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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 24 125 it is the complementary color RGB 21 231 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 24 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 24 125 shade: RGB 239 24 120, RGB 255 42 139, RGB 255 60 158, RGB 255 78 177 and RGB 255 96 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 24 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 24 125 shade: RGB 234 24 125, RGB 217 6 106, RGB 200 0 87, RGB 183 0 68 and RGB 166 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 24 125 shade: RGB 233 26 126, RGB 233 26 70 and RGB 233 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 24 125 shade: RGB 233 26 126, RGB 233 26 182, RGB 229 26 233, RGB 173 26 233 and RGB 117 26 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 24 125 shade matches the following richer shades: RGB 233 26 126 and RGB 253 6 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 24 125 shade: RGB 233 26 126, RGB 213 46 126, RGB 193 66 127, RGB 173 86 128 and RGB 152 107 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 24 125 shade: RGB 230 26 233, RGB 233 26 181, RGB 233 26 126, RGB 233 26 71 and RGB 233 36 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 24 125 shade: RGB 162 15 85, RGB 200 18 105, RGB 233 26 126, RGB 237 64 147 and RGB 240 101 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 24 125 shade: RGB 234 24 125, RGB 233 174 26 and RGB 26 209 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 24 125 shade: RGB 234 24 125, RGB 126 233 26 and RGB 26 126 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 24 125 shade: RGB 234 24 125, RGB 233 174 26, RGB 26 233 133 and RGB 26 85 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 24 125 shade: RGB 234 24 125, RGB 230 233 26, RGB 26 233 133 and RGB 29 26 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

Complementary color

CMYK 91 / 0 / 44 / 9

HEX #15E782

RGB 21 231 130

HSL 151.14, 0.83%, 0.49%

LAB 81.25, -68.06, 36.44

 

CMYK 0 / 90 / 50 / 6

HEX #EF1878

RGB 239 24 120

HSL 333.21, 0.87%, 0.52%

LAB 52.24, 78.39, 4.68

 

CMYK 0 / 84 / 45 / 0

HEX #FF2A8B

RGB 255 42 139

HSL 332.68, 1%, 0.58%

LAB 56.86, 80.57, 0.37

 

CMYK 0 / 76 / 38 / 0

HEX #FF3C9E

RGB 255 60 158

HSL 329.85, 1%, 0.62%

LAB 58.94, 77.99, -7.76

 

CMYK 0 / 69 / 31 / 0

HEX #FF4EB1

RGB 255 78 177

HSL 326.44, 1%, 0.65%

LAB 61.55, 74.4, -14.85

 

CMYK 0 / 62 / 23 / 0

HEX #FF60C4

RGB 255 96 196

HSL 322.26, 1%, 0.69%

LAB 64.65, 69.99, -20.99

 

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

CMYK 0 / 97 / 51 / 15

HEX #D9066A

RGB 217 6 106

HSL 331.56, 0.95%, 0.44%

LAB 46.87, 74.21, 4.97

 

CMYK 0 / 100 / 57 / 22

HEX #C80057

RGB 200 0 87

HSL 333.9, 1%, 0.39%

LAB 42.71, 69.57, 10.48

 

CMYK 0 / 100 / 63 / 28

HEX #B70044

RGB 183 0 68

HSL 337.7, 1%, 0.36%

LAB 38.7, 64.43, 16.51

 

CMYK 0 / 100 / 70 / 35

HEX #A60031

RGB 166 0 49

HSL 342.29, 1%, 0.33%

LAB 34.66, 59.32, 22.82

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 89 / 70 / 9

HEX #E91A46

RGB 233 26 70

HSL 347.25, 0.82%, 0.51%

LAB 50.1, 73.73, 31.92

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 89 / 22 / 9

HEX #E91AB6

RGB 233 26 182

HSL 314.78, 0.82%, 0.51%

LAB 53.43, 82.84, -30.54

 

CMYK 2 / 89 / 0 / 9

HEX #E51AE9

RGB 229 26 233

HSL 298.84, 0.82%, 0.51%

LAB 55.36, 88.9, -56.75

 

CMYK 26 / 89 / 0 / 9

HEX #AD1AE9

RGB 173 26 233

HSL 282.61, 0.82%, 0.51%

LAB 46.32, 80.34, -71.8

 

CMYK 50 / 89 / 0 / 9

HEX #751AE9

RGB 117 26 233

HSL 266.38, 0.82%, 0.51%

LAB 38.56, 73.74, -84.83

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 98 / 51 / 1

HEX #FD067D

RGB 253 6 125

HSL 331.09, 0.98%, 0.51%

LAB 54.55, 83.51, 5.33

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 78 / 41 / 16

HEX #D52E7E

RGB 213 46 126

HSL 331.26, 0.67%, 0.51%

LAB 49.02, 68.26, -4.26

 

