0 / 90 / 5

HEX #EAF117

RGB 234 241 23

HSL 61.93, 0.89%, 0.52%

LAB 91.89, -23.32, 87.83

 

CMYK 90 / 0 / 44 / 5

HEX #17F188

RGB 23 241 136

HSL 151.1, 0.89%, 0.52%

LAB 84.42, -70.22, 37.58

 

CMYK 89 / 90 / 0 / 5

HEX #1B17F1

RGB 27 23 241

HSL 241.1, 0.89%, 0.52%

LAB 32.25, 71.71, -100.04

 

CMYK 0 / 90 / 47 / 5

HEX #F11780

RGB 241 23 128

HSL 331.1, 0.89%, 0.52%

LAB 52.81, 79.59, 0.72

 

Description

Color code: RGB 234 241 23 | qconv.com Color code: RGB 234 241 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 241 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 241 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 90% 5% C M Y K

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Provide designers and agencies with accurate color values.

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