CMYK 0 / 66 / 34 / 24

HEX #C1427F

RGB 193 66 127

HSL 331.18, 0.51%, 0.51%

LAB 47.96, 56.08, -6.81

 

CMYK 0 / 50 / 26 / 32

HEX #AD5680

RGB 173 86 128

HSL 331.03, 0.35%, 0.51%

LAB 48.38, 40.51, -7.12

 

CMYK 0 / 30 / 15 / 40

HEX #986B81

RGB 152 107 129

HSL 330.67, 0.18%, 0.51%

LAB 50.42, 21.47, -4.97

 

CMYK 1 / 89 / 0 / 9

HEX #E61AE9

RGB 230 26 233

HSL 299.13, 0.82%, 0.51%

LAB 55.53, 89.06, -56.47

 

CMYK 0 / 89 / 22 / 9

HEX #E91AB5

RGB 233 26 181

HSL 315.07, 0.82%, 0.51%

LAB 53.38, 82.72, -30.03

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 89 / 70 / 9

HEX #E91A47

RGB 233 26 71

HSL 346.96, 0.82%, 0.51%

LAB 50.12, 73.77, 31.34

 

CMYK 0 / 85 / 89 / 9

HEX #E9241A

RGB 233 36 26

HSL 2.9, 0.82%, 0.51%

LAB 50.29, 70.68, 55.5

 

CMYK 0 / 91 / 48 / 36

HEX #A20F55

RGB 162 15 85

HSL 331.43, 0.83%, 0.35%

LAB 35.36, 58.73, 0.19

 

CMYK 0 / 91 / 48 / 22

HEX #C81269

RGB 200 18 105

HSL 331.32, 0.83%, 0.43%

LAB 43.85, 69.04, 0.78

 

CMYK 0 / 89 / 46 / 9

HEX #E91A7E

RGB 233 26 126

HSL 331.01, 0.82%, 0.51%

LAB 51.35, 77.21, -0.4

 

CMYK 0 / 73 / 38 / 7

HEX #ED4093

RGB 237 64 147

HSL 331.21, 0.83%, 0.59%

LAB 55.86, 71.15, -6.21

 

CMYK 0 / 58 / 30 / 6

HEX #F065A8

RGB 240 101 168

HSL 331.08, 0.82%, 0.67%

LAB 62.22, 60.07, -8.92

 

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

CMYK 0 / 25 / 89 / 9

HEX #E9AE1A

RGB 233 174 26

HSL 42.9, 0.82%, 0.51%

LAB 74.62, 10.13, 73.89

 

CMYK 89 / 10 / 0 / 9

HEX #1AD1E9

RGB 26 209 233

HSL 186.96, 0.82%, 0.51%

LAB 77.1, -33.18, -23.68

 

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

CMYK 46 / 0 / 89 / 9

HEX #7EE91A

RGB 126 233 26

HSL 91.01, 0.82%, 0.51%

LAB 83.33, -60.04, 77.84

 

CMYK 89 / 46 / 0 / 9

HEX #1A7EE9

RGB 26 126 233

HSL 211.01, 0.82%, 0.51%

LAB 52.98, 12.43, -61.51

 

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

CMYK 0 / 25 / 89 / 9

HEX #E9AE1A

RGB 233 174 26

HSL 42.9, 0.82%, 0.51%

LAB 74.62, 10.13, 73.89

 

CMYK 89 / 0 / 43 / 9

HEX #1AE985

RGB 26 233 133

HSL 151.01, 0.82%, 0.51%

LAB 81.94, -67.93, 35.86

 

CMYK 89 / 64 / 0 / 9

HEX #1A55E9

RGB 26 85 233

HSL 222.9, 0.82%, 0.51%

LAB 42.15, 38.49, -79.11

 

CMYK 0 / 90 / 47 / 8

HEX #EA187D

RGB 234 24 125

HSL 331.14, 0.83%, 0.51%

LAB 51.41, 77.64, 0.33

 

CMYK 1 / 0 / 89 / 9

HEX #E6E91A

RGB 230 233 26

HSL 60.87, 0.82%, 0.51%

LAB 89.48, -21.1, 85.38

 

CMYK 89 / 0 / 43 / 9

HEX #1AE985

RGB 26 233 133

HSL 151.01, 0.82%, 0.51%

LAB 81.94, -67.93, 35.86

 

CMYK 88 / 89 / 0 / 9

HEX #1D1AE9

RGB 29 26 233

HSL 240.87, 0.82%, 0.51%

LAB 31.54, 68.75, -96.68

 

Description

Color code: RGB 234 24 125 | qconv.com Color code: RGB 234 24 125 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 24 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 24 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